From the bestselling author of Cultish and host of the podcast Sounds Like a Cult, a delicious blend of cultural criticism and personal narrative that explores our cognitive biases and the power, disadvantages, and highlights of magical thinking.

Utilizing the linguistic insights of her “witty and brilliant” (Blyth Roberson, author of America the Beautiful?) first book Wordslut and the sociological explorations of her breakout hit Cultish, Amanda Montell now turns her erudite eye to the inner workings of the human mind and its biases in her most personal and electrifying work yet.

“Magical thinking” can be broadly defined as the belief that one’s internal thoughts can affect unrelated events in the external world: Think of the conviction that one can manifest their way out of poverty, stave off cancer with positive vibes, thwart the apocalypse by learning to can their own peaches, or transform an unhealthy relationship to a glorious one with loyalty alone. In all its forms, magical thinking works in service of restoring agency amid chaos, but in The Age of Magical Overthinking, Montell argues that in the modern information age, our brain’s coping mechanisms have been overloaded, and our irrationality turned up to an eleven.

In a series of razor sharp, deeply funny chapters, Montell delves into a cornucopia of the cognitive biases that run rampant in our brains, from how the “Halo effect” cultivates worship (and hatred) of larger than life celebrities, to how the “Sunk Cost Fallacy” can keep us in detrimental relationships long after we’ve realized they’re not serving us. As she illuminates these concepts with her signature brilliance and wit, Montell’s prevailing message is one of hope, empathy, and ultimately forgiveness for our anxiety-addled human selves. If you have all but lost faith in our ability to reason, Montell aims to make some sense of the senseless. To crack open a window in our minds, and let a warm breeze in. To help quiet the cacophony for a while, or even hear a melody in it.

The most thrilling work yet from the best-selling, prize-winning author of The Newlyweds and Lost and Wanted, a stunning new novel set in French Polynesia and New York City about three characters who undergo massive transformations over the course of a single year

A New York City schoolteacher, Kate struggles to connect with a teenager whose capacity for destruction seems exceeded only by her privilege. Even as Kate fails to parent Pia—and questions her own ability to become a mother—one of her sixteen-year-old students is already caring for a toddler full time. Athyna’s love for her nephew, Marcus, is a burden that becomes heavier as she struggles to finish her senior year online. Juggling her manifold responsibilities, Athyna finds herself more and more anxious every time she leaves the house. Just as her fear of what is waiting for her outside her Staten Island community feels insupportable, an incident at home makes her desperate to leave.

From Mo’orea, a tiny volcanic island off the coast of Tahiti, a French biologist obsessed with saving Polynesia’s imperiled coral reefs sends her teenage daughter to live with her ex-husband in New York. By the time fifteen-year-old Pia arrives at her father Stephen’s luxury apartment in Manhattan and meets his new, younger wife, Kate, she has been shuttled between her parents’ disparate lives—her father’s consuming work as a surgeon at an overwhelmed New York hospital, her mother’s relentless drive against a ticking ecological clock—for most of her life. Fluent in French, intellectually precocious, moving between cultures with seeming ease, Pia arrives in New York poised for a rebellion, just as COVID sends her and her stepmother together into near total isolation. 

When their lives collide, Pia and Athyna spiral toward parallel but inescapably different tragedies. Moving from a South Pacific “paradise,” where rage still simmers against the colonial government and its devastating nuclear tests, to the extreme inequalities of twenty-first century New York City, The Limits is an unforgettably moving novel about nation, race, class, and family. Heart-wrenching and humane, a profound work from one of America’s most prodigiously gifted novelists.

Named a Most Anticipated Book of 2024 by the Washington Post, Oprah Daily, and Literary Hub

This lucent anti-memoir from celebrated novelist Lydia Millet explores the pain and joy of being a parent, child, and human at a moment when the richness of the planet’s life is deeply threatened.

Across more than a dozen acclaimed works of fiction, readers have become intimate with Lydia Millet’s distinctive voice and sly wit. We Loved It All, her first nonfiction book, combines the precision of fact with the power of narrative to evoke our enmeshment with the more-than-human world.

