We had the opportunity to talk with Lily Brooks-Dalton, author of The Light Pirate (12/6, Grand Central Publishing) in advance of her December 8 in-person event (click here for ticket information) in conversation with store co-founder Judy Blume and store manager Emily Berg at Hugh’s View at The Studios of Key West. We are wildly excited about meeting Lily and can’t recommend The Light Pirate enough (it is also our featured staff pick for December)!
Q: How did you arrive at the story you tell in The Light Pirate? Did you start out with a specific goal or idea or character?
A: I was actually here in Key West when I first started ruminating on preparing for storms and wondering whether there was a story I wanted to tell wrapped up in that rhythm. I was doing a residency at The Studios of Key West and there was a hurricane coming that didn’t end up hitting the Keys, but there was this palpable tension in the air that I kept coming back to. And then I started thinking about linemen, and all this labor that goes into keeping the lights on… so probably the first concrete story moment I had was imagining this little girl tagging along on storm duty with her father, waiting for him in the bucket truck while he worked on the downed lines. That exact scene didn’t actually make it into the book, but that was where I began. And the story grew from there.
Q: The book is told from the perspective of more than a few characters. Was there one you think of as your protagonist?
A: I think of Wanda as my protagonist. The book begins on the day she’s born (I guess technically the day before) and it spans her lifetime, so even though we’re also following the people around her, I’d say she is at the center.
Q: You’re from Florida but now living in California. Did you ever think of telling this story from a West Coast perspective?
A: Well, I actually grew up in Vermont. I struck out on my own fairly young, and right around that time my parents decided to relocate. So Florida has always been my home base as an adult, but I’m not sure I get to say I’m from here. I started working on The Light Pirate about a year before I moved to California. At that point I was actually living out of my truck and traveling around, but I had just spent a big chunk of time in Florida and so the landscape was still very fresh for me. I didn’t even consider setting it somewhere else, Florida was at the heart of the idea from the start.
Q: What was the process like seeing Good Morning, Midnight go from book to film? Could you see The Light Pirate as a movie?
A: It was extraordinary. It’s hard to describe really, beyond saying that it was special and weird and it had a resounding impact on my life. I’m really grateful that it happened. As for The Light Pirate, if we were to do an adaptation, I see it as a TV show. There is more story to tell in this world than even the book contains, and I wouldn’t want to shrink down what is already on the page to fit it into a 2 hour container. I would want to let it expand and breathe! So, I think television offers more space to let something like this unfold.
Q: What are you reading and recommending these days?
A: I just finished Dinosaurs by Lydia Millet, which I liked very much, and then I will also recommend Beneficence by Meredith Hall. I read it a while ago but I’m still thinking about how gorgeous it was. And I also want to chat up The Water Will Come by Jeff Goodell, which is nonfiction, because it has a terrific Florida chapter and just in general was a text that I really valued and learned a lot from while I was working on the novel.
