A revelatory look at the tumultuous life of a jazz legend and American cultural icon

In the first biography of Billie Holiday in more than two decades, Paul Alexander—author of heralded lives of Sylvia Plath and J. D. Salinger—gives us an unconventional portrait of arguably America’s most eminent jazz singer. He shrewdly focuses on the last year of her life—with relevant flashbacks to provide context—to evoke and examine the persistent magnificence of Holiday’s artistry when it was supposed to have declined, in the wake of her drug abuse, relationships with violent men, and run-ins with the law.

During her lifetime and after her death, Billie Holiday was often depicted as a down-on-her-luck junkie severely lacking in self-esteem. Relying on interviews with people who knew her, and new material unearthed in private collections and institutional archives, Bitter Crop—a reference to the last two words of Strange Fruit, her moving song about lynching—limns Holiday as a powerful, ambitious woman who overcame her flaws to triumph as a vital figure of American popular music.

“A heart-wrenching exploration of love and loss.”—Time

In the long-awaited first novel from short story virtuoso and Pulitzer Prize finalist Kelly Link, three teenagers become pawns in a supernatural power struggle.

“[Link’s] pages sing with her trademark fantastical and emotional tropes.”—Los Angeles Times

The Book of Love showcases Kelly Link at the height of her powers, channeling potent magic and attuned to all varieties of love—from friendship to romance to abiding family ties—with her trademark compassion, wit, and literary derring-do. Readers will find joy (and a little terror) and an affirmation that love goes on, even when we cannot.

Late one night, Laura, Daniel, and Mo find themselves beneath the fluorescent lights of a high school classroom, almost a year after disappearing from their hometown, the small seaside community of Lovesend, Massachusetts, having long been presumed dead. Which, in fact, they are.

With them in the room is their previously unremarkable high school music teacher, who seems to know something about their disappearance—and what has brought them back again. Desperate to reclaim their lives, the three agree to the terms of the bargain their music teacher proposes. They will be given a series of magical tasks; while they undertake them, they may return to their families and friends, but they can tell no one where they’ve been. In the end, there will be winners and there will be losers.

But their resurrection has attracted the notice of other supernatural figures, all with their own agendas. As Laura, Daniel, and Mo grapple with the pieces of the lives they left behind, and Laura’s sister, Susannah, attempts to reconcile what she remembers with what she fears, these mysterious others begin to arrive, engulfing their community in danger and chaos, and it becomes imperative that the teens solve the mystery of their deaths to avert a looming disaster.

Welcome to Kelly Link’s incomparable Lovesend, where you’ll encounter love and loss, laughter and dread, magic and karaoke, and some really good pizza.

A film legend recalls his remarkable life of nearly eight decades—a heralded actor who’s played the roles he wanted, from Brian’s Song to Lando in the Star Wars universe—unchecked by the racism and typecasting so rife in the mostly all-white industry in which he triumphed.

“The story of a legend, written by the legend himself! Impressive, inspiring, entertaining and endearing.” —J. J. Abrams

Billy Dee Williams was born in Harlem in 1937 and grew up in a household of love and sophistication. As a young boy, he made his stage debut working with Lotte Lenya in an Ira Gershwin/Kurt Weill production where Williams ended up feeding Lenya her lines. He studied painting, first at the High School of Music and Art, with fellow student Diahann Carroll, and then at the National Academy of Fine Art, before setting out to pursue acting with Herbert Berghoff, Stella Adler, and Sidney Poitier.

His first film role was in The Last Angry Man, the great Paul Muni’s final film. It was Muni who gave Billy the advice that sent him soaring as an actor, “You can play any character you want to play no matter who you are, no matter the way you look or the color of your skin.” And Williams writes, “I wanted to be anyone I wanted to be.”

He writes of landing the role of a lifetime: co-starring alongside James Caan in Brian’s Song, the made-for-television movie that was watched by an audience of more than fifty million people. Williams says it was “the kind of interracial love story America needed.”

And when, as the first Black character in the Star Wars universe, he became a true pop culture icon, playing Lando Calrissian in George Lucas’s The Empire Strikes Back (“What I presented on the screen people didn’t expect to see”). It was a role he reprised in the final film of the original trilogy, The Return of the Jedi, and in the recent sequel The Rise of Skywalker.

A legendary actor, in his own words, on all that has sustained and carried him through a lifetime of dreams and adventure.

