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A gripping novel about the whirlwind rise of an iconic 1970s rock group and their beautiful lead singer, revealing the mystery behind their infamous breakup.

“I devoured Daisy Jones & The Six in a day, falling head over heels for it. Daisy and the band captured my heart.”—Reese Witherspoon (Reese’s Book Club x Hello Sunshine book pick)

Everyone knows DAISY JONES & THE SIX, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now.

Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ’n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.

Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.

Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.

The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.

Praise for Daisy Jones & The Six

“Daisy Jones & The Six is just plain fun from cover to cover. . . . Her characters feel so vividly real, you’ll wish you could stream their albums, YouTube their concerts, and google their wildest moments to see them for yourself.”—HelloGiggles

“Reid’s wit and gift for telling a perfectly paced story make this one of the most enjoyably readable books of the year.”—Nylon

“Reid delivers a stunning story of sex, drugs, and rock ’n’ roll in the 1960s and ’70s in this expertly wrought novel. Mimicking the style and substance of a tell-all celebrity memoir . . . Reid creates both story line and character gold. The book’s prose is propulsive, original, and often raw.”—Publishers Weekly (starred review)

About the Author

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Taylor Jenkins Reid is the author of The Seven Husbands of Evelyn Hugo, One True Loves, Maybe in Another Life, After I Do, and Forever, Interrupted. She lives in Los Angeles with her husband, their daughter, and their dog.

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“An exhilarating tale delivered with the pace of a thriller.” -Kirkus (Starred Review)
A BookPage 2019 Most Anticipated Book
A LitHub 2019 Most Anticipated Book

From the best-selling author of The Dog Stars, the story of two college students on a wilderness canoe trip–a gripping tale of a friendship tested by fire, white water, and violence

Wynn and Jack have been best friends since freshman orientation, bonded by their shared love of mountains, books, and fishing. Wynn is a gentle giant, a Vermont kid never happier than when his feet are in the water. Jack is more rugged, raised on a ranch in Colorado where sleeping under the stars and cooking on a fire came as naturally to him as breathing. When they decide to canoe the Maskwa River in northern Canada, they anticipate long days of leisurely paddling and picking blueberries, and nights of stargazing and reading paperback Westerns. But a wildfire making its way across the forest adds unexpected urgency to the journey. When they hear a man and woman arguing on the fog-shrouded riverbank and decide to warn them about the fire, their search for the pair turns up nothing and no one. But: The next day a man appears on the river, paddling alone. Is this the man they heard? And, if he is, where is the woman? From this charged beginning, master storyteller Peter Heller unspools a headlong, heart-pounding story of desperate wilderness survival.

About the Author

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PETER HELLER is the national best-selling author of Celine, The Painter, and The Dog Stars. The Painter was a finalist for the Los Angeles Times Book Prize and won the prestigious Reading the West Book Award, shared in the past by Western writers such as Cormac McCarthy and Terry Tempest Williams, and The Dog Stars, which was published to critical acclaim and lauded as a breakout bestseller, has been published in twenty-two languages to date. Heller is also the author of four nonfiction books, including Kook: What Surfing Taught Me About Love, Life, and Catching the Perfect Wave, which was awarded the National Outdoor Book Award for Literature.

He holds an MFA from the Iowa Writers’ Workshop in poetry and fiction and lives in Denver, Colorado.

Sometimes the price of justice is a good man’s soul.

The #1 New York Times bestselling author of the Natchez Burning trilogy returns with an electrifying tale of friendship, betrayal, and shattering secrets that threaten to destroy a small Mississippi town.

“An ambitious stand-alone thriller that is both an absorbing crime story and an in-depth exploration of grief, betrayal and corruption… Iles’s latest calls to mind the late, great Southern novelist Pat Conroy. Like Conroy, Iles writes with passion, intensity and absolute commitment.”
   — Washington Post

When Marshall McEwan left his Mississippi hometown at eighteen, he vowed never to return. The trauma that drove him away spurred him to become one of the most successful journalists in Washington, DC. But as the ascendancy of a chaotic administration lifts him from print fame to television stardom, Marshall discovers that his father is terminally ill, and he must return home to face the unfinished business of his past.

