Holly Gibney, one of Stephen King’s most compelling and ingeniously resourceful characters, returns in this thrilling novel to solve the gruesome truth behind multiple disappearances in a midwestern town.

“Sometimes the universe throws you a rope.” —BILL HODGES

Stephen King’s Holly marks the triumphant return of beloved King character Holly Gibney. Readers have witnessed Holly’s gradual transformation from a shy (but also brave and ethical) recluse in Mr. Mercedes to Bill Hodges’s partner in Finders Keepers to a full-fledged, smart, and occasionally tough private detective in The Outsider. In King’s new novel, Holly is on her own, and up against a pair of unimaginably depraved and brilliantly disguised adversaries.

When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl’s desperate voice makes it impossible for Holly to turn her down.

Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harboring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie’s disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless.

Holly must summon all her formidable talents to outthink and outmaneuver the shockingly twisted professors in this chilling new masterwork from Stephen King.

“I could never let Holly Gibney go. She was supposed to be a walk-on character in Mr. Mercedes and she just kind of stole the book and stole my heart. Holly is all her.” —STEPHEN KING

When the tech platforms promised a future of “connection,” they were lying. They said their “walled gardens” would keep us safe, but those were prison walls.

The platforms locked us into their systems and made us easy pickings, ripe for extraction. Twitter, Facebook and other Big Tech platforms hard to leave by design. They hold hostage the people we love, the communities that matter to us, the audiences and customers we rely on. The impossibility of staying connected to these people after you delete your account has nothing to do with technological limitations: it’s a business strategy in service to commodifying your personal life and relationships.

We can – we must – dismantle the tech platforms. In The Internet Con, Cory Doctorow explains how to seize the means of computation, by forcing Silicon Valley to do the thing it fears most: interoperate. Interoperability will tear down the walls between technologies, allowing users leave platforms, remix their media, and reconfigure their devices without corporate permission.

Interoperability is the only route to the rapid and enduring annihilation of the platforms. The Internet Con is the disassembly manual we need to take back our internet.

When a father goes missing, his family’s desperate search leads them to question everything they know about him and one another in this thrilling page-turner, a deeply moving portrait of a family in crisis from the award-winning author of Miracle Creek.

Finalist for the New American Voices Award • “This is a story with so many twists and turns I was riveted through the last page.”—Jodi Picoult

One of the Most Anticipated Books of the Season: The New York Times • Los Angeles Times • Oprah Quarterly • Time • St. Louis Post Dispatch • Lit Hub • Publishers Weekly • CrimeReads

“A brilliant, satisfying, compassionate mystery that is as much about language and storytelling as it is about a missing father. I loved this book.”—Gabrielle Zevin, author of Tomorrow, and Tomorrow, and Tomorrow

“I fell in love with the fascinating, brilliant family at the center of this riveting book.”—Ann Napolitano, author of Hello Beautiful

“We didn’t call the police right away.” Those are the electric first words of this extraordinary novel about a biracial Korean American family in Virginia whose lives are upended when their beloved father and husband goes missing.

Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn’t initially concerned when her father and younger brother Eugene don’t return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia’s brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak.

What follows is both a ticking-clock investigation into the whereabouts of a father and an emotionally rich portrait of a family whose most personal secrets just may be at the heart of his disappearance. Full of shocking twists and fascinating questions of love, language, and human connection, Happiness Falls is a mystery, a family drama, and a novel of profound philosophical inquiry. With all the powerful storytelling she brought to her award-winning debut, Miracle Creek, Angie Kim turns the missing-person story into something wholly original, creating an indelible tale of a family who must go to remarkable lengths to truly understand one another.

A powerful literary debut that tells of a young woman’s coming-of-age in the bohemian ’90s, as her adolescence gives way to a struggle with dissociative disorder. Alice Carri re tells the story of her unconventional upbringing in Greenwich Village as the daughter of a remote mother, the renowned artist Jennifer Bartlett, and a charismatic father, European actor Mathieu Carri re. From an early age, Alice is forced to navigate her mother’s recovered memories of ritualized sexual abuse, which she turns into art, and her father’s confusing attentions. Her days are a mixture of privilege, neglect, loneliness, and danger–a child living in an adult’s world, with little-to-no enforcement of boundaries or supervision.When she enters adolescence, Alice begins to lose her grasp on herself, as a dissociative disorder erases her identity and overzealous doctors medicate her further away from herself. She inhabits various roles: as a patient in expensive psychiatric hospitals, a denizen of the downtown New York music scene, the ingenue in destructive encounters with older men–ricocheting from experience to experience until a medication-induced psychosis brings these personas crashing down. Eventually, she finds purpose in caring for her mother as she descends into dementia, in a love affair with a recovering addict who steadies her, in confronting her father whose words and actions splintered her, and in finding her voice as a writer.With gallows humor and brutal honesty, Everything/Nothing/Someone explores what it means for our body and mind to belong to us wholly, irrevocably, and on our own terms. In pulsing, energetic prose that is both precise and probing, Alice manages to untangle the stories told to her by her parents, the American psychiatric complex, and her own broken mind to craft a unique and mesmerizing narrative of emergence and, finally, cure.

