From the #1 New York Times bestselling author comes a dual biography of Winston Churchill and George Orwell, who preserved democracy from the threats of authoritarianism, from the left and right alike. Both George Orwell and Winston Churchill came close to death in the mid-1930’s–Orwell shot in the neck in a trench line in the Spanish Civil War, and Churchill struck by a car in New York City. If they’d died then, history would scarcely remember them. At the time, Churchill was a politician on the outs, his loyalty to his class and party suspect. Orwell was a mildly successful novelist, to put it generously. No one would have predicted that by the end of the 20th century they would be considered two of the most important people in British history for having the vision and courage to campaign tirelessly, in words and in deeds, against the totalitarian threat from both the left and the right. In a crucial moment, they responded first by seeking the facts of the matter, seeing through the lies and obfuscations, and then they acted on their beliefs. Together, to an extent not sufficiently appreciated, they kept the West’s compass set toward freedom as its due north. It’s not easy to recall now how lonely a position both men once occupied. By the late 1930’s, democracy was discredited in many circles, and authoritarian rulers were everywhere in the ascent. There were some who decried the scourge of communism, but saw in Hitler and Mussolini “men we could do business with,” if not in fact saviors. And there were others who saw the Nazi and fascist threat as malign, but tended to view communism as the path to salvation. Churchill and Orwell, on the other hand, had the foresight to see clearly that the issue was human freedom–that whatever its coloration, a government that denied its people basic freedoms was a totalitarian menace and had to be resisted. In the end, Churchill and Orwell proved their age’s necessary men. The glorious climax of Churchill and Orwell is the work they both did in the decade of the 1940’s to triumph over freedom’s enemies. And though Churchill played the larger role in the defeat of Hitler and the Axis, Orwell’s reckoning with the menace of authoritarian rule in Animal Farm and 1984 would define the stakes of the Cold War for its 50-year course, and continues to give inspiration to fighters for freedom to this day. Taken together, in Thomas E. Ricks’s masterful hands, their lives are a beautiful testament to the power of moral conviction, and to the courage it can take to stay true to it, through thick and thin. Churchill and Orwell makes a great Father’s Day gift.
The harrowing adventure-at-sea memoir recounting the 2013 search-and-rescue mission for lost Montauk fisherman John Aldridge – first a New York Times Magazine feature story, now in priority development as a major motion picture from The Weinstein Company.
“A Speck in the Sea is a terrific read–harrowing and inspiring at the same time. In the end it’s a moving testament both to our individual will to survive and to our collective will to come to the aid of others in distress. I couldn’t put it down.” –Daniel James Brown, author of The Boys in the Boat In the dead of night on July 24, 2013, John Aldridge was thrown off the back of the Anna Mary while his fishing partner, Anthony Sosinski, slept below. As desperate hours ticked by, Sosinski, the families, the local fishing community, and the U.S. Coast Guard in three states mobilized in an unprecedented search effort that culminated in a rare and exhilarating success. A tale of survival, perseverance, and community, A Speck in the Sea tells of one man’s struggle to survive as friends and strangers work separately, and together, to bring him home. Aldridge’s wrenching first-person account intertwines with the narrative of the massive, constantly evolving rescue operation designed to save him.
Sunny Los Angeles can be a dark place indeed in Cassandra Clare’s Lord of Shadows, the sequel to the #1 New York Times and USA TODAY bestselling Lady Midnight. Lord of Shadows is a Shadowhunters novel. Emma Carstairs has finally avenged her parents. She thought she’d be at peace. But she is anything but calm. Torn between her desire for her parabatai Julian and her desire to protect him from the brutal consequences of parabatai relationships, she has begun dating his brother, Mark. But Mark has spent the past five years trapped in Faerie; can he ever truly be a Shadowhunter again? And the faerie courts are not silent. The Unseelie King is tired of the Cold Peace, and will no longer concede to the Shadowhunters’ demands. Caught between the demands of faerie and the laws of the Clave, Emma, Julian, and Mark must find a way to come together to defend everything they hold dear–before it’s too late.
Startling and scandalous, this is an intimate insider’s story of Osama bin Laden’s retinue in the ten years after 9/11, a family in flight and at war.
From September 11, 2001 to May 2, 2011, Osama Bin Laden evaded intelligence services and special forces units, drones and hunter killer squads. The Exile tells the extraordinary inside story of that decade through the eyes of those who witnessed it: bin Laden’s four wives and many children, his deputies and military strategists, his spiritual advisor, the CIA, Pakistan’s ISI, and many others who have never before told their stories.
