From the bestselling author of Norwegian Wood and Hard-Boiled Wonderland and the End of the World comes a love story, a quest, an ode to books and to the libraries that house them, and a parable for our peculiar times.
 
“Haruki Murakami invented 21st-century fiction.” —The New York Times • “More than any author since Kafka, Murakami appreciates the genuine strangeness of our real world.” —San Francisco Chronicle • “Murakami is masterful.” —Los Angeles Times

 
We begin with a nameless young couple: a boy and a girl, teenagers in love. One day, she disappears . . . and her absence haunts him for the rest of his life.
 
Thus begins a search for this lost love that takes the man into middle age and on a journey between the real world and an other world – a mysterious, perhaps imaginary, walled town where unicorns roam, where a Gatekeeper determines who can enter and who must remain behind, and where shadows become untethered from their selves. Listening to his own dreams and premonitions, the man leaves his life in Tokyo behind and ventures to a small mountain town, where he becomes the head librarian, only to learn the mysterious circumstances surrounding the gentleman who had the job before him. As the seasons pass and the man grows more uncertain about the porous boundaries between these two worlds, he meets a strange young boy who helps him to see what he’s been missing all along.
 
The City and Its Uncertain Walls is a singular and towering achievement by one of modern literature’s most important writers.  
 
“Truth is not found in fixed stillness, but in ceaseless change/movement. Isn’t this the quintessential core of what stories are all about?” —Haruki Murakami, from the afterword

The extraordinary life of Cher can be told by only one person . . . Cher herself.

After more than seventy years of fighting to live her life on her own terms, Cher finally reveals her true story in intimate detail, in a two-part memoir.

Her remarkable career is unique and unparalleled. The only woman to top Billboard charts in seven consecutive decades, she is the winner of an Academy Award, an Emmy, a Grammy, and a Cannes Film Festival Award, and an inductee to the Rock and Roll Hall of Fame who has been lauded by the Kennedy Center.

She is a lifelong activist and philanthropist.

As a dyslexic child who dreamed of becoming famous, Cher was raised in often-chaotic circumstances, surrounded by singers, actors, and a mother who inspired her in spite of their difficult relationship.

With her trademark honesty and humor, Cher: The Memoir traces how this diamond in the rough succeeded with no plan and little confidence to become the trailblazing superstar the world has been unable to ignore for more than half a century.

Cher: The Memoir, Part One follows her extraordinary beginnings through childhood to meeting and marrying Sonny Bono—and reveals the highly complicated relationship that made them world-famous, but eventually drove them apart.

Cher: The Memoir reveals the daughter, the sister, the wife, the lover, the mother, and the superstar.

It is a life too immense for only one book.

Beautifully told with humor and tenderness, a Norwegian Christmas tale of sisterhood, financial hardship, and far-off dreams, acclaimed by reviewers and beloved by readers across Europe, where it has been a major bestseller

Christmas is just around the corner, and Ronja and Melissa’s dreamer of a father is out of work again. When ten-year-old Ronja hears about a job at a Christmas tree stand near where the family lives in central Oslo, she thinks it might be the stroke of luck they all need. Soon, the fridge fills with food, and their father returns home with money in his pocket and a smile on his face. But one evening he disappears into the night under the pretense of buying Christmas gifts–and the daughters know he has gone to his favorite local pub, Stargate, and they come to terms with the fact that he may lose his wonderful new job.

Melissa decides to take his place at the Christmas tree stand, working before and after school in the December afternoon dark, and brings along Ronja, who quickly charms all the middle-class customers. On rare breaks the sisters dream of a brighter place of kindness and plenty, and find help from some of those around them–but both understand that their family structure is a precarious one, and that they are going to need luck and strength to transcend their circumstances.

Skillfully told, evoking the delight, misunderstandings, and innocence of a child’s voice, Brightly Shining is small in stature but with an outsize impact on the reader, and has all the markings of a magical modern classic.