On arrival, he finds Bienville, Mississippi very much changed.  His family’s 150-year-old newspaper is failing; and Jet Turner, the love of his youth, has married into the family of Max Matheson, one of a dozen powerful patriarchs who rule the town through the exclusive Bienville Poker Club.  To Marshall’s surprise, the Poker Club has taken a town on the brink of extinction and offered it salvation, in the form of a billion-dollar Chinese paper mill.  But on the verge of the deal being consummated, two murders rock Bienville to its core, threatening far more than the city’s economic future.

An experienced journalist, Marshall has seen firsthand how the corrosive power of money and politics can sabotage investigations. Joining forces with his former lover—who through her husband has access to the secrets of the Poker Club—Marshall begins digging for the truth behind those murders.  But he and Jet soon discover that the soil of Mississippi is a minefield where explosive secrets can destroy far more than injustice.  The South is a land where everyone hides truths: of blood and children, of love and shame, of hate and murder—of damnation and redemption.  The Poker Club’s secret reaches all the way to Washington, D.C., and could shake the foundations of the U.S. Senate.  But by the time Marshall grasps the long-buried truth about his own history, he would give almost anything not to have to face it.

About the Author

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Greg Iles spent most of his youth in Natchez, Mississippi. His first novel, Spandau Phoenix, was the first of thirteen New York Times bestsellers, and his new trilogy continues the story of Penn Cage, protagonist of The Quiet Game, Turning Angel, and #1 New York Times bestseller The Devil’s Punchbowl. Iles’s novels have been made into films and published in more than thirty-five countries. He lives in Natchez with his wife and has two children.

Pat Conroy was America’s poet laureate of family dysfunction. A larger-than-life character and the author of such classics as The Prince of Tides and The Great Santini, Conroy was remembered by everybody for his energy, his exuberance, and his self-lacerating humor.Michael Mewshaw’s The Lost Prince is an intimate memoir of his friendship with Pat Conroy, one that involves their families and those days in Rome when they were both young–when Conroy went from being a popular regional writer to an international bestseller. Family snapshots beautifully illustrate that time. Shortly before his forty-ninth birthday, Conroy telephoned Mewshaw to ask a terrible favor. With great reluctance, Mewshaw did as he was asked–and never saw Pat Conroy again.Although they never managed to reconcile their differences completely, Conroy later urged Mewshaw to write about “me and you and what happened . . . i know it would cause much pain to both of us. but here is what that story has that none of your others have.” The Lost Prince is Mewshaw’s fulfillment of a promise.

About the Author

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MICHAEL MEWSHAW’s five-decade career includes award-winning fiction, nonfiction, literary criticism and investigative journalism. He is the author of the nonfiction works Sympathy for the Devil: Four Decades of Friendship with Gore Vidal and Between Terror and Tourism; the novel Year of the Gun; and the memoir Do I Owe You Something? He has published in The New York Times, The Washington Post, Los Angeles Times, and numerous international outlets. He spends much of his time in Key West, Florida.

From the Whiting Award-winning author of Pretend I’m Dead and one of the most exhilarating new voices in fiction, a new hilarious, edgy, and brilliant one-of-a-kind novel about a cleaning lady named Mona and her struggles to move forward in life.

Mona is twenty-six and cleans houses for a living in Taos, New Mexico. She moved there mostly because of a bad boyfriend—a junkie named Mr. Disgusting, long story—and her efforts to restart her life since haven’t exactly gone as planned. For one thing, she’s got another bad boyfriend. This one she calls Dark, and he happens to be married to one of Mona’s clients. He also might be a little unstable.