From the celebrated author of The Nightingale and The Four Winds comes Kristin Hannah’s The Women—at once an intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided.

Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path.

As green and inexperienced as the men sent to Vietnam to fight, Frankie is over-whelmed by the chaos and destruction of war. Each day is a gamble of life and death, hope and betrayal; friendships run deep and can be shattered in an instant. In war, she meets—and becomes one of—the lucky, the brave, the broken, and the lost.

But war is just the beginning for Frankie and her veteran friends. The real battle lies in coming home to a changed and divided America, to angry protesters, and to a country that wants to forget Vietnam.

The Women is the story of one woman gone to war, but it shines a light on all women who put themselves in harm’s way and whose sacrifice and commitment to their country has too often been forgotten. A novel about deep friendships and bold patriotism, The Women is a richly drawn story with a memorable heroine whose idealism and courage under fire will come to define an era.

A thrilling confessional from the award-winning, beloved author of Pure Colour.
Sheila Heti kept a record of her thoughts over a ten-year period, then arranged the sentences from A to Z. Passionate and reflective, joyful and despairing, these are her alphabetical diaries.

About the Author

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Sheila Heti is the author of eleven books, including the novels Pure Colour, Motherhood,and How Should a Person Be?, which New York deemed one of the “New Classics” of the twenty-first century. She was named one of the “New Vanguard” by the New York Times book critics, who, along with a dozen other magazines and newspapers, chose Motherhood as a top book of 2018. Her books have been translated into twenty-four languages. She lives in Toronto.

Advance Praise
I found reading Alphabetical Diaries to be a profound experience . . . There is something of Anaïs Nin’s journals in Alphabetical Diaries, and of Iris Murdoch’s letters, and of Edna O’Brien’s memoirs. Something locked-in and bristling. Heti is wrestling openly with the things that matter.”
—Dwight Garner, The New York Times Book Review

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In this “irresistible, immersive, and completely unputdownable” (Ellery Lloyd, New York Times bestselling author) debut novel, a former antique hunter investigates a suspicious death at an isolated English manor, embroiling her in the high-stakes world of tracking stolen artifacts.

What antique would you kill for?

Freya Lockwood is shocked when she learns that Arthur Crockleford, antiques dealer and her estranged mentor, has died under mysterious circumstances. She has spent the last twenty years avoiding her quaint English hometown, but when she receives a letter from Arthur asking her to investigate—sent just days before his death—Freya has no choice but to return to a life she had sworn to leave behind.

Joining forces with her eccentric Aunt Carole, Freya follows clues to an old manor house for an advertised antiques enthusiast’s weekend. But not all is as it seems. It’s clear to Freya that the antiques are all just poor reproductions, and her fellow guests are secretive and menacing. What is going on at this estate and how was Arthur involved? More importantly, can Freya and Carole discover the truth before the killer strikes again?

“Get the Picture is one of the funniest books I’ve read . . . Brilliant.” —The Washington Post

“A gripping and often hilarious investigation into the art world. . . . Bosker goes full Tom Wolfe.” —TIME

“Funny, whip-smart, and gorgeously written, Get the Picture will forever transform the way you see. . . . I loved every word.” —Suleika Jaouad, New York Times bestselling author of Between Two Kingdoms

The New York Times bestselling author of Cork Dork takes readers on another fascinating, hilarious, and revelatory journey—this time burrowing deep inside the secretive world of art and artists

An award-winning journalist obsessed with obsession, Bianca Bosker’s existence was upended when she wandered into the art world—and couldn’t look away. Intrigued by artists who hyperventilate around their favorite colors and art fiends who max out credit cards to show hunks of metal they think can change the world, Bosker grew fixated on understanding why art matters and how she—or any of us—could engage with it more deeply.

In Get the Picture, Bosker throws herself into the nerve center of art and the people who live for it: gallerists, collectors, curators, and, of course, artists themselves—the kind who work multiple jobs to afford their studios while scrabbling to get eyes on their art. As she stretches canvases until her fingers blister, talks her way into A-list parties full of billionaire collectors, has her face sat on by a nearly-naked performance artist, and forces herself to stare at a single sculpture for hours on end while working as a museum security guard, she discovers not only the inner workings of the art-canonization machine but also a more expansive way of living.

Probing everything from cave paintings to Instagram, and from the science of sight to the importance of beauty as it examines art’s role in our culture, our economy, and our hearts, Get the Picture is a rollicking adventure that will change the way you see forever.