Emerging from Millet’s quarter century of wildlife and climate advocacy, We Loved it All marries scenes from her life with moments of nearness to “the others”— the animals and plants with whom we share the earth. Accounts of fears and failures, jobs and friendships, childhood and motherhood are interspersed with exquisite accounts of nonhumans and arresting meditations on the power of story to shape the future.

Seeking to understand why we immerse ourselves in the domestic and immediate, turning away from more sweeping views, she examines how grand cultural myths can deny our longing for the company of nature and deprive us of its charisma and inspiration. In a thrilling distillation of experience and emotion, she evinces the familiar sense of feeling both well-meaning and powerless—a creature subject to forces that are baffling in their immensity. The fear and grief of extinction and climate change, Millet suggests, are forms of love that might be turned to resistance.

We Loved It All shimmers with curiosity and laconic humor yet addresses with reverence the most urgent crises of our day. An incantatory, bewitching devotional to the vast and precious bestiary of the earth, it asks that we extend to other living beings the protection they deserve—the simple grace of continued existence.

A career defining tour-de-force from New York Times bestselling, award-winning and “formidably gifted” (Chicago Tribune) author of Peace Like a River Leif Enger.

A storyteller “of great humanity and huge heart” (Minneapolis Star Tribune), Leif Enger debuted in the literary world with Peace Like a River which sold over a million copies and captured readers’ hearts around the globe. Now comes a new milestone in this boldly imaginative author’s accomplished, resonant body of work. Set in a not-too-distant America, I Cheerfully Refuse is the tale of a bereaved and pursued musician embarking
under sail on a sentient Lake Superior in search of his departed, deeply beloved, bookselling wife. Rainy, an endearing bear of an Orphean narrator, seeks refuge in the harbors, fogs and remote islands of the inland sea. Encountering lunatic storms and rising corpses from the warming depths, Rainy finds on land an increasingly desperate and illiterate people, a malignant billionaire ruling class, crumbled infrastructure and a lawless society. Amidst the Gulliver-like challenges of life at sea and no safe landings, Rainy is lifted by physical beauty, surprising humor, generous strangers, and an unexpected companion in a young girl who comes aboard. And as his innate guileless nature begins to make an inadvertent rebel of him, Rainy’s private quest for the love of his life grows into something wider and wilder, sweeping up friends and foes alike in his strengthening wake.

I Cheerfully Refuse epitomizes the “musical, sometimes magical and deeply satisfying kind of storytelling” (Los Angeles Times) for which Leif Enger is cherished. A rollicking narrative in the most evocative of settings, this latest novel is a symphony against despair and a rallying cry for the future.

From renowned underwater archaeologist David Gibbins comes an exciting and rich narrative of human history told through the archaeological discoveries of twelve shipwrecks across time.

The Viking warship of King Cnut the Great. Henry VIII’s the Mary Rose. Captain John Franklin’s doomed HMS Terror. The SS Gairsoppa, destroyed by a Nazi U-boat in the Atlantic during World War II.

Since we first set sail on the open sea, ships and their wrecks have been an inevitable part of human history. Archaeologists have made spectacular discoveries excavating these sunken ships, their protective underwater cocoon keeping evidence of past civilizations preserved. Now, for the first time, world renowned maritime archeologist David Gibbins ties together the stories of some of the most significant shipwrecks in time to form a single overarching narrative of world history.

A History of the World in Twelve Shipwrecks is not just the story of those ships, the people who sailed on them, and the cargo and treasure they carried, but also the story of the spread of people, religion, and ideas around the world; it is a story of colonialism, migration, and the indominable human spirit that continues today. From the glittering Bronze Age, to the world of Caesar’s Rome, through the era of the Vikings, to the exploration of the Arctic, Gibbins uses shipwrecks to tell all.

Drawing on decades of experience excavating shipwrecks around the world, Gibbins reveals the riches beneath the waves and shows us how the treasures found there can be a porthole to the past that tell a new story about the world and its underwater secrets.

Named a Most Anticipated Book of 2024 by the New York Times Book Review Podcast, Reader’s Digest, Time, and more

From the bestselling author of The Lincoln Highway, A Gentleman in Moscow, and Rules of Civility, a richly detailed and sharply drawn collection of stories, including a novella featuring one of his most beloved characters

Millions of Amor Towles fans are in for a treat as he shares some of his shorter fiction: six stories based in New York City and a novella set in Golden Age Hollywood.