Investigative journalists Cathy Scott-Clark and Adrian Levy gained unique access to Osama bin Laden’s inner circle, and they recount the flight of Al Qaeda’s forces and bin Laden’s innocent family members, the gradual formation of ISIS by bin Laden’s lieutenants, and bin Laden’s rising paranoia and eroding control over his organization. They also reveal that the Bush White House knew the whereabouts of bin Laden’s family and Al Qaeda’s military and religious leaders, but rejected opportunities to capture them, pursuing war in the Persian Gulf instead, and offer insights into how Al Qaeda will attempt to regenerate itself in the coming years.
While we think we know what happened in Abbottabad on May 2, 2011, we know little about the wilderness years that led to that shocking event. As authoritative in its scope and detail as it is propuslively readable, The Exile is a landmark work of investigation and reporting.
Using the scaffolding of Isadora Duncan’s life and the stuff of her spirit, Amelia Gray delivers an incredibly imaginative portrait of the artist.
In 1913, the restless world sat on the brink of unimaginable suffering. But for one woman, the darkness of a new era had already made itself at home. Isadora Duncan would come to be known as the mother of modern dance, but in the spring of 1913 she was a grieving mother, after a freak accident in Paris resulted in the drowning death of her two young children.
The accident cracked Isadora’s life in two: on one side, the brilliant young talent who captivated audiences the world over; on the other, a heartbroken mother spinning dangerously on the edge of sanity.
Isadora is a shocking and visceral portrait of an artist and woman drawn to the brink of destruction by the cruelty of life. In her breakout novel, Amelia Gray offers a relentless portrayal of a legendary artist churning through prewar Europe. Isadora seeks to obliterate the mannered portrait of a dancer and to introduce the reader to a woman who lived and loved without limits, even in the darkest days of her life.
A major reimagining of how evolutionary forces work, revealing how mating preferences–what Darwin termed “the taste for the beautiful”–create the extraordinary range of ornament in the animal world.
Yale University ornithologist Richard Prum–reviving Darwin’s own views–thinks not. Deep in tropical jungles around the world are birds with a dizzying array of appearances and mating displays: Club-winged Manakins who sing with their wings, Great Argus Pheasants who dazzle prospective mates with a four-foot-wide cone of feathers covered in golden 3D spheres, Red-capped Manakins who moonwalk. In thirty years of fieldwork, Prum has seen numerous display traits that seem disconnected from, if not outright contrary to, selection for individual survival. To explain this, he dusts off Darwin’s long-neglected theory of sexual selection in which the act of choosing a mate for purely aesthetic reasons–for the mere pleasure of it–is an independent engine of evolutionary change.
Mate choice can drive ornamental traits from the constraints of adaptive evolution, allowing them to grow ever more elaborate. It also sets the stakes for sexual conflict, in which the sexual autonomy of the female evolves in response to male sexual control. Most crucially, this framework provides important insights into the evolution of human sexuality, particularly the ways in which female preferences have changed male bodies, and even maleness itself, through evolutionary time.
The Evolution of Beauty presents a unique scientific vision for how nature’s splendor contributes to a more complete understanding of evolution and of ourselves.
A dazzling new collection of short stories–the first major new work of fiction from the beloved, internationally acclaimed, Haruki Murakami since his #1 best-selling Colorless Tsukuru Tazaki and His Years of Pilgrimage.
Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.
The murder victim, a self-declared Tinder addict. The one solid clue–fragments of rust and paint in her wounds–leaves the investigating team baffled.
Two days later, there’s a second murder: a woman of the same age, a Tinder user, an eerily similar scene.
The chief of police knows there’s only one man for this case. But Harry Hole is no longer with the force. He promised the woman he loves, and he promised himself, that he’d never go back: not after his last case, which put the people closest to him in grave danger.
But there’s something about these murders that catches his attention, something in the details that the investigators have missed. For Harry, it’s like hearing “the voice of a man he was trying not to remember.” Now, despite his promises, despite everything he risks, Harry throws himself back into the hunt for a figure who haunts him, the monster who got away.
“Exceptional . . . Nesbo depicts a heartbreakingly conflicted Harry, who both wants to forget the horrors he’s trying to prevent and knows he has to remember them in all their grim detail.”