I love this book! Gary is a charmer – you will fall for this boy’s story and finish wishing for more. – Judy B
Foolishly, I over looked this book as just another comedian’s autobiography for far too long. Ansari teamed with sociologist Eric Klienberg to look how love, romance and couples have changed over generations. Extremely interesting… and of course, Ansari’s humor is always present. -Emily B
For those reading about people on the spectrum, this is a fun and funny read. How to find a wife in a novel way – Pat B
Ever wonder how the witch from Hansel & Gretel became the way she did? Ot how Jack turned out after he chopped down the beanstalk? This wicked remix of modernized stories will take you to the dark side of Fairy Tales – Mia C
Chrissie Hynde, leader of the Pretenders, is one of the most widely imitated figures in rock: sexy, unflappable, vulnerable yet tough, a groundbreaking songwriter and performer. In these pages, Chrissie gives us her story. We see her all-American 1950s childhood in Ohio, and her teenage self falling for the rock music of the 1960s. We follow her to London, where she takes a job with NME and makes her way into the churning ’70s London punk scene, meeting Lemmy, Sid Vicious and Iggy Pop, living in squats, writing songs, playing in early versions of the Clash and the Damned. Her work with the Pretenders—which melded punk, New Wave, and pop to irresistible effect—would catapult her to instant stardom. Through it all is Chrissie’s unmistakable voice, ringing with fearless emotional honesty, a razor-sharp wit, and an enduring belief in the power of rock’n’roll.
Stan and Charmaine, a young urban couple, have been hit by job loss and bankruptcy in the midst of a nationwide economic collapse. Forced to live in their third-hand Honda, where they are vulnerable to roving gangs, they think the gated community of Consilience may be the answer to their prayers. If they sign a life contract, they’ll get a job and a lovely house . . . for six months out of the year. On alternating months, residents must leave their homes and serve as inmates in the Positron prison system. At first, this seems worth it: they will have a roof over their heads and food on the table. But when a series of troubling events unfolds, Positron begins to look less like a prayer answered and more like a chilling prophecy fulfilled. The Heart Goes Last is a vivid, urgent vision of development and decay, freedom and surveillance, struggle and hope—and the timeless workings of the human heart.
A woman known only by the letter A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality show called That’s My Partner! A eats (or doesn’t) the right things, watches endless amounts of television, often just for the commercials—particularly the recurring cartoon escapades of Kandy Kat, the mascot for an entirely chemical dessert—and models herself on a standard of beauty that only exists in such advertising. She fixates on the fifteen minutes of fame a news-celebrity named Michael has earned after buying up his local Wally Supermarket’s entire, and increasingly ample, supply of veal.
Meanwhile B is attempting to make herself a twin of A, who hungers for something to give meaning to her life, something aside from C’s pornography addiction, and becomes indoctrinated by a new religion spread throughout a web of corporate franchises, which moves her closer to the decoys that populate her television world, but no closer to her true nature.
One of These Things First is a wry and poignant reminiscence of a 15 year old gay Jewish boy in Brooklyn in the early sixties, and his unexpected trajectory from a life behind a rack of dresses in his grandmother’s bra and girdle store, to Manhattan’s fabled Payne Whitney Psychiatric Clinic, a fashionable Charenton for wealthy neurotics and Ivy League alcoholics, whose famous alumni include writers, poets, madmen, Marilyn Monroe, and bestselling author Steven Gaines.
With a gimlet eye and a true gift for storytelling, Gaines captures his childhood shtetl in Brooklyn like an Edward Hopper tableau, with all its dramas and secrets: his philandering grandfather with his fleet of Cadillacs and Corvettes; a trio of harpy saleswomen; a giant, empty movie theater, his portal to the outside world; a shirtless teenage boy pushing a lawnmower in front of a house on Long Island; and a pair of tormenting bullies who own the corner candy store whose taunts drive him to a suicide attempt.
In the ten years since the publication of her beloved, groundbreaking Encyclopedia of an Ordinary Life, #1 New York Times bestselling author Amy Krouse Rosenthal has been quietly tinkering away. Using her distinct blend of nonlinear narrative, wistful reflections, and insightful wit, she has created a modest but mighty new work.
In Scream, her first memoir, Janowitz recalls the quirky literary world of young downtown New York in the go-go 1980s and reflects on her life today far away from the city indelible to her work. As in Slaves of New York and A Certain Age, Janowitz turns a critical eye towards life, this time her own, recounting the vagaries of fame and fortune as a writer devoted to her art. Here, too, is Tama as daughter, wife, and mother, wrestling with aging, loss, and angst, both adolescent (her daughter) and middle aged (her own) as she cares for a mother plagued by dementia, battles a brother who questions her choices, and endures the criticism of a surly teenager.