“TASTE reminds me that whomever you are and wherever you come from the sharing of food connects us,” Gina writes. “It’s impossible to read this book and not be drawn back into your memories to the feel of a certain room, the sounds and smells of that ONE special dish (that of course only your family makes perfectly). And, then to sharing that dish with family or people who will become family.
Plus, I learned how to make the “perfect” martini! PRICELESS!”
Thanks to our wonderful volunteers! Volunteers supplement our booksellers’ work, and are a huge help in keeping things running smoothly. This extraordinarily well-read group also give us a much wider sense of what’s worth reading by sharing insights and recommendations.
Many of our volunteers have been with the store for a number of years, like Karen Schultz, who we thought you’d enjoy meeting. We are always looking for new volunteers, so if you’re interested, introduce yourself next time you’re visiting the store and we’ll tell you how it works.
Q: Where is home when you’re not in Key West and how did you end up in Key West?
A: We lived for many years in State College, PA (home of Penn State), but after I retired, my husband and I moved into our beach cottage in Sea Isle City, NJ, where we now spend our summers. We fell in love with Key West during our first visit in the early 1990s and immediately knew it was where we wanted to live during the winter. After enduring so many cold, grey winters in central PA, we wanted to be as far south as possible! We bought a house in Old Town that had been sub-divided into 3 apartments, maintained it as a rental for 14 years, then renovated it into a single-family home.
Q: How long have you been volunteering at the store and how did you get into it? What do you like best about it?
Thank you to all of our volunteers! We appreciate your assistance and your commitment to helping the bookstore thrive. Have a great summer!
A: I’ve been volunteering at Books & Books for 6 years. I went into the store one day to buy one of Judy Blume’s books for my granddaughter and ran into a neighbor of mine who was a volunteer. She introduced me to the store manager and I started working a few weeks later. For an avid reader like me, it’s heaven to work in a bookstore. Judy and George are wonderful (I will always be grateful for George’s patience while I was learning the computer system), the staff and volunteers are so great, and customers really appreciate the store. And I love seeing the reactions of Judy’s fans when they meet her. I’ve seen women get teary-eyed when telling Judy how much her books meant to them when they were younger.
Q: What’s your favorite thing to take visiting family and friends to do in or around the Keys?
A: There are so many places in Key West that I love sharing with visitors. But our must-see spot is the Garden Club at West Martello. It is, in my opinion, the most beautiful place on the island. And it’s free (donations appreciated) — you can’t beat that!
Q: What’s your favorite book to recommend to customers who are just looking for a good book?
A: That’s a difficult question to answer, since it depends on the genre the customer prefers. I’m a murder mystery fan, so I often recommend Louise Penny‘s books. I also recommend The Nightingale by Kristin Hannah — I haven’t met anyone who’s read that book that didn’t love it — and This Tender Land by William Kent Krueger.
Q: What are you reading currently that you’d recommend or what book are you looking forward to picking up?
A: I’m currently reading Empire of Pain by Patrick Radden Keefe. It’s the story of the Sackler family, Purdue Pharma, and OxyContin. The next book on my to-read list is Cloud Cuckoo Land by Anthony Doerr, which I’m very much looking forward to.
I like to be surprised – and BLACK CAKE by Charmaine Wilkerson (Ballantine Books), our staff pick of the month for March, begins on a literal cliffhanger.
“He stood at the water’s edge, now, watching the waves crash white against the rocks, waiting for his daughter’s body to wash ashore.
… He remembered a clattering of plates, the splintering of glass on the tile floor, someone crying out. When he looked toward his daughter, she was gone and her satin-covered shoes lay strewn on the lawn outside like tiny capsized boats.”
– Black Cake
In a family shaped by secrets, siblings Byron and Benny sit down with the family lawyer to hear about their mother’s past, revealed only after her death. She asks them the share a Black Cake, a recipe that has been an important part of their family traditions and gains significance as the story unfolds. Before the cake is shared, we learn there should be one more at the table.
