“Willy Vlautin writes about people overlooked by society and overlooked by literature. In The Horse, he tells the story of a tenderhearted man who has a steady talent and a crushing addiction. It is both a work of extraordinary compassion and a really great novel.” — Ann Patchett, New York Times bestselling author of Tom Lake

“A moving tale of suffering and redemption, The Horse portrays the immense gravity of what it takes to be human in tough times, and the elusive grace that might just be grasped from music, animals, and memory.” — Geraldine Brooks, New York Times bestselling author of Horse

Award-winning author Willy Vlautin explores loneliness, art, regret, and hard-won empathy in this poignant novel—his most personal to date—that captures the life of a journeyman musician unable to escape the tragedies of his past.

Al Ward lives on an isolated mining claim in the high desert of central Nevada fifty miles from the nearest town. A grizzled man in his sixties, he survives on canned soup, instant coffee, and memories of his ex-wife, friends and family he’s lost, and his life as a touring musician. Hampered by insomnia, bouts of anxiety, and a chronic lethargy that keeps him from moving back to town, Al finds himself teetering on the edge of madness and running out of reasons to go on—until a horse arrives on his doorstep: nameless, blind, and utterly helpless.

Al hopes the horse will vanish as mysteriously as he appeared. Yet the animal remains, leaving him in a conundrum. Is the animal real, or a phantom conjured from imagination? As Al contemplates the horse’s existence—and what, if anything, he can do—his thoughts are interspersed with memories, from the moment his mother’s part-time boyfriend gifts him a 1959 butterscotch blonde Telecaster, to the day his travels begin. He joins various bands—all who perform his songs once they discover his talent–playing casinos, truck stops, clubs, and bars. He falls in love, and finds pockets of companionship and minor success along the way. Never close to stardom or financial success, he continues as a journeyman for decades until alcoholism and a heartbreaking tragedy lead him to the solitude of the barren Nevada desert.

A poignant meditation on addiction, heartbreak, and the reality of life on the road in smalltime bands, The Horse is a beautiful, haunting tale from an author working at the height of his powers.

A Next Big Idea Club Must-Read Book

From New York Times bestselling author of The Mosquito, the incredible story of how the horse shaped human history

Timothy C. Winegard’s The Horse is an epic history unlike any other. Its story begins more than 5,500 years ago on the windswept grasslands of the Eurasian Steppe; when one human tamed one horse, an unbreakable bond was forged and the future of humanity was instantly rewritten, placing the reins of destiny firmly in human hands.

Since that pivotal day, the horse has carried the history of civilizations on its powerful back. For millennia it was the primary mode of transportation, an essential farming machine, a steadfast companion, and a formidable weapon of war. Possessing a unique combination of size, speed, strength, and stamina, the horse dominated every facet of human life and shaped the very scope of human ambition. And we still live among its galloping shadows.

Horses revolutionized the way we hunted, traded, traveled, farmed, fought, worshipped, and interacted. They fundamentally reshaped the human genome and the world’s linguistic map. They determined international borders, molded cultures, fueled economies, and built global superpowers. They decided the destinies of conquerors and empires. And they were vectors of lethal disease and contributed to lifesaving medical innovations. Horses even inspired architecture, invention, furniture, and fashion. From the thundering cavalry charges of Alexander the Great to the streets of New York during the Great Manure Crisis of 1894 and beyond, horses have shaped both the grand arc of history and our everyday lives.

Driven by fascinating revelations and fast-paced storytelling, The Horse is a riveting narrative of this noble animal’s unrivaled and enduring reign across human history. To know the horse is to understand the world.

An “action-packed [and] profoundly stylish” (Los Angeles Times) epic from Keanu Reeves and China Miéville, unlike anything these two genre-bending pioneers have created before, inspired by the world of the BRZRKR comic books

“[The Book of Elsewhere is] a pulpy, adrenaline-fueled thriller, but it’s also a moody, experimental novel about mortality, the slippery nature of time, and what it means to be human.”—The New York Times

“An exceptionally innovative collaboration from two remarkable minds.”—William Gibson, author of Neuromancer

She said, We needed a tool. So I asked the gods.

There have always been whispers. Legends. The warrior who cannot be killed. Who’s seen a thousand civilizations rise and fall. He has had many names: Unute, Child of Lightning, Death himself. These days, he’s known simply as “B.”

And he wants to be able to die.

In the present day, a U.S. black-ops group has promised him they can help with that. And all he needs to do is help them in return. But when an all-too-mortal soldier comes back to life, the impossible event ultimately points toward a force even more mysterious than B himself. One at least as strong. And one with a plan all its own.