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From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.

As Indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.”

As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

Robin Wall Kimmerer is donating her advance payments from this book as a reciprocal gift, back to the land, for land protection, restoration, and justice.

When an heiress disappears from her superyacht and security footage shows her getting pushed, the main suspect has to prove her innocence in this thrilling mystery at sea told in reverse chronological order, perfect for fans of Karen McManus and Genuine Fraud.

It was supposed to be the best-ever girls’ trip: five days, four friends, one luxury yacht, no parents. But on the final night, as the yacht cruised the deep and dark waters between Florida and Grand Cayman, eighteen-year-old heiress Giselle vanished. She’s nowhere to be found the next morning even after a frantic search, until security footage surfaces . . . showing Maggie pushing her overboard.

But Maggie has no memory of what happened. All she knows is that she woke up with a throbbing headache, thousands of dollars in cash in her safe, a passport that isn’t hers, and Giselle’s diary. And while Maggie had her own reasons to want Giselle dead, so did everyone else on board: jealous Viv, calculating Emi, even some members of the staff.

What really went down on the top deck that night? Maggie will have to work her way backward to uncover the secrets that everyone—even Giselle—kept below deck or she’s dead in the water.

Jan Gangsei crafts a compulsively readable tale of privilege, family, and identity wrapped in a wholly original mystery that will keep readers on the edges of their seats until the final twist.

A powerful, candid, and richly detailed memoir from an American icon, revealing what life looks like after the presidency: triumphs, tribulations, and all.

On January 20, 2001, after nearly thirty years in politics—eight of them as president of the United States—Bill Clinton was suddenly a private citizen. Only fifty-four years old, full of energy and ideas, he wanted to make meaningful use of his skills, his relationships with world leaders, and all he’d learned in a lifetime of politics, but how? Just days after leaving the White House, the call came to aid victims of a devastating earthquake in India, and Clinton hit the ground running. Over the next two decades, he would create an enduring legacy of public service and advocacy work, from Indonesia to Louisiana, Northern Ireland to South Africa, and in the process reimagine philanthropy and redefine the impact a former president could have on the world.

Citizen is Clinton’s front-row, first-person chronicle of his postpresidential years and the most significant events of the twenty-first century, including 9/11 and the runup to the Iraq War, the Haiti earthquake, the Great Recession, the January 6 insurrection, and the enduring culture wars of our times. With clarity and compassion, he also weighs in on the unprecedented challenges brought on by a global pandemic, ongoing income inequality, a steadily warming planet, and authoritarian forces dedicated to weakening democracy. Yet Citizen is more than a political memoir. These pages capture Clinton in a rare and unforgettable light: not only as a celebrated former president and a foundation leader, but as a father, grandfather, and husband. He recounts his support for Hillary Clinton during her time as senator, secretary of state, and presidential candidate, and shares the frustration and pain of the 2016 election.

In this landmark publication, the highly anticipated follow-up to the best-selling My Life, Clinton pens an illuminating account of American democracy on a global stage, offering a frank reflection on the past and, with it, a fearless embrace of our future. Citizen is a self-portrait of equal parts eloquence, insight, and candor, a testament to one man’s unwavering commitment to family and nation.

Joan Didion is revealed at last in this outrageously provocative and profoundly moving new work “that reads like a propulsive novel” (Oprah Daily) on the mutual attractions—and mutual antagonisms—of Didion and her fellow literary titan, Eve Babitz.

Could you write what you write if you weren’t so tiny, Joan? —Eve Babitz, in a letter to Joan Didion, 1972

Joan Didion, revealed at last…

Eve Babitz died on December 17, 2021. Found in the wrack, ruin, and filth of her apartment, a stack of boxes packed by her mother decades before. The boxes were pristine, the seals of duct tape unbroken. Inside, a lost world. This world turned for a certain number of years in the late sixties and early seventies, and centered on a two-story rental in a down-at-heel section of Hollywood. 7406 Franklin Avenue, a combination salon-hotbed-living end where writers and artists mixed with movie stars, rock ’n’ rollers, and drug trash.