Dark and his wife aren’t the only complicated clients on Mona’s roster, either. There’s also the Hungarian artist couple who—with her addiction to painkillers and his lingering stares—reminds Mona of troubling aspects of her childhood, and some of the underlying reasons her life had to be restarted in the first place. As she tries to get over the heartache of her affair and the older pains of her youth, Mona winds up on an eccentric, moving journey of self-discovery that takes her back to her beginnings where she attempts to unlock the key to having a sense of home in the future.

The only problems are Dark and her past. Neither is so easy to get rid of.

A constantly surprising, laugh-out-loud funny novel about an utterly unique woman dealing with some of the most universal issues in America today, Vacuum in the Dark is an unforgettable, astonishing read from one of the freshest voices in fiction today.

About the Author

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Jen Beagin holds an MFA in creative writing from the University of California, Irvine, and is a recipient of a 2017 Whiting Award in fiction. She is the author of Pretend I’m Dead and Vacuum in the Dark. A former cleaning lady, she lives in Hudson, New York.

Praise For…

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Praise for Vacuum in the Dark

“A follow-up to the riotous Pretend I’m Dead, this is what a sequel should be: darker, sexier, funnier. By turns nutty and forlorn… Brash, deadpan, and achingly troubled, Mona emerges as that problematic friend you’re nonetheless always thrilled to see.”

“Tremendously engaging… Funny and poignant… Beagin excels at mixing comedy and pathos in a way that dilutes neither… Beagin secures her position as a new writer to watch.

“Sharp and superb… Beagin pulls no punches–this novel is viciously smart and morbidly funny.”

“Inventing situations and conversations that are off-the-charts in both weirdness and relatability, Beagin fashions an enchantingly intriguing main character in unfiltered, warmhearted Mona. This story of a woman embracing life’s what-ifs and her own darkness is a great read.”

ONE OF THE MOST ANTICIPATED BOOKS OF THE YEAR

“A big, sprawling, ultimately stunning crime tableau.” – Janet Maslin, New York Times

“You can’t ask for more emotionally moving entertainment.” – Stephen King

“One of the best thriller writers on the planet.” – Esquire

The explosive, highly anticipated conclusion to the epic Cartel trilogy from the New York Times bestselling author of The Force

What do you do when there are no borders? When the lines you thought existed simply vanish?  How do you plant your feet to make a stand when you no longer know what side you’re on?

The war has come home.

For over forty years, Art Keller has been on the front lines of America’s longest conflict: The War on Drugs. His obsession to defeat the world’s most powerful, wealthy, and lethal kingpin―the godfather of the Sinaloa Cartel, Adán Barrera―has left him bloody and scarred, cost him the people he loves, even taken a piece of his soul.

Now Keller is elevated to the highest ranks of the DEA, only to find that in destroying one monster he has created thirty more that are wreaking even more chaos and suffering in his beloved Mexico. But not just there.

Barrera’s final legacy is the heroin epidemic scourging America. Throwing himself into the gap to stem the deadly flow, Keller finds himself surrounded by enemies―men who want to kill him, politicians who want to destroy him, and worse, the unimaginable―an incoming administration that’s in bed with the very drug traffickers that Keller is trying to bring down.

Art Keller is at war with not only the cartels, but with his own government. And the long fight has taught him more than he ever imagined. Now, he learns the final lesson―there are no borders.

In a story that moves from deserts south of the border to Wall Street, from the slums of Guatemala to the marbled corridors of Washington, D.C., Winslow follows a new generation of narcos, the cops who fight them, the street traffickers, the addicts, the politicians, money-launderers, real-estate moguls, and mere children fleeing the violence for the chance of a life in a new country.

A shattering tale of vengeance, violence, corruption and justice, this last novel in Don Winslow’s magnificent, award-winning, internationally bestselling trilogy is packed with unforgettable, drawn-from-the-headlines scenes. Shocking in its brutality, raw in its humanity, The Border is an unflinching portrait of modern America, a story of—and for—our time.

