A powerful, candid, and richly detailed memoir from an American icon, revealing what life looks like after the presidency: triumphs, tribulations, and all.

On January 20, 2001, after nearly thirty years in politics—eight of them as president of the United States—Bill Clinton was suddenly a private citizen. Only fifty-four years old, full of energy and ideas, he wanted to make meaningful use of his skills, his relationships with world leaders, and all he’d learned in a lifetime of politics, but how? Just days after leaving the White House, the call came to aid victims of a devastating earthquake in India, and Clinton hit the ground running. Over the next two decades, he would create an enduring legacy of public service and advocacy work, from Indonesia to Louisiana, Northern Ireland to South Africa, and in the process reimagine philanthropy and redefine the impact a former president could have on the world.

Citizen is Clinton’s front-row, first-person chronicle of his postpresidential years and the most significant events of the twenty-first century, including 9/11 and the runup to the Iraq War, the Haiti earthquake, the Great Recession, the January 6 insurrection, and the enduring culture wars of our times. With clarity and compassion, he also weighs in on the unprecedented challenges brought on by a global pandemic, ongoing income inequality, a steadily warming planet, and authoritarian forces dedicated to weakening democracy. Yet Citizen is more than a political memoir. These pages capture Clinton in a rare and unforgettable light: not only as a celebrated former president and a foundation leader, but as a father, grandfather, and husband. He recounts his support for Hillary Clinton during her time as senator, secretary of state, and presidential candidate, and shares the frustration and pain of the 2016 election.

In this landmark publication, the highly anticipated follow-up to the best-selling My Life, Clinton pens an illuminating account of American democracy on a global stage, offering a frank reflection on the past and, with it, a fearless embrace of our future. Citizen is a self-portrait of equal parts eloquence, insight, and candor, a testament to one man’s unwavering commitment to family and nation.

Joan Didion is revealed at last in this outrageously provocative and profoundly moving new work “that reads like a propulsive novel” (Oprah Daily) on the mutual attractions—and mutual antagonisms—of Didion and her fellow literary titan, Eve Babitz.

Could you write what you write if you weren’t so tiny, Joan? —Eve Babitz, in a letter to Joan Didion, 1972

Joan Didion, revealed at last…

Eve Babitz died on December 17, 2021. Found in the wrack, ruin, and filth of her apartment, a stack of boxes packed by her mother decades before. The boxes were pristine, the seals of duct tape unbroken. Inside, a lost world. This world turned for a certain number of years in the late sixties and early seventies, and centered on a two-story rental in a down-at-heel section of Hollywood. 7406 Franklin Avenue, a combination salon-hotbed-living end where writers and artists mixed with movie stars, rock ’n’ rollers, and drug trash.

7406 Franklin Avenue was the making of one great American writer: Joan Didion, a mystery behind her dark glasses and cool expression; an enigma inside her storied marriage to John Gregory Dunne, their union as tortured as it was enduring. 7406 Franklin Avenue was the breaking and then the remaking—and thus the true making—of another great American writer: Eve Babitz, goddaughter of Igor Stravinsky, nude of Marcel Duchamp, consort of Jim Morrison (among many, many others), a woman who burned so hot she finally almost burned herself alive. Didion and Babitz formed a complicated alliance, a friendship that went bad, amity turning to enmity.

Didion, in spite of her confessional style, is so little known or understood. She’s remained opaque, elusive. Until now.

With deftness and skill, journalist Lili Anolik uses Babitz, Babitz’s brilliance of observation, Babitz’s incisive intelligence, and, most of all, Babitz’s diary-like letters—letters found in those sealed boxes, letters so intimate you don’t read them so much as breathe them—as the key to unlocking Didion.

In this electrifying novel, Richard Price, the author of Clockers and a writer on The Wire, gives us razor-sharp anatomy of an ever-changing Harlem.

East Harlem, 2008. In an instant, a five-story tenement collapses into a fuming hill of rubble, pancaking the cars parked in front and coating the street with a thick layer of ash. As the city’s rescue services and media outlets respond, the surrounding neighborhood descends into chaos. At day’s end, six bodies are recovered, but many of the other tenants are missing.

In Lazarus Man, Richard Price, one of the greatest chroniclers of life in urban America, creates intertwining portraits of a group of compelling and singular characters whose lives are permanently impacted by the disaster.

Anthony Carter—whose miraculous survival, after being buried for days beneath tons of brick and stone, transforms him into a man with a message and a passionate sense of mission.

Felix Pearl—a young transplant to the city, whose photography and film work that day provokes in this previously unformed soul a sharp sense of personal destiny.

Royal Davis—owner of a failing Harlem funeral home, whose desperate trolling of the scene for potential “customers” triggers a quest to find another path in life.

And Mary Roe—a veteran city detective who, driven in part by her own family’s brutal history, becomes obsessed with finding Christopher Diaz, one of the building’s missing.

Price, the bestselling author of Lush Life and, most recently, The Whites, has created a bravura portrait of a community on the edge of disintegration. Rich with indelible characters and high drama, Lazarus Man is a riveting work of suspense and social vision by one of our major writers.

San Francisco Chronicle‘s Best New Books of Fall 2024

From standup comedian Youngmi Mayer, an unforgettable memoir written with “raw, enviable freedom that simply floors you,” interrogating whiteness, gender, and sexuality in America, navigating a tumultuous childhood in Korea and Saipan, and coming to terms with her parents’ shortcomings (Michelle Zauner).

“Do you know what happens if you laugh while crying? Hair grows out of your butthole.” It was a constant truism Youngmi Mayer’s mother would say threateningly after she would make her daughter laugh while crying. Her mother used it to cheer her up in moments when she could tell Youngmi was overtaken with grief. The humorous saying would never fail to lighten the mood, causing both daughter and mother to laugh and cry at the same time. Her mother had learned this trick from her mother, and her mother had learned this from her mother before her: it had also helped an endless string of her family laugh through suffering.

