“Marlon James’ Black Leopard, Red Wolf is a shot across the bow of fantasy literature: bold, fresh, and filled with brutal wonder and endless imagination. James’tale set in a fantastical ancient Africa follows a hunter known only as Tracker as he trails the scent of a lost boy, meeting a shape-shifting leopard along the way. At turns hallucinatory, dreamlike, and nightmarish, Black Leopard, Red Wolf’s world envelops the reader in its stink, grime, sweat, and blood. Never has a magical world felt quite so otherworldly and yet frighteningly tactile at the same time. This is literary fantasy as you’ve never encountered it before and a truly original tale of love, loss, power, and identity.”
— Caleb Masters, Bookmarks, Winston-Salem, NC
“A fantasy world as well-realized as anything Tolkien made.” –Neil Gaiman
“Gripping, action-packed….The literary equivalent of a Marvel Comics universe.” –Michiko Kakutani, The New York Times
The epic novel, an African Game of Thrones, from the Man Booker Prize-winning author of A Brief History of Seven Killings
In the stunning first novel in Marlon James’s Dark Star trilogy, myth, fantasy, and history come together to explore what happens when a mercenary is hired to find a missing child.
Tracker is known far and wide for his skills as a hunter: “He has a nose,” people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard.
As Tracker follows the boy’s scent–from one ancient city to another; into dense forests and across deep rivers–he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And perhaps the most important questions of all: Who is telling the truth, and who is lying?
Drawing from African history and mythology and his own rich imagination, Marlon James has written a novel unlike anything that’s come before it: a saga of breathtaking adventure that’s also an ambitious, involving read. Defying categorization and full of unforgettable characters, Black Leopard, Red Wolf is both surprising and profound as it explores the fundamentals of truth, the limits of power, and our need to understand them both.
About the Author
Marlon James is the author of the New York Times bestseller A Brief History of Seven Killings, The Book of Night Women, and John Crow’s Devil. A Brief History of Seven Killings won the Man Booker Prize, the American Book Award, and the Anisfield-Wolf Award for Fiction, and was a finalist for the National Book Critics Circle Award. The Book of Night Women won the Minnesota Book Award and was a finalist for the National Book Critics Circle Award, as well as the NAACP Image Award. A professor at Macalester College in St. Paul, James divides his time between Minnesota and New York.
Praise For…
Praise for Black Leopard, Red Wolf:
“Gripping, action-packed… The literary equivalent of a Marvel Comics universe — filled with dizzying, magpie references to old movies and recent TV, ancient myths and classic comic books, and fused into something new and startling by his gifts for language and sheer inventiveness.” – Michiko Kakutani, The New York Times
“James’ visions don’t jettison you from reality so much as they trap you in his mad-genius, mercurial mind. . . . Drenched in African myth and folklore, and set in an astonishingly realized pre-colonized sub-Saharan region, Black Leopard crawls with creatures and erects kingdoms unlike any I’ve read. . . . This is a revolutionary book.” —Entertainment Weekly
“Marlon James is one of those novelists who aren’t afraid to give a performance, to change the states of language from viscous to gushing to grand, to get all the way inside the people he’s created… [Black Leopard, Red Wolf] looks like another great, big tale of death, murder and mystery but more mystically fantastical… Not only does this book come with a hefty cast of characters (like Seven Killings), there are also shape shifters, fairies, trolls, and, apparently, a map. The map might be handy. But it might be the opposite of why you come to James—to get lost in him.” —The New York Times
“Fantasy fiction gets a shot of adrenaline.” —Newsday
“Stand aside, Beowulf. There’s a new epic hero slashing his way into our hearts, and we may never get all the blood off our hands. . . . James is clear-cutting space for a whole new kingdom. ‘Black Leopard, Red Wolf,’ the first spectacular volume of a planned trilogy, rises up from the mists of time, glistening like viscera. James has spun an African fantasy as vibrant, complex and haunting as any Western mythology, and nobody who survives reading this book will ever forget it. That thunder you hear is the jealous rage of Olympian gods. . . . ‘Ocean’s Eleven’ has got nothing on this ensemble.” —Washington Post
“Black Leopard, Red Wolf is bawdy (OK, filthy), lyrical, poignant, violent (sometimes hyperviolent), riotous, funny (filthily hilarious), complex, mysterious, and always under tight and exquisite control…A world that is both fresh and beautifully realized….Absolutely brilliant.” —LA Times
“James is a professed fantasy nerd, so Black Leopard, Red Wolf will certainly appeal to fans of all the well-acknowledged authors with at least two initials — George R.R. Martin, J.R.R. Tolkien, J.K. Rowling, etc. But if you’ve read James’ 2014 novel A Brief History of Seven Killings (decidedly not a sci-fi or fantasy book but a 700-page world-building epic about the attempted assassination of Bob Marley), you’ll drag yourself to the midnight queue to buy Black Leopard regardless of the whole ‘Game of Thrones’ selling point.” —Huffington Post