These are people who have never heard Dr. Phil’s adage: Would you rather be right or would you rather be happy? But they are compelling characters and the plot is propulsive. This book is the whole package: beautiful cover, good writing, strong plotting, relatable characters.
Twisty, fun and moving, you’ll enjoy this book where everyone has (a lot of) secrets.
****
“Survival is not enough. Survival has never been enough.”
Black Cake
I love this quote, which comes late in the book, because in a story about Black characters it makes sense out of context, but in the larger context it pulls together the themes of the book. Love and inheritance and all the bigger problems of the world that we can’t ignore or escape.
Here’s a bit more of the quote, from page 372 of the hardcover,
“Etta is swimming for her children now, and for their children, too, not for the records. She uses every chance she can to talk about the health of the oceans. Seafloor damage, runoff, plastics, rising water temperatures, overfishing. She calls for the designation of additional protected zones. But she also take the time to show the audience old photos of herself as a girl in a swim cap, plus her favorite snapshots of Patsy and the boys when they were little, poking around a tide pool in Wales, their shoes clumped with wet sand. She never forgets to show the joy, to show the love. Because, otherwise, what would be the point of anything?
Survival is not enough. Survival has never been enough.”
We are delighted to host Erika Robuck at 6:30pm on Wednesday, March 23, in-person, outdoors at Hugh’s View on the roof of The Studios of Key West (register here). Robuck will be discussing her newest historical novel, SISTERS OF NIGHT AND FOG (Berkley). She is the bestselling author of novels including THE INVISIBLE WOMAN, and store favorite HEMINGWAY’S GIRL.
We had the opportunity to ask a few questions in advance of her upcoming event.
Q: Is there a short excerpt that you think works well to introduce SISTERS OF NIGHT AND FOG?
A: I chose the following scene, at the start of the German occupation of France, because it felt relevant to the way the beginning of the pandemic felt. The start of rationing, the restriction of movement, and the disbelief were unsettlingly relatable.
“It takes many cuts before she comprehends the truth: France is bleeding out—sliced with a mortal blow—and with it, Virginia’s old life is dying.
Like the early days of grieving a loved one, Virginia awakens each morning not knowing, but rather having to remember. That remembering brings fresh pain with each wave, and the waves are drowning her. She thinks it will be better when she simply knows the world has turned upside down—to have the thing dead and buried and not have to recollect. Then maybe she can move on. But there’s no knowing, at least not now. There is no certainty and no timetables, and that’s the hardest part. Though she knows it’s not for her ultimate good, Virginia continues to grasp the ever-vanishing vapors of the memories of before, but they’re getting increasingly hard to grasp.”
SISTERS OF NIGHT AND FOG
Q: How do you do your research? Has the pandemic disrupted or changed how you work?
A: My research process usually begins with visits to sites important to my story. Because of the pandemic, and the difficulty of traveling overseas, I had to settle for books, YouTube videos, interviews, and Google Earth, all of which are surprisingly helpful (and economical). I tend to begin by reading nonfiction about the subjects, events, and locations. Then I moved to archival material and interviews of the subjects or their loved ones. If there is any first person or autobiographical writing, that is my last stop in getting to know the characters before I can inhabit them to write them.
Edit note: Erika Robuck made a great interactive map of key locations from SISTERS OF NIGHT AND FOG? Check it out at https://bit.ly/3vhS0k2
Q: I saw a fun teaser on your Facebook page, involving vinyl records. Can you tell us anything about your current work-in-progress? If it is indeed, a near-past historical, will this be the first time you have set a story post-WWII?
A: Yes, my new work in progress is a dual period, multigenerational family drama—moving between 1978 and the 1930s—tied together by one of the most studied and debated artifacts of all time. My first, self-published novel, was also a dual period, multigenerational family drama that took place partly in the present day and in the 1800s. I love working in this form because it ties the past to the present in interesting ways, and creates natural suspense as the reader moves back and forth in time.