In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea, while reflecting how years later, their wounds affect her in New York City as a single mom, all the while interrogating whiteness, gender, and sexuality.

Youngmi jokes through these stories in hopes of passing onto the reader what her family passed down to her: The gift of laughing while crying. The gift of a hairy butthole. Because throughout it all, the one thing she learned was one cannot exist without the other. And like a yin and yang, this duality is reflected in this whip-smart, heart-wrenching, and disarmingly funny memoir told by a bright new voice with so much heart and wisdom.

“A beautiful story of unfolding secrets and unforeseen consequences, filled with moments that are somehow restrained and astute and gorgeously written all at the same time.”—Holly Gramazio, bestselling author of The Husbands

An alluring literary mystery full of secrets and lies, when an art teacher at a psychiatric hospital in 1960s England finds her life turned upside down by the arrival of a mysterious patient who has spent decades living in complete isolation with his elderly aunts in a decrepit Victorian house. Perfect for fans of Ann Patchett, Barbara Kingsolver, and Tessa Hadley.

In all failed relationships there is a tipping point. It goes unnoticed at the time but can later be identified as the beginning of the decline. For Helen it was the weekend that the Hidden Man came to Westbury Park…

The London suburb of Croydon,1964: Helen Hansford is unmarried and in her thirties. Something of a disappointment to her middle-class parents, she’s an art therapist at the Westbury Park psychiatric hospital, where she has been having a rebellious love affair with her colleague Gil, a dashing but married doctor.

One spring afternoon they receive a call about a disturbance at a derelict, vine-covered Victorian house a few miles up the road. There the police find a mute, thirty-seven-year-old man called William Tapping, his hair and beard down to his waist. It appears he lives in the old house with his elderly, frail aunt, who expires as soon as she’s admitted to the hospital. No one knows why William has been shut away for decades, unseen by neighbors, with only his two now-deceased aunts for company. Westbury Park becomes his refuge.

When it emerges that William is not only sane but a talented artist, Helen comes to see him as something of a personal project. But as she tries to solve the puzzle of the Hidden Man’s past, Helen’s own carefully constructed life of secrets begins to unravel…

A gorgeously written and life-affirming novel about life’s delicate layers of experience and connection, Shy Creatures reveals all the different ways we can be confined…and liberated.

A charming and eye-opening exploration of the special relationship between humans and chickens from Sy Montgomery, “one of our finest chroniclers of the natural world” (The New York Times).

For more than two decades, Sy Montgomery—whose The Soul of an Octopus was a National Book Award finalist—has kept a flock of chickens in her backyard. Each chicken has an individual personality (outgoing or shy, loud or quiet, reckless or cautious) and connects with Sy in her own way.

In this short, delightful book, Sy takes us inside the flock and reveals all the things that make chickens such remarkable creatures: only hours after leaving the egg, they are able to walk, run, and peck; relationships are important to them and the average chicken can recognize more than one hundred other chickens; they remember the past and anticipate the future; and they communicate specific information through at least twenty-four distinct calls. Visitors to her home are astonished by all this, but for Sy what’s more astonishing is how little most people know about chickens, especially considering there are about twenty percent more chickens on earth than people.

With a winning combination of personal narrative and science, What the Chicken Knows is exactly the kind of book that has made Sy Montgomery such a beloved and popular author.

In the fifth book in the sensational, cozy Before the Coffee Gets Cold series translated from Japanese, the mysterious caf where customers arrive hoping to travel back in time welcomes four new guests:

• The father who could not allow his daughter to get married
• A woman who couldn’t give Valentine’s Day chocolates to her loved one
• A boy who wants to show his smile to his divorced parents
• A wife holding a child with no name . . .

They must follow the cafe ‘s strict rules, however, and come back to the present before their coffee goes cold. Another moving and heartwarming tale from Toshikazu Kawaguchi, in Before we forget kindness our new visitors wish to go back into their past to move on their present, finding closure and comfort so they can embark on a beautiful future.

“A pure delight from start to finish! Williams, White and Willig are in top form in this clever, engrossing whodunnit with a heart.” —Lisa Unger, New York Times bestselling author of The New Couple in 5B

Agatha Christie meets Murder, She Wrote in this witty locked room mystery and literary satire by New York Times bestselling team of novelists: Beatriz Williams, Lauren Willig, and Karen White.

There’s been a sensational murder at historic Castle Kinloch, a gothic fantasy of grey granite on a remote island in the Highlands of Scotland. Literary superstar Brett Saffron Presley has been found dead—under bizarre circumstances—in the castle tower’s book-lined study. Years ago, Presley purchased the castle as a showpiece for his brand and to lure paying guests with a taste for writerly glamour. Now it seems, the castle has done him in…or, possibly, one of the castle’s guests has. Detective Chief Inspector Euan McIntosh, a local with no love for literary Americans, finds himself with the unenviable task of extracting statements from three American lady novelists. 

The prime suspects are Kat de Noir, a slinky erotica writer; Cassie Pringle, a Southern mom of six juggling multiple cozy mystery series; and Emma Endicott, a New England blue blood and author of critically acclaimed historical fiction. The women claim to be best friends writing a book together, but the authors’ stories about how they know Brett Saffron Presley don’t quite line up, and the detective is getting increasingly suspicious. 

Why did the authors really come to Castle Kinloch? And what really happened the night of the great Kinloch ceilidh, when Brett Saffron Presley skipped the folk dancing for a rendezvous with death? 

A crafty locked-room mystery, a pointed satire about the literary world, and a tale of unexpected friendship and romance—this novel has it all, as only three bestselling authors can tell it!