“Black Leopard, Red Wolf is the kind of novel I never realized I was missing until I read it. A dangerous, hallucinatory, ancient Africa, which becomes a fantasy world as well-realized as anything Tolkien made, with language as powerful as Angela Carter’s. It’s as deep and crafty as Gene Wolfe, bloodier than Robert E. Howard, and all Marlon James. It’s something very new that feels old, in the best way. I cannot wait for the next installment.” —Neil Gaiman
“This book begins like a fever dream and merges into world upon world of deadly fairy tales rich with political magic. Black Leopard, Red Wolf is a fabulous cascade of storytelling. Sink right in. I guarantee you will be swept downstream.” —Louise Erdrich
“The novel teems with nightmares: devils, witches, giants, shape-shifters, haunted woods, magic portals. It’s terrifying, sensual, hard to follow—but somehow indelible, too.” —Vogue
“Black Leopard, Red Wolf aims to be an event, and to counter the dominant impression of the genre it inhabits. . . . Black Leopard delivers some genre-specific satisfactions: the fight scenes are choreographed with comic-book wit . . . But it deliberately upends others. When I first saw the news that James was writing a fantasy trilogy, I had assumed that, after reaching the pinnacle of critical acclaim, with the Booker, he was pivoting to the land of the straightforward best-seller. . . . Instead, he’d written not just an African fantasy novel but an African fantasy novel that is literary and labyrinthine to an almost combative degree.” —The New Yorker
“He’s produced a sprawling fantasy novel set in a dark-age Africa of witches, spirits, dazzling imperial citadels and impenetrable forests. In a genre dominated by imagery derived from the European middle ages, Black Leopard, Red Wolf feels new and exciting.” —Wall Street Journal
“A miracle… If Charles R. Saunders’ Imaro series opened the door to new ways of telling epic fantasy, and N.K. Jemisin’s Inheritance trilogy leapt over the threshold, then Marlon James’ Black Leopard, Red Wolf just ripped the whole damn door off its hinges.” —Tor
“A sprawling, epic fantasy… Fuses mythology, fantasy, and African history into a sensual, psychological triumph.” —Esquire
“James’ sensual, beautifully rendered prose and sweeping, precisely detailed narrative cast their own transfixing spell upon the reader. He not only brings a fresh multicultural perspective to a grand fantasy subgenre, but also broadens the genre’s psychological and metaphysical possibilities. If this first volume is any indication, James’ trilogy could become one of the most talked-about and influential adventure epics since George R.R. Martin’s A Song of Ice and Fire was transformed into Game of Thrones.” —Kirkus Reviews (starred review)
“An epic fantasy with deep roots in African history and myth… A thrilling story.” —Southern Living
When aspiring violinist Jessica Chiccehitto Hindman lands a job with a professional ensemble in New York City, she imagines she has achieved her lifelong dream. But the ensemble proves to be a sham. When the group “performs,” the microphones are never on. Instead, the music blares from a CD. The mastermind behind this scheme is a peculiar and mysterious figure known as The Composer, who is gaslighting his audiences with music that sounds suspiciously like the Titanic movie soundtrack. On tour with his chaotic ensemble, Hindman spirals into crises of identity and disillusionment as she “plays” for audiences genuinely moved by the performance, unable to differentiate real from fake.
Tuesday, April 9, at 6pm, a book launch party and book signing with Ann Beattie, author of 
At a boarding school in New Hampshire, Ben joins the honor society led by Pierre LaVerdere, an enigmatic, brilliant, yet perverse teacher who instructs his students not only about how to reason, but how to prevaricate. As the years go by, LaVerdere’s covert and overt instruction lingers in his students’ lives as they seek some sense of purpose or meaning. Ben feels the pace of his life accelerating and views his intimate relationships as less and less fulfilling; there seems to be a subtext he’s not able to access. And what, really, did Bailey Academy teach him?
Hearing Susan Conley, author of 
Inspired by true events surrounding an historic Florida citrus season and the civil rights struggle, Andrew Furman’s GOLDENS ARE HERE offers a glimpse of the sea changes occurring in Florida and the nation in the 1960s through the prism of one family’s negotiations with the land, their neighbors, and each other. Leading up to his reading and book signing Feb. 6, we had the opportunity to chat with him about his background and new book.
A: I’ve lived here in south Florida for the past 22 years and one of my favorite things to do is hop in the car with my family and visit some of the more scruffy out-of-the-way outposts of our Sunshine State. The seeds for GOLDENS ARE HERE, if I might use a botanical metaphor, originated in one of these trips with my family to the small town of Titusville and its rural outskirts. As I walked the streets of this historic town and visited the remaining orange groves along the nearby Indian River, I found myself imagining what the place must have looked like and meant to the people who lived there in what might be considered the region’s hey-day, the 1960s when the space-race was hitting its stride, the citrus industry was booming, and, as my research would uncover, the Civil Rights struggle was impacting black and white lives in significant ways. It seemed like a rich time and place to direct my creative energies. It wasn’t too long before a cast of characters and a story emerged in my mind that would allow me to engage with the intersections between the social and environmental realms, which has long been a primary interest of mine.
Q: How did you and Meg Wolitzer come to write this novel together?