“Prepare to be captivated, moved, and ultimately uplifted by a tale that reminds us that we are stronger than we think.” 
—Suzi Weiss-Fischmann, author and OPI co-founder

“[Karena] shows us how to liberate ourselves from the grip of those experiences that all too often limit our chances to live life to the fullest. This book is . . . truly a gift of love.” 
—Mike Love, lead singer and lyricist of The Beach Boys

“When you open Rise Above the Story, be prepared for a demanding journey. And be open to a fresh and joyful destination.” 
—Richard Celeste, former governor of Ohio and author of In the Heart of It All



What do we do when the pain of the past is too much to bear? When trauma and shame overwhelm us? When we feel empty and worthless despite our success and daily triumphs?

We rise above our story.

Before Karena Kilcoyne was a successful criminal defense attorney, trauma defined her early life. Her mother tried to give her away at birth. Her father went to a federal penitentiary when she was 12, leaving the family poverty-stricken and Karena to care for her siblings and her mentally unstable mother. After her mother died, she adopted her 9-year-old brother and graduated from law school at the age of 24. She fought for the freedom of others while imprisoning herself in self-doubt, depression, and anxiety. Existing only in survival mode, she repeatedly recounted the stories she’d written about herself: that she would never be enough, that she could never be happy.

In Rise Above the Story, Karena shares with raw vulnerability how she rose above her stories of abandonment, worthlessness, and shame. She’ll help you let go of your own past by embracing every beautiful, imperfect piece of yourself—no matter what your story looks like. She’ll teach you how to:

• Acknowledge your story. Identify the story that’s limiting your life. 
• Release your story. Discover how your story took over your life by unearthing your repressed fear and shame.
• Rise above your story. Explore how your hardships can serve you and learn how to finally love yourself unconditionally.

Rising above your story will empower you to live the life of your dreams. Karena’s beautifully simple, yet powerful, formula offers emotional freedom and unfettered joy when you’re ready to embrace the vibrant, worthy, and lovable person you truly are.

Your past doesn’t define you—you do. It’s time to rise above your story and live the authentic life you deserve.

A MOST ANTICIPATED BOOK • The New York Times Book Review Editors’ Choice• A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction.

“Kaveh Akbar is one of my favorite writers. Ever.” —Tommy Orange, Pulitzer Prize–nominated author of There There

“The best novel you’ll ever read about the joy of language, addiction, displacement, martyrdom, belonging, homesickness.” —Lauren Groff, best-selling author of Matrix and Fates and Furies

I Sing to Use the Waiting is a vital and affecting reflection on how popular culture can shape personal identity. With remarkable grace, candor, and a poet’s ear for prose, Zachary Pace recounts the women singers — from Cat Power to Madonna, Kim Gordon to Rihanna — who shaped them as a young person coming-of-age in rural New York, first discovering their own queer voice.

Structured like a mixtape, Pace juxtaposes their coming out with the music that informed them along the way. They recount how listening to themselves sing along as a child to a Disney theme song they recorded on a boom box in 1995, was when they first realized there was an effeminate inflection to their voice. As childhood friendships splinter, Pace discusses the relationship between Whitney Houston and Robyn Crawford. Cat Power’s song “My Daddy Was a Musician” spurs a discussion of Pace’s own musician father, and their gradual estrangement.

Resonant and compelling, I Sing to Use the Waiting is a deeply personal rumination on how queer stories are abundant yet often suppressed, and how music may act as a comforting balm carrying us through difficult periods and decisions.

“Not all stories of adoption are stories of pain and regret. Not even most of them. Why don’t we ever get that movie?”

India Allwood grew up wanting to be an actor. Armed with a stack of index cards (for research/line memorization/make-shift confetti), she goes from awkward sixteen-year-old to Broadway ingenue to TV superhero.

Her new movie is a prestige picture about adoption, but its spin is the same old tired story of tragedy. India is an adoptive mom in real life though. She wants everyone to know there’s more to her family than pain and regret. So she does something you should never do — she tells a journalist the truth: it’s a bad movie.