About the Author

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DON WINSLOW is the author of twenty acclaimed, award-winning international bestsellers – including the New York Times bestseller and sensation The Force, the #1 international bestseller The Cartel, The Power of the Dog, Savages, and The Winter of Frankie Machine. Savages was made into a major film by three-time Oscar winning writer-director Oliver Stone. The Cartel is scheduled to begin production in 2019. A former investigator, anti-terrorist trainer, and trial consultant, Winslow lives in California and Rhode Island.

Praise For…

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“A stunning and timely conclusion to Don Winslow’s drug-war trilogy. . . This is a book for dark, rudderless times, an immersion into fear and chaos. . . You don’t read these books; you live in them.”
— New York Times

“Mr. Winslow writes gripping action sequences and wields statistics like a crusading journalist. Grand in scope, audacious in its political portraits, convincing in its socio-economic arguments and humane to the core, The Border is not only a formidable thriller but an important and provocative work.”
— Wall Street Journal

“I’m totally swept up. You can’t ask for more emotionally moving entertainment. . . Everyone in America—left, right, and center—should read this book. It’s social fiction to rival Tom Wolfe and John Steinbeck. Focused, angry, suspenseful, occasionally hilarious, always hugely entertaining. . . A harsh, important book.”
— Stephen King

“These angry, often heartbreaking books stand as the definitive fictional rendering of an ongoing modern tragedy. . . The Border guides us through a savage, wholly believable world. The result is a powerful—and painful—journey through a contemporary version of hell. Rarely has hell been so compelling.”
— Washington Post

“If Dostoevsky slung dope, he might have written the fierce morality tale that Winslow began with The Power of the Dog . . . Truth compacted into narrative by way of meticulous research. . . Eerily prescient and scathing. . . quite simply the most important crime saga in modern literature.”
— Arizona Republic

“The Border is intricate, mean and swift, a sprawling canvass of characters. . . Granular detail and sharp dialogue have made his drug war trilogy propulsive and compelling. . . The stories unravel broken lives caught in a mesmerizing mosaic fueled by addiction and haunted by bloodshed.”
— Los Angeles Times

“A landmark moment in crime fiction. . . It is Winslow’s remarkable ability to translate the utter fiasco of our 5-year War on Drugs into the most wrenching of human stories, tragedy seemingly without end, that gives this novel its unparalleled power.”
— Booklist [starred review]

“Peak page-turner. . . Will rattle your soul in those early-morning hours as you come face to face with all the corruption and depravity in the world. . . The crime-fiction equivalent of The Stand—the kind of compulsive Stephen King-esque epic that captivates and horrifies.”
— Globe & Mail

“The Cartel and The Force were high water marks in the genre in terms of ambition and reach, and Winslow has excelled again. . . This is Winslow at his sensational best.”
— Financial Times

“Don Winslow’s epic trilogy about America’s longest war comes to a powerful and troubling conclusion.”
— Associated Press

“With clear-eyed determination and an almost Shakespearean grasp of human nature, Winslow takes readers on an unforgettable journey.”
— Publishers Weekly [starred review]

“Resolutely humane… Say Nothing [has an] exacting and terrifying lucidity… meticulously reported… Keefe’s narrative is an architectural feat, expertly constructed out of complex and contentious material, arranged and balanced just so… an absorbing drama.”
—The New York Times

From award-winning New Yorker staff writer Patrick Radden Keefe, a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions

In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from her Belfast home by masked intruders, her children clinging to her legs. They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville’s children knew it was their mother when they were told a blue safety pin was attached to the dress–with so many kids, she had always kept it handy for diapers or ripped clothes.

Patrick Radden Keefe’s mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past–Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.