Q: What’s your favorite thing to do when visiting Key West? What’s one thing visitors should not miss?
It’s hard for me to answer this question, because I want to say so much. Key West is my home away from home. Aside from visiting Books & Books to find that perfect vacation read, my heart turns to The Hemingway House. You don’t have to like Hemingway to be enchanted by the home, gardens, and cats.
Q: What are you reading and recommending these days?
A: I recently rediscovered my love of Rosamunde Pilcher, the queen of multigenerational family dramas, and have been recommending WINTER SOLSTICE to everyone I meet. I also loved the re-released LOOKING FOR TROUBLE: THE CLASSIC MEMOIR OF A TRAILBLAZING WAR CORRESPONDENT, by Virginia Cowles (out in August). From the Spanish Civil war to the London Blitz, readers are travel companions on the most astonishing pre-WW2 itinerary imaginable. Finally, I loved THE PERSONAL LIBRARIAN, by Marie Benedict and Victoria Christopher Murray. It tells the story of JP Morgan’s dazzling, brilliant librarian, Belle da Costa Greene, whose secret—that she is a Black woman who passes for white—could destroy both her personal and professional life. It was incredibly beautiful and eye opening.
Last March, we had the pleasure of introducing you to Michael Patrick F. Smith, when he was a Studios of Key West Artist-in-Residence. We are delighted to welcome him back to celebrate the release of the paperback edition of THE GOOD HAND Friday, Feb. 25 with an in-person, outdoors event. (Register here.)
Watch the 2021 author event:
Watch the replay of Michael Patrick F. Smith discussing his book with actor Shawn Hatosy.
Read last year’s Q&A:
Photo credit: Zach Pontz
Michael Patrick F. Smith is a folksinger and playwright currently based in central Kentucky. His plays, including Woody Guthrie Dreams and Ain’t No Sin, have been staged in Baltimore and New York. As a musician, he has shared the stage with folk luminaries such as Ramblin’ Jack Elliott, as well as several prominent indie rock bands. Smith has also worked as a stage actor, a bartender, junk hauler, furniture mover, book store clerk, contractor, receptionist, event producer, driver, office temp, stage hand, waiter, security guard, set fabricator, legal assistant, grocer, oil field hand, and now writer. THE GOOD HAND is his first book.
Q: How did you come to work in an oil field? What were you looking for at that time in your life and did you find it?
A: I went to work in the oil field for the same reason most people go to boomtowns, I wanted to make money fast and I was out of options. You could say my demons were catching up to me. I was surprised by what I found, because it wasn’t much money. It was better than that: a crystallization of my world view. It probably sounds strange to say it, but I also found a lot of healing, although it took writing the book for me to really realize that.
Q: When did you know you would write about the period of your life depicted in THE GOOD HAND? How did writing about those experiences change your understanding of them and of yourself at that time?
A: I started writing emails to a small group of friends as soon as I arrived in North Dakota looking for work. I got encouragement from these friends and my emails to them grew longer and longer to the point where I was sending them twenty page word docs. I was alone a lot at first, and the correspondence became a lifeline for me. When I left I had something like 130,000 words, so that is the source material for the book. It took me six more years to turn it into what it is now, so I think time is an important ingredient in the finished product. I spent a lot of time really meditating on the experiences and investigating my own thought process and emotional state, figuring out how this particular point in time tied together other aspects of my life.
Q: The audiobook includes some of your music. What do you think that adds to the experience of reading the book?
A: For me, music and prose are just different tools to use when telling a story. Music gives an immediate visceral emotional reaction: it is joyful or sad or haunting. I also write a lot about music in the book, which is difficult! I like to tell stories when I perform as a musician so weaving music throughout the audiobook felt really natural to me.
Q: Which came first for you, writing or music? Please tell us a little about how your work as a writer, playwright and musician come together.