Soon she’s at the center of a media storm, battling accusations from the press and the paparazzi, from protesters on the right and advocates on the left. Her twin ten-year-olds know they need help – and who better to call than family? But that’s where it gets really messy because India’s not just an adoptive mother…

The one thing she knows for sure is what makes a family isn’t blood. And it isn’t love. No matter how they’re formed, the truth about family is this: it’s complicated.

A masterfully paced thriller about a reclusive ex–movie star and her famous friends whose spontaneous trip to a private Greek island is upended by a murder — from the #1 New York Times bestselling author of The Silent Patient

This is a tale of murder.

Or maybe that’s not quite true. At its heart, it’s a love story, isn’t it?

Lana Farrar is a reclusive ex–movie star and one of the most famous women in the world. Every year, she invites her closest friends to escape the English weather and spend Easter on her idyllic private Greek island.

I tell you this because you may think you know this story. You probably read about it at the time ― it caused a real stir in the tabloids, if you remember. It had all the necessary ingredients for a press sensation: a celebrity; a private island cut off by the wind…and a murder.

We found ourselves trapped there overnight. Our old friendships concealed hatred and a desire for revenge. What followed was a game of cat and mouse ― a battle of wits, full of twists and turns, building to an unforgettable climax. The night ended in violence and death, as one of us was found murdered.

But who am I?

My name is Elliot Chase, and I’m going to tell you a story unlike any you’ve ever heard.

“A powerful case for limitarianism—the idea that we should set a maximum on how much resources one individual can appropriate. A must-read!”
—Thomas Piketty, bestselling author of Capital in the Twenty-First Century

An original, bold, and convincing argument for a cap on wealth by the philosopher who coined the term “limitarianism.”

How much money is too much? Is it ethical, and democratic, for an individual to amass a limitless amount of wealth, and then spend it however they choose? Many of us feel that the answer to that is no—but what can we do about it?

Ingrid Robeyns has long written and argued for the principle she calls “limitarianism”—or the need to limit extreme wealth. This idea is gaining momentum in the mainstream – with calls to “tax the rich” and slogans like “every billionaire is a policy failure”—but what does it mean in practice?

Robeyns explains the key reasons to support the case against extreme wealth: 

• It keeps the poor poor and inequalities growing
• It’s often dirty money
• It undermines democracy
• It’s one of the leading causes of  climate change

• Nobody actually deserves to be a millionaire
• There are better things to do with excess money
• The rich will benefit, too

This will be the first authoritative trade book to unpack the concept of a cap on wealth, where to draw the line, how to collect the excess and what to do with the money. In the process, Robeyns will ignite an urgent debate about wealth, one that calls into question the very forces we live by (capitalism and neoliberalism) and invites us to a radical reimagining of our world.

When mysterious faeries from other realms appear at her university, curmudgeonly professor Emily Wilde must uncover their secrets before it’s too late, in this heartwarming, enchanting second installment of the Emily Wilde series.

Emily Wilde is a genius scholar of faerie folklore who just wrote the world’s first comprehensive encyclopaedia of faeries. She’s learned many of the secrets of the Hidden Ones on her adventures . . . and also from her fellow scholar and former rival Wendell Bambleby. 

Because Bambleby is more than infuriatingly charming. He’s an exiled faerie king on the run from his murderous mother and in search of a door back to his realm. And despite Emily’s feelings for Bambleby, she’s not ready to accept his proposal of marriage: Loving one of the Fair Folk comes with secrets and dangers. 

She also has a new project to focus on: a map of the realms of faerie. While she is preparing her research, Bambleby lands her in trouble yet again, when assassins sent by his mother invade Cambridge. Now Bambleby and Emily are on another adventure, this time to the picturesque Austrian Alps, where Emily believes they may find the door to Bambleby’s realm and the key to freeing him from his family’s dark plans.

But with new relationships for the prickly Emily to navigate and dangerous Folk lurking in every forest and hollow, Emily must unravel the mysterious workings of faerie doors and of her own heart.