Happy Freedom Day! Here are a few books we recommend about Juneteenth and Black history, as well as some celebrating contemporary Black culture in the United States.
Juneteenth Is by Natasha Tripplett & illustrated by Daniel J. O’Brien
An intimate look at Juneteenth, this story is a warm exploration of a family and a community.
Juneteenth is the smell of brisket filling the air. Juneteenth is the sounds of music, dancing, and cheering ringing from the parade outside. It is love. It is prayer. It is friends and relatives coming together to commemorate freedom, hope for tomorrow, and one another.
This book is an ode to the history of the Black community in the United States, a tribute to Black joy, and a portrait of familial love. With poignant text and vivid illustrations, Juneteenth Is offers a window and a mirror for readers, resonating with kids who will see themselves reflected in its pages and those who hope to understand experiences beyond their own.
What Is Juneteenth? by Kirsti Jewel, Who HQ, & illustrated by Manuel Gutierrez
Discover more about Juneteenth, the important holiday that celebrates the end of chattel slavery in the United States.
On June 19, 1865, a group of enslaved men, women, and children in Texas gathered around a Union solder and listened as he read the most remarkable words they would ever hear. They were no longer enslaved: they were free. The inhumane practice of forced labor with no pay was now illegal in all of the United States. This news was cause for celebration, so the group of people jumped in excitement, danced, and wept tears of joy. They did not know it at the time, but their joyous celebration of freedom would become a holiday–Juneteenth–that is observed each year by more and more Americans.
Four Hundred Souls: A Community History of African America, 1619-2019 edited by Ibram X. Kendi & Keisha N. Blain
Four Hundred Souls is a unique one-volume “community” history of African Americans. The editors, Ibram X. Kendi and Keisha N. Blain, have assembled ninety brilliant writers, each of whom takes on a five-year period of that four-hundred-year span. The writers explore their periods through a variety of techniques: historical essays, short stories, personal vignettes, and fiery polemics. They approach history from various perspectives: through the eyes of towering historical icons or the untold stories of ordinary people; through places, laws, and objects. While themes of resistance and struggle, of hope and reinvention, course through the book, this collection of diverse pieces from ninety different minds, reflecting ninety different perspectives, fundamentally deconstructs the idea that Africans in America are a monolith—instead it unlocks the startling range of experiences and ideas that have always existed within the community of Blackness.
The New Negro Aesthetic by Alain Locke, edited by Jeffrey C. Stewart
For months, the philosopher Alain Locke wrestled with the idea of the Negro as America’s most vexing problem. He asked how shall Negroes think of themselves as he considered the new crop of poets, novelists, and short story writers who, in 1924, wrote about their experiences as Black people in America. He did not want to frame Harlem and Black writing as yet another protest against racism, nor did he want to focus on the sociological perspective on the “Negro problem” and Harlem as a site of crime, poverty, and dysfunction. He wanted to find new language and a new way for Black people to think of themselves.
The essays and articles collected in this volume, by Locke’s Pulitzer Prize–winning biographer, are the result of that new attitude and the struggle to instill the New Negro aesthetics, as Stewart calls it here, into the mind of the twentieth century. To be a New Negro poet, novelist, actor, musician, dancer, or filmmaker was to commit oneself to an arc of self-discovery of what and who the Negro was—would be—without fear that one would disappoint the white or Black bystander. In committing to that path, Locke asserted, one would uncover a “being-in-the-world” that was rich and bountiful in its creative possibilities, if Black people could turn off the noise of racism and see themselves for who they really are: a world of creative people who have transformed, powerfully and perpetually, the culture of wherever history or social forces landed them.
This Is the Honey: An Anthology of Contemporary Black Poets edited by Kwame Alexander
In this comprehensive and vibrant poetry anthology, bestselling author and poet Kwame Alexander curates a collection of contemporary anthems at turns tender and piercing and deeply inspiring throughout. Featuring work from well-loved poets such as Rita Dove, Jericho Brown, Warsan Shire, Ross Gay, Tracy K. Smith, Terrance Hayes, Morgan Parker, and Nikki Giovanni, This Is the Honey is a rich and abundant offering of language from the poets giving voice to generations of resilient joy, “each incantation,” as Mahogany L. Browne puts it in her titular poem, is “a jubilee of a people dreaming wildly.”
High on the Hog: A Culinary Journey from Africa to America by Jessica B. Harris
Acclaimed cookbook author Jessica B. Harris has spent much of her life researching the food and foodways of the African Diaspora. High on the Hog is the culmination of years of her work, and the result is a most engaging history of African American cuisine. Harris takes the reader on a harrowing journey from Africa across the Atlantic to America, tracking the trials that the people and the food have undergone along the way.
From chitlins and ham hocks to fried chicken and vegan soul, Harris celebrates the delicious and restorative foods of the African American experience and details how each came to form such an important part of African American culture, history, and identity. Although the story of African cuisine in America begins with slavery, High on the Hog ultimately chronicles a thrilling history of triumph and survival. The work of a masterful storyteller and an acclaimed scholar, Jessica B. Harris’s High on the Hog fills an important gap in our culinary history.
Juneteenth by Ralph Ellison
Here is Ellison, the master of American vernacular—the preacher’s hyperbole and the politician’s rhetoric, the rhythms of jazz and gospel and ordinary speech—at the height of his powers, telling a powerful, evocative tale of a prodigal of the twentieth century.
“Tell me what happened while there’s still time,” demands the dying senator Adam Sunraider to the Reverend A. Z. Hickman, the itinerant Negro preacher whom he calls Daddy Hickman. As a young man, Sunraider was Bliss, an orphan taken in by Hickman and raised to be a preacher like himself. His history encompasses camp meetings where he became the risen Lazarus to inspire the faithful; the more ordinary joys of Southern boyhood; bucolic days as a filmmaker; lovemaking with a young woman in a field in the Oklahoma sun. And behind it all lies a mystery: how did this chosen child become the man who would deny everything to achieve his goals?