The New York stories, most of which take place around the year 2000, consider the fateful consequences that can spring from brief encounters and the delicate mechanics of compromise that operate at the heart of modern marriages.

In Towles’s novel Rules of Civility, the indomitable Evelyn Ross leaves New York City in September 1938 with the intention of returning home to Indiana. But as her train pulls into Chicago, where her parents are waiting, she instead extends her ticket to Los Angeles. Told from seven points of view, “Eve in Hollywood” describes how Eve crafts a new future for herself—and others—in a noirish tale that takes us through the movie sets, bungalows, and dive bars of Los Angeles.

Written with his signature wit, humor, and sophistication, Table for Two is another glittering addition to Towles’s canon of stylish and transporting fiction.

Eater’s Best Food Books to Read This Spring

When journalist Annabelle Tometich picks up the phone one June morning, she isn’t expecting a collect call from an inmate at the Lee County Jail. And when she accepts, she certainly isn’t prepared to hear her mother’s voice on the other end of the line. However, explaining the situation to her younger siblings afterwards was easy; all she had to say was, “Mom shot at some guy. He was messing with her mangoes.” They immediately understood. Answering the questions of the breaking-news reporter—at the same newspaper where Annabelle worked as a restaurant critic––proved more difficult. Annabelle decided to go with a variation of the truth: it was complicated.

So begins The Mango Tree, a poignant and deceptively entertaining memoir of growing up as a mixed-race Filipina “nobody” in suburban Florida as Annabelle traces the roots of her upbringing—all the while reckoning with her erratic father’s untimely death in a Fort Myers motel, her fiery mother’s bitter yearning for the country she left behind, and her own journey in the pursuit of belonging.

With clear-eyed compassion and piercing honesty, The Mango Tree is a family saga that navigates the tangled branches of Annabelle’s life, from her childhood days in an overflowing house flooded by balikbayan boxes, vegetation, and juicy mangoes, to her winding path from medical school hopeful to restaurant critic. It is a love letter to her fellow Filipino Americans, her lost younger self, and the beloved fruit tree at the heart of her family. But above all, it is an ode to Annabelle’s hot-blooded, whip-smart mother Josefina, a woman who made a life and a home of her own, and without whom Annabelle would not have herself.

A MOST ANTICIPATED BOOK • An exuberant debut, The Husbands delights in asking: how do we navigate life, love, and choice in a world of never-ending options? (“A time-bending gem”—Gabrielle Zevin; “Kaleidoscopic and bright and very, very funny.” –Claire Lombardo)

When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There’s only one problem—she’s not married. She’s never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they’ve been together for years.

As Lauren tries to puzzle out how she could be married to someone she can’t remember meeting, Michael goes to the attic to change a lightbulb and abruptly disappears. In his place, a new man emerges, and a new, slightly altered life re-forms around her. Realizing that her attic is creating an infinite supply of husbands, Lauren confronts the question: If swapping lives is as easy as changing a lightbulb, how do you know you’ve taken the right path? When do you stop trying to do better and start actually living?

The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale.

It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of Proofrock no one wants to confront…until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand.

New York Times bestselling author Stephen Graham Jones has crafted an epic horror trilogy of generational trauma from the Indigenous to the townies rooted in the mountains of Idaho. It is a story of the American west written in blood.

A poignant, personal reflection on basketball, life, and home—from the author of the National Book Award finalist A Little Devil in America.

“Mesmerizing . . . not only the most original sports book I’ve ever read but one of the most moving books I’ve ever read, period.”—Steve James, director of Hoop Dreams

Growing up in Columbus, Ohio, in the 1990s, Hanif Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron James were forged and countless others weren’t. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tension between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with intimate, personal storytelling. “Here is where I would like to tell you about the form on my father’s jump shot,” Abdurraqib writes. “The truth, though, is that I saw my father shoot a basketball only one time.”

There’s Always This Year is a triumph, brimming with joy, pain, solidarity, comfort, outrage, and hope. No matter the subject of his keen focus—whether it’s basketball, or music, or performance—Hanif Abdurraqib’s exquisite writing is always poetry, always profound, and always a clarion call to radically reimagine how we think about our culture, our country, and ourselves.