A: I went to a public high school and a state college and I had incredible teachers. My high school drama teacher wrote plays with music, he played guitar and he designed and built the sets, too. He showed me how it was all woven together just by doing it, and he also encouraged me.
Later, when I was pursuing theater as a way to make a living there were long fallow periods and I began playing guitar more seriously so that I could pick up a little money, and also to get the joy that comes from performing. My closest friends have always been musicians. Music is also a way to communicate to musicians. It works better than words in many circumstances.
I also used to draw pictures of the plays I wrote as part of my writing process. I think I’ve just always been compelled to tell stories and I’ll use whatever is at hand to do it. One reason I wrote a book, if I’m completely honest, is that I kept getting screwed over by record labels and I was having trouble getting my plays produced. I was frustrated by the business side of those pursuits. I knew very little about publishing, but I knew when I sat down by myself and wrote, I could tap into that sacred space without anybody else around to muck it up.
Q: What are you finding are the most interesting or useful things you’ll take away from your time as a TSKW Artist in Residence? Do you want to share anything about what you’re working on now?
A: I’m working on some articles to support THE GOOD HAND, and also beginning research for what I think will be my second book. I’m also reading a ton from writers associated with Key West. I’ve been reading Hemingway, Jim Harrison and Thomas McGuane so far. For me, I get a lot of juice being in new places. The best writing looks through the world with a traveler’s eyes. This is my first time in Key West, so I’m just soaking in as much of the culture and the ecology and the experience of being here as I can. I fear it sounds a little lazy, but the truth is I know the more I dig into having a good time here, the more I’ll get out of this experience over the long run. I write every day because otherwise I feel insane, but I’m focused more on the experience.
Q: What are you reading and recommending these days?
A: Jim Harrison is blowing me away. Reading Legends of the Fall now. I’ve been living in Kentucky the past year and the writing of Wendell Berry, Thomas Merton and bell hooks have all become indispensable to me. The three of them, in their own different ways, write prose that calms the nervous system, and that is very valuable in these neurotic times. I always recommend Don Carpenter’s book Hard Rain Falling. It’s a criminally overlooked stone cold classic. Elizabeth Gilbert’s City of Girls is probably the best piece of newer fiction I’ve read all year.
Lori, who curates our Black History Month display, recommends Yonder by Jabari Asim (Simon & Schuster) for readers who enjoyed one of her previous picks,The Prophetsby Robert Jones, Jr.
Of Yonder, Lori writes, “The slaves are The Stolen, their masters are The Thieves, and Yonder (Canada) is the promised land of freedom. The story of slavery and all of its horrors is not new, but this book focuses instead on the intimacy and love The Stolen feel for each other under the harshest conditions. Allegorical, poetic, and unflinchingly honest, it had me reading through tears of sadness and joy.”
In picking this book, Lori was looking for a good read to kick-off Black History month, and she thinks that it will appeal to readers who want complex stories of the challenges and joys of Black people in America.
“I would consider this a companion piece to The Prophets, which tells the story of a passionate affair between two enslaved young men, another book depicting slaves as loving people looking for intimate connections in the face of the most hopeless of times,” Lori writes. Read her review of The Prophets from last February.
Lori writes that she enjoyed and was intrigued enough by Yonder to add other books by Jabari Asim to her TBR. Maybe she’ll find something that works for next year’s Key West Literary Seminar, which has the theme I Sing, America: A Celebration of Black Literature, and for which she is the chairperson.
Celebrate the range and richness of Black history this month through poetry, fiction and non-fiction. Reread the classics and meet exciting new authors during Black History Month.
Here are the books featured, but we have many more in store. Stop by or follow us on social media (Instagram: https://www.instagram.com/booksandbookskw/) for recommendations.
The newest place to find books from Books & Books is the Key West Yoga Sanctuary, which is run by Erika Hawks. We asked Erika, who is also a long time Books & Books volunteer, for some background on this partnership and to share a bit about the Yoga Sanctuary.