In a collaboration that combines Miéville’s singular style and creativity with Reeves’s haunting and soul-stirring narrative, these two inimitable artists have created something utterly unique, sure to delight existing fans and to create scores of new ones.

From the acclaimed author of Foreskin’s Lament, a memoir of the author’s attempt to escape the biblical story he’d been raised on and his struggle to construct a new story for himself and his family

Shalom Auslander was raised like a veal in a dysfunctional family in the Orthodox community of Monsey, New York: the son of an alcoholic father; a guilt-wielding mother; and a violent, overbearing God. Now, as he reaches middle age, Auslander begins to suspect that what plagues him is something worse, something he can’t so easily escape: a story. The story. One indelibly implanted in him at an early age, a story that told him he is fallen, broken, shameful, disgusting, a story we have all been told for thousands of years, and continue to be told by the religious and secular alike, a story called “Feh.”

Yiddish for “Yuck.”

Feh follows Auslander’s midlife journey to rewrite that story, a journey that involves Phillip Seymour Hoffman, a Pulitzer-winning poet, Job, Arthur Schopenhauer, GHB, Wolf Blitzer, Yuval Noah Harari and a pastor named Steve in a now-defunct church in Los Angeles.

Can he move from Feh to merely meh? Can he even dream of moving beyond that?

Auslander’s recounting of his attempt to exorcize the story he was raised with—before he implants it onto his children and/or possibly poisons the relationship of the one woman who loves him—isn’t sacred. It is more-than-occasionally profane. And like all his work, it is also relentlessly funny, subversively heartfelt and fearlessly provocative.

A year in the life of the unforgettable Catalina Ituralde, a wickedly wry and heartbreakingly vulnerable student at an elite college, forced to navigate an opaque past, an uncertain future, tragedies on two continents, and the tantalizing possibilities of love and freedom

“Diabolically charming and magnetic. I enjoyed the hell out of this little exploding geyser of a book.”—Ira Glass

When Catalina is admitted to Harvard, it feels like the fulfillment of destiny: a miracle child escapes death in Latin America, moves to Queens to be raised by her undocumented grandparents, and becomes one of the chosen. But nothing is simple for Catalina, least of all her own complicated, contradictory, ruthlessly probing mind. Now a senior, she faces graduation to a world that has no place for the undocumented; her sense of doom intensifies her curiosities and desires. She infiltrates the school’s elite subcultures—internships and literary journals, posh parties and secret societies—which she observes with the eye of an anthropologist and an interloper’s skepticism: she is both fascinated and repulsed. Craving a great romance, Catalina finds herself drawn to a fellow student, an actual budding anthropologist eager to teach her about the Latin American world she was born into but never knew, even as her life back in Queens begins to unravel. And every day, the clock ticks closer to the abyss of life after graduation. Can she save her family? Can she save herself? What does it mean to be saved?

Brash and daring, part campus novel, part hagiography, part pop song, Catalina is unlike any coming-of-age novel you’ve ever read—and Catalina, bright and tragic, circled by a nimbus of chaotic energy, driven by a wild heart, is a character you will never forget.

An intimate conversation between towering public intellectuals examining the contentious interplay between the Cuban Revolution and U.S. empire

An audacious revolutionary experiment in the backyard of empire, Cuba has occupied a vexed role in the international order for decades. Though its doctors (and fighters)–and the outsized influence of its example–have traversed the globe, from Venezuela to Angola, its political and economic future remain uncertain as the Castro era comes to a close and the U.S. embargo proceeds unabated.

Through an intimate conversation between two of the country’s most astute observers of international politics, Noam Chomsky and Vijay Prashad, On Cuba traces Cuban history from the early days of the 1950s revolution to the present, interrogating U.S. interventions and extracting lessons on U.S. power and influence in the Western Hemisphere along the way. Neither a jingoistic condemnation nor an uncritical celebration, Chomsky’s heterodox approach to world affairs is on full display as he and Prashad grapple with Cuba’s unique place on the international scene.

In a media landscape saturated with half-truths and fake news, Chomsky and Prashad–“our own Frantz Fanon . . . whose] writing of protest is always tinged with the beauty of hope” (Amitava Kumar, author of Immigrant, Montana)–seek to shed light on the truth of a complex and perennially controversial nation, while examining the limits of mainstream media discourse.

From New York Times bestselling horror writer Stephen Graham Jones comes a classic slasher story with a twist—perfect for fans of Riley Sager and Grady Hendrix.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.