“In Britney Spears’s memoir, she’s stronger than ever.” —The New York Times

The Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope.

In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice—her truth—was undeniable, and it changed the course of her life and the lives of countless others. The Woman in Me reveals for the first time her incredible journey—and the strength at the core of one of the greatest performers in pop music history.

Written with remarkable candor and humor, Spears’s groundbreaking book illuminates the enduring power of music and love—and the importance of a woman telling her own story, on her own terms, at last.

From Jesmyn Ward—the two-time National Book Award winner, youngest winner of the Library of Congress Prize for Fiction, and MacArthur Fellow—comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War.

“‘Let us descend,’ the poet now began, ‘and enter this blind world.’” —Inferno, Dante Alighieri

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.

Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.

From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.

From the beloved New York Times opinion writer and bestselling author of Late Migrations comes a “howling love letter to the world” (Ann Patchett): a luminous book that traces the passing of seasons, personal and natural.

In The Comfort of Crows, Margaret Renkl presents a literary devotional: fifty-two chapters that follow the creatures and plants in her backyard over the course of a year. As we move through the seasons–from a crow spied on New Year’s Day, its resourcefulness and sense of community setting a theme for the year, to the lingering bluebirds of December, revisiting the nest box they used in spring–what develops is a portrait of joy and grief: joy in the ongoing pleasures of the natural world, and grief over winters that end too soon and songbirds that grow fewer and fewer.Along the way, we also glimpse the changing rhythms of a human life.

Grown children, unexpectedly home during the pandemic, prepare to depart once more. Birdsong and night-blooming flowers evoke generations past. The city and the country where Renkl raised her family transform a little more with each passing day. And the natural world, now in visible flux, requires every ounce of hope and commitment from the author–and from us. For, as Renkl writes, “radiant things are bursting forth in the darkest places, in the smallest nooks and deepest cracks of the hidden world.”

With fifty-two original color artworks by the author’s brother, Billy Renkl, The Comfort of Crows is a lovely and deeply moving book from a cherished observer of the natural world.

“Tim O’Brien is the one American author whose works I look forward to the most. His new novel’s ironic depiction of a post-Iraq war, mid-COVID, and mid-Trump world is piercing and razor-sharp.” —HARUKI MURAKAMI

An American Master returns: the author of The Things They Carried delivers his first new novel in two decades, a brilliant and rollicking odyssey, in which a bank robbery sparks “a satirical romp through a country plagued by deceit” (Kirkus, starred review)

Named one of Fall 2023’s most anticipated books: New York Times, Associated Press, Esquire, Kirkus, Goodreads, LitHub, St. Louis Post-Dispatch, and more

At 11:34 a.m. one Saturday in August 2019, Boyd Halverson strode into Community National Bank in Northern California.

“How much is on hand, would you say?” he asked the teller. “I’ll want it all.”

“You’re robbing me?”

He revealed a Temptation .38 Special.

The teller, a diminutive redhead named Angie Bing, collected eighty-one thousand dollars.

Boyd stuffed the cash into a paper grocery bag.

“I’m sorry about this,” he said, “but I’ll have to ask you to take a ride with me.”

So begins the adventure of Boyd Halverson—star journalist turned notorious online disinformation troll turned JCPenney manager—and his irrepressible hostage, Angie Bing. Haunted by his past and weary of his present, Boyd has one goal before the authorities catch up with him: settle a score with the man who destroyed his life. By Monday the pair reach Mexico; by winter, they are in a lakefront mansion in Minnesota. On their trail are hitmen, jealous lovers, ex-cons, an heiress, a billionaire shipping tycoon, a three-tour veteran of Iraq, and the ghosts of Boyd’s past. Everyone, it seems, except the police.

In the tradition of Jonathan Swift and Mark Twain, America Fantastica delivers a biting, witty, and entertaining story about the causes and costs of outlandish fantasy, while also marking the triumphant return of an essential voice in American letters. And at the heart of the novel, amid a teeming cast of characters, readers will delight in the tug-of-war between two memorable and iconic human beings—the exuberant savior-of-souls Angie Bing and the penitent but compulsive liar Boyd Halverson. Just as Tim O’Brien’s modern classic, The Things They Carried, so brilliantly reflected the unromantic truth of war, America Fantastica puts a mirror to a nation and a time that has become dangerously unmoored from truth and greedy for delusion.

#1 New York Times bestselling, award-winning New Yorker cartoonist Roz Chast’s new graphic narrative, exploring the surreal nighttime world inside her mind-and untangling one of our most enduring human mysteries: dreams.

Ancient Greeks, modern seers, Freud, Jung, neurologists, poets, artists, shamans-humanity has never ceased trying to decipher one of the strangest unexplained phenomena we all experience: dreaming. Now, in her new book, Roz Chast illustrates her own dream world, a place that is sometimes creepy but always hilarious, accompanied by an illustrated tour through “Dream-Theory Land” guided by insights from poets, philosophers, and psychoanalysts alike. Illuminating, surprising, funny, and often profound, I Must Be Dreaming explores Roz Chast’s newest subject of fascination-and promises to make it yours, too.

A string of mysterious deaths. A long-classified mission. A young MP with nothing to lose.

1992. All across the United States respectable, upstanding citizens are showing up dead. These deaths could be accidents, and they don’t appear to be connected—until a fatal fall from a high-floor window attracts some unexpected attention.

That attention comes from the secretary of defense. All of a sudden he wants an interagency task force to investigate. And he wants Jack Reacher as the army’s representative. If Reacher gets a result, great. If not, he’s a convenient fall guy.

But office politics isn’t Reacher’s thing. Three questions quickly emerge: Who’s with him, who’s against him, and will the justice he dispenses be the official kind . . . or his own kind?