Q: Tell us a little about yourself, if you would?
A: Born and raised in Miami, I moved to Key West from Miami Beach in 2014. I’ve been practicing yoga for over 2 decades – yikes, acknowledging that makes me feel old.
Q: When did you buy the Yoga Sanctuary? How did that come about?
A: I started teaching at KWYS about 7 years ago, and when my dear friend Gretchen Mills decided to relocate to upstate New York this Spring, it was a natural decision to keep this community alive and take on the business. After a long hiatus for Covid, we re-opened our doors this Fall.
Q: How would you describe your philosophy for the Yoga Sanctuary? What makes it different?
A: The Key West Yoga Sanctuary is a school dedicated to offering the community a space to practice and experience the 8 limbs of yoga. So, we are much more than just a place to come and do poses (Asana) and move your body, although we do have lots of that on the daily schedule, we strive to bring world class instruction in yoga philosophy, meditation, pranayama and more to our tiny little island.
Q: How is the business doing given Covid? How are you coping?
A: Covid has had a huge impact on our industry world wide, but we managed to pivot and thrive during this unprecedented time. We closed the doors of our space at 612 Fleming St. in March of 2020, but we continued to offer daily yoga online and have had the Zoom program running continuously and uninterrupted since then. In June of 2020 we began to offer outdoor classes in the park at Truman Waterfront 3 times a week, and we kept those going until we reopened our doors. Our biggest shift came this Summer when we built a yoga platform in our garden at 612 Fleming Street and now we can offer daily yoga outdoors in our very own garden. It’s been amazing to see this all unfold. We are so grateful for the community of students around us!!!
Q: What will we find in your store besides books? Why did you decide to add books?
A: Our partnership with Books & Books is really exciting for me because I love books, but also because I love sharing books and yoga with my friends and students. The collection of books that we keep in stock at KWYS includes a selection of titles that represent the different styles of yoga that we offer here, as well as covering all aspects of yoga philosophy and Ayurveda (Yoga’s sister science for whole body wellness). You can also find all the tools that you might need to support your yoga practice in our shop, including yoga mats, blocks, bolsters etc…, as well as some handmade local products.
Q: What are you reading and recommending these days?
A: I am preparing to lead our upcoming Teacher Training, so I am mostly immersed in yoga titles right now, but beyond yoga I am reading Brene Brown’s Atlas of the Heart, she really inspires me. Her book Dare to Lead helped prepare me to take on my new role at KWYS and her newest book is informing the way I interact with the world every day. For a good, very accessible yoga read, pick-up Eddie Stern’s book One Simple Thing.
George Cooper, store co-founder, delivered a lecture at the Key West Library last month, discussing the Key West Literary Pantheon. The pantheon is a frieze on the walls above the shelves of the store, honoring forty-nine deceased local writers and artists whose work has gained national fame and built Key West’s reputation as a haven for the arts.
The Guide to the Key West Literary Pantheon, a fifty-page booklet offering capsule biographies of all the honorees is for sale exclusively in our store. George will sign copies of the Guide to the Key West Literary Pantheon upon request.
It’s well known among the store staff and volunteers that my reading picks tend to pivot to the macabre. Yes, I do enjoy a little dark in my books, but above all I love a deep dive into the minds of interesting characters.
So, when I came across a book from the perspective of a murderous food critic, it instantly jumped to the top of my TBR pile. A Certain Hunger did not disappoint. It checked all the boxes.
Dorothy Daniels is a food critic with all the descriptive language skills needed to tell her story of love, lust, murder and a smidgen of cannibalism. You know she did it, you know she gets caught, and yet I still found this to be a page turner.
How did she become a ruthless killer? Did her victims have it coming? Will she ever find the perfect duck confit? I had to know.
Like some of my other favorites this one might not be for everyone but even if you don’t always like dark, the descriptive language alone is enough to keep anyone engaged. And if you do like dark, don’t waste another moment not reading Summers brilliant debut novel.