7406 Franklin Avenue was the making of one great American writer: Joan Didion, a mystery behind her dark glasses and cool expression; an enigma inside her storied marriage to John Gregory Dunne, their union as tortured as it was enduring. 7406 Franklin Avenue was the breaking and then the remaking—and thus the true making—of another great American writer: Eve Babitz, goddaughter of Igor Stravinsky, nude of Marcel Duchamp, consort of Jim Morrison (among many, many others), a woman who burned so hot she finally almost burned herself alive. Didion and Babitz formed a complicated alliance, a friendship that went bad, amity turning to enmity.

Didion, in spite of her confessional style, is so little known or understood. She’s remained opaque, elusive. Until now.

With deftness and skill, journalist Lili Anolik uses Babitz, Babitz’s brilliance of observation, Babitz’s incisive intelligence, and, most of all, Babitz’s diary-like letters—letters found in those sealed boxes, letters so intimate you don’t read them so much as breathe them—as the key to unlocking Didion.

In this electrifying novel, Richard Price, the author of Clockers and a writer on The Wire, gives us razor-sharp anatomy of an ever-changing Harlem.

East Harlem, 2008. In an instant, a five-story tenement collapses into a fuming hill of rubble, pancaking the cars parked in front and coating the street with a thick layer of ash. As the city’s rescue services and media outlets respond, the surrounding neighborhood descends into chaos. At day’s end, six bodies are recovered, but many of the other tenants are missing.

In Lazarus Man, Richard Price, one of the greatest chroniclers of life in urban America, creates intertwining portraits of a group of compelling and singular characters whose lives are permanently impacted by the disaster.

Anthony Carter—whose miraculous survival, after being buried for days beneath tons of brick and stone, transforms him into a man with a message and a passionate sense of mission.

Felix Pearl—a young transplant to the city, whose photography and film work that day provokes in this previously unformed soul a sharp sense of personal destiny.

Royal Davis—owner of a failing Harlem funeral home, whose desperate trolling of the scene for potential “customers” triggers a quest to find another path in life.

And Mary Roe—a veteran city detective who, driven in part by her own family’s brutal history, becomes obsessed with finding Christopher Diaz, one of the building’s missing.

Price, the bestselling author of Lush Life and, most recently, The Whites, has created a bravura portrait of a community on the edge of disintegration. Rich with indelible characters and high drama, Lazarus Man is a riveting work of suspense and social vision by one of our major writers.

San Francisco Chronicle‘s Best New Books of Fall 2024

From standup comedian Youngmi Mayer, an unforgettable memoir written with “raw, enviable freedom that simply floors you,” interrogating whiteness, gender, and sexuality in America, navigating a tumultuous childhood in Korea and Saipan, and coming to terms with her parents’ shortcomings (Michelle Zauner).

“Do you know what happens if you laugh while crying? Hair grows out of your butthole.” It was a constant truism Youngmi Mayer’s mother would say threateningly after she would make her daughter laugh while crying. Her mother used it to cheer her up in moments when she could tell Youngmi was overtaken with grief. The humorous saying would never fail to lighten the mood, causing both daughter and mother to laugh and cry at the same time. Her mother had learned this trick from her mother, and her mother had learned this from her mother before her: it had also helped an endless string of her family laugh through suffering.

In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea, while reflecting how years later, their wounds affect her in New York City as a single mom, all the while interrogating whiteness, gender, and sexuality.

Youngmi jokes through these stories in hopes of passing onto the reader what her family passed down to her: The gift of laughing while crying. The gift of a hairy butthole. Because throughout it all, the one thing she learned was one cannot exist without the other. And like a yin and yang, this duality is reflected in this whip-smart, heart-wrenching, and disarmingly funny memoir told by a bright new voice with so much heart and wisdom.