#1 INTERNATIONAL BEST SELLER • Lisbeth Salander returns, in a trailblazing new installment to the best-selling Girl with the Dragon Tattoo series • Also known as the Millennium series

“Lisbeth Salander is back—and maybe better than ever. Karin Smirnoff’s take is both respectful of the past and ready for the future—altogether remarkable.” —Lee Child, author of No Plan B

“An absolutely brilliant continuation of the series: exciting plot, plenty of action, and a sensitive portrayal of complicated relationships—where the new character Svala is one of the highlights.” —Femina

Change is coming to Sweden’s far north: its untapped natural resources are sparking a gold rush, with the criminal underworld leading the charge. But it’s not the prospect of riches that brings Lisbeth Salander to the small town of Gasskas. She has been named guardian to her niece Svala, whose mother has disappeared. Two things soon become clear: Svala is a remarkably gifted teenager—and she’s being watched.

Mikael Blomkvist is also heading north. He has seen better days. Millennium magazine is in its final print issue, and relations with his daughter are strained. Worse still, there are troubling rumors surrounding the man she’s about to marry. When the truth behind the whispers explodes into violence, Salander emerges as Blomkvist’s last hope.

A pulse-pounding thriller, The Girl in the Eagle’s Talons sees Salander and Blomkvist navigating a world of conspiracy and betrayal, old enemies and new friends, ice-bound wilderness and the global corporations that threaten to tear it apart.

“Jill Lepore is unquestionably one of America’s best historians; it’s fair to say she’s one of its best writers too.” —Jonathan Russell Clark, Los Angeles Times

TIME • 10 Best Books of August 2023



A book to be read and kept for posterity, The Deadline is the art of the essay at its best.

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness. From lockdowns and race commissions to Bratz dolls and bicycles, to the losses that haunt Lepore’s life, these essays again and again cross what she calls the deadline, the “river of time that divides the quick from the dead.” Echoing Gore Vidal’s United States in its massive intellectual erudition, The Deadline, with its remarkable juxtaposition of the political and the personal, challenges the very nature of the essay—and of history—itself.

An Indian American daughter reveals how the dangerous model minority myth fractured her family in this “searingly honest memoir that manages to be at once a scalding indictment and a heartfelt love letter” (Scott Stossel, author of My Age of Anxiety).

ONE OF THE BEST BOOKS OF THE SEASON: The New York Times, The Washington Post, The Boston Globe, Bustle

“In examining with boundless love the secrets and sorrows of one family, Gupta shows us the life-altering power of telling one’s truth.”—Megha Majumdar, author of A Burning

How do we understand ourselves when the story about who we are supposed to be is stronger than our sense of self? What do we stand to gain—and lose—by taking control of our narrative? These questions propel Prachi Gupta’s heartfelt memoir and can feel particularly fraught for immigrants and their children who live under immense pressure to belong in America. 

Prachi Gupta’s family embodied the American Dream: a doctor father and a nurturing mother who raised two high-achieving children with one foot in the Indian American community, the other in Pennsylvania’s white suburbia. But their belonging was predicated on a powerful myth: that Asian Americans have perfected the alchemy of middle-class life, raising tight-knit, ambitious families that are immune to hardship. Molding oneself to fit this perfect image often comes at a steep but hidden cost. In They Called Us Exceptional, Gupta articulates the dissonance, shame, and isolation of being upheld as an American success story while privately navigating traumas invisible to the outside world. 

Gupta addresses her mother throughout the book, weaving a deeply vulnerable personal narrative with history, postcolonial theory, and research on mental health, to show how she slowly made sense of her reality and freed herself emotionally and physically from the pervasive, reductive myth that had once defined her. But, tragically, the act that liberated Gupta was also the act that distanced her from those she loved most. By charting her family’s slow unraveling and her determination to break the cycle, Gupta shows how traditional notions of success keep us disconnected from ourselves and one another—and passionately argues why we must orient ourselves toward compassion over belonging.