About the Author

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PATRICK RADDEN KEEFE is a staff writer at The New Yorker and the author of The Snakehead and Chatter. His work has also appeared in The New York Times Magazine, Slate, New York, and The New York Review of Books. He received the 2014 National Magazine Award for Feature Writing, for his story “A Loaded Gun,” was a finalist for the National Magazine Award for Reporting in 2015 and 2016, and is also the recipient of an Eric and Wendy Schmidt Fellowship at the New America Foundation and a Guggenheim Fellowship.

Praise For…

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“Meticulously reported, exquisitely written, and grippingly told, Say Nothing is a work of revelation. Keefe not only peels back, layer by layer, the truth behind one of the most important and mysterious crimes of a terrible conflict; he also excavates the history of the Troubles, and illuminates its repercussions to this day.”
—DAVID GRANN, #1 New York Times bestselling author of Killers of the Flower Moon

“Patrick Radden Keefe’s gripping account of the Troubles is equal parts true-crime, history, and tragedy. Keefe’s incisive reporting reveals the hidden costs of the Troubles, illuminating both the terrible toll of the conflict, and how it continues to reverberate today. A must read.”
—GILLIAN FLYNN, #1 New York Times bestselling author of Gone Girl

“Patrick Radden Keefe uses the old Irish phrase, ‘Whatever you say, say nothing,’ to suggest and to say just about everything.  Keefe’s great accomplishment is to capture the tragedy of the Troubles on a human scale.  By tracing the intersecting lives of a handful of unforgettable characters, he has created a deeply honest and intimate portrait of a society still haunted by its own violent past. Say Nothing is a bracing, empathetic, heartrending work of storytelling.”
—COLUM McCANN, New York Times bestselling author of Transatlantic and Let the Great World Spin, Winner of the National Book Award

“Patrick Radden Keefe has the rare ability to convey an intimate story that powerfully illuminates a much larger one.  Combining the skills of an investigative journalist with the storytelling power of a suspense novelist, Keefe brilliantly represents the menace and intrigue that devastated Belfast during The Troubles, and shows the course of ordinary lives headed toward inevitable and awful collision. By turns gripping and profoundly revelatory, Say Nothing shines a brighter light on Northern Ireland’s tragic past than any history book.”
—SCOTT ANDERSON, New York Times bestselling author of Lawrence in Arabia

“A shattering, intimate study of how young men and women consumed by radical political violence are transformed by the history they make, and struggle to come to terms with the blood they have shed, Say Nothing is a powerful reckoning. Keefe has written an essential book.”
—PHILIP GOUREVITCH, author of National Book Critics Circle Award winner We Wish to Inform You That Tomorrow We Will Be Killed With Our Families and The Ballad of Abu Ghraib

“Smart, searching, and utterly absorbing, Say Nothing sweeps us into the heart of one of the modern world’s bitterest conflicts and, with unusual compassion, walks us back out again along the road to reconciliation. This is more than a powerful, superbly reported work of journalism. It is contemporary history at its finest.”
—MAYA JASANOFF, author of the National Book Critics Circle Award-winning Liberty’s Exiles and The Dawn Watch

“Say Nothing is a piercing inquiry into the nature of political violence and its aftermath, by one of the best reporters in the United States. In this beautifully written book, Patrick Radden Keefe delves into the heart of the IRA, chronicling the worst years of the Troubles and the ghosts that continue to haunt Belfast even now that the fighting is over. Faulkner had it right: ‘The past is never dead. It’s not even past.’”
—PETER BERGEN, author of Manhunt: The Ten-Year Search for Bin Laden From 9/11 to Abbottabad

“[Keefe] incorporates a real-life whodunit into a moving, accessible account of the violence that has afflicted Northern Ireland… Tinged with immense sadness, this work never loses sight of the humanity of even those who committed horrible acts in support of what they believed in.”
—Publishers Weekly, *starred review*

“A searing reflection on the Troubles and their aftermath… Masterly.”
—The Economist