A scintillating, page-turning novel: “There is little more alluring than the promise of secrets, and Do Tell is full of them–glamorous, tawdry, and human. A rich portrait of the lives of early Hollywood’s beautiful puppets and those holding their strings.” –Emma Straub, New York Times bestselling author of This Time Tomorrow
“Do Tell illuminates issues of fame and notoriety as relevant now as they were almost a century ago.” –Geraldine Brooks, New York Times bestselling author of Horse
As character actress Edie O’Dare finishes the final year of her contract with FWM Studios, the clock is ticking for her to find a new gig after an undistinguished stint in the pictures. She’s long supplemented her income moonlighting for Hollywood’s reigning gossip columnist, providing her with the salacious details of every party and premiere. When an up-and-coming starlet hands her a letter alleging an assault from an A-list actor at a party with Edie and the rest of the industry’s biggest names in attendance, Edie helps get the story into print and sets off a chain of events that will alter the trajectories of everyone involved.
Now on a new side of the entertainment business, Edie’s second act career grants her more control on the page than she ever commanded in front of the camera. But Edie quickly learns that publishing the secrets of those former colleagues she considers friends has repercussions. And when she finds herself in the middle of the trial of the decade, Edie is forced to make an impossible choice with the potential to ruin more than one life.
Debut novelist Lindsay Lynch brings the golden age of Hollywood to glittering life, from star-studded opening nights to backlot brawls, on-location Westerns to the Hollywood Canteen. Through Edie’s wry observations, Lynch maps the intricate networks of power that manufacture the magic of the movies, and interrogates who actually gets to tell women’s stories.
A Goodreads Most Anticipated Book of 2023 • A USA Today Must-Read Summer Book • A Next Big Idea Must-Read Book • A Library Journal What To Read In 2023 Book
The New York Times best-selling author explores how “anti-science” became so virulent in American life—through a history of climate denial and its consequences.
In 1956, the New York Times prophesied that once global warming really kicked in, we could see parrots in the Antarctic. In 2010, when science deniers had control of the climate story, Senator James Inhofe and his family built an igloo on the Washington Mall and plunked a sign on top: AL GORE’S NEW HOME: HONK IF YOU LOVE CLIMATE CHANGE. In The Parrot and the Igloo, best-selling author David Lipsky tells the astonishing story of how we moved from one extreme (the correct one) to the other.
With narrative sweep and a superb eye for character, Lipsky unfolds the dramatic narrative of the long, strange march of climate science. The story begins with a tale of three inventors—Thomas Edison, George Westinghouse, and Nikola Tesla—who made our technological world, not knowing what they had set into motion. Then there are the scientists who sounded the alarm once they identified carbon dioxide as the culprit of our warming planet. And we meet the hucksters, zealots, and crackpots who lied about that science and misled the public in ever more outrageous ways. Lipsky masterfully traces the evolution of climate denial, exposing how it grew out of early efforts to build a network of untruth about products like aspirin and cigarettes.
Featuring an indelible cast of heroes and villains, mavericks and swindlers, The Parrot and the Igloo delivers a real-life tragicomedy—one that captures the extraordinary dance of science, money, and the American character.
In this “dazzling” speculative debut, a London-based Pakistani translator furthers her stalled career by attending a mysterious language school that boasts near-instant fluency–but at a secret, sinister cost (Gillian Flynn)
Anisa Ellahi dreams of being a translator of “great works of literature,” but mostly spends her days subtitling Bollywood movies and living off her parents’ generous allowance. Adding to her growing sense of inadequacy, her mediocre white boyfriend, Adam, has successfully leveraged his savant-level aptitude for languages into an enviable career. But when Adam learns to speak Urdu practically overnight, Anisa forces him to reveal his secret.
Adam begrudgingly tells her about The Centre, an elite, invite-only program that guarantees complete fluency in any language, in just ten days. This sounds, to Anisa, like a step toward the life she’s always wanted. Stripped of her belongings and all contact with the outside world, she enrolls and undergoes The Centre’s strange and rigorous processes. But as Anisa enmeshes herself further within the organization, seduced by all that it’s made possible, she soon realizes the hidden cost of its services.By turns darkly comic and surreal, and with twists as page-turning as they are shocking, The Centre journeys through Karachi, London, and New Delhi, interrogating the sticky politics of language, translation, and appropriation along the way. Through Anisa’s addictive tale of striving and self-actualization, Ayesha Manazir Siddiqi ultimately asks the reader: What is the real price we pay in our scramble to the center?
Most Anticipated by The New York Times and The Washington Post and The Los Angeles Times • A Next Big Idea Book Club Selection •New York Times bestselling journalist’s “masterful, bracing” (David Wallace-Wells) investigation exposes “through stellar reporting, artful storytelling and fascinating scientific explanations” (Naomi Klein) an explosive new understanding of heat and the impact that rising temperatures will have on our lives and on our planet. “Entertaining and thoroughly researched,” (Al Gore), it will completely change the way you see the world, and despite its urgent themes, is injected with “eternal optimism” (Michael Mann) on how to combat one of the most important issues of our time. “When heat comes, it’s invisible. It doesn’t bend tree branches or blow hair across your face to let you know it’s arrived…. The sun feels like the barrel of a gun pointed at you.”
The world is waking up to a new reality: wildfires are now seasonal in California, the Northeast is getting less and less snow each winter, and the ice sheets in the Arctic and Antarctica are melting fast. Heat is the first order threat that drives all other impacts of the climate crisis. And as the temperature rises, it is revealing fault lines in our governments, our politics, our economy, and our values. The basic science is not complicated: Stop burning fossil fuels tomorrow, and the global temperature will stop rising tomorrow. Stop burning fossil fuels in 50 years, and the temperature will keep rising for 50 years, making parts of our planet virtually uninhabitable. It’s up to us. The hotter it gets, the deeper and wider our fault lines will open.
The Heat Will Kill You First is about the extreme ways in which our planet is already changing. It is about why spring is coming a few weeks earlier and fall is coming a few weeks later and the impact that will have on everything from our food supply to disease outbreaks. It is about what will happen to our lives and our communities when typical summer days in Chicago or Boston go from 90° F to 110°F. A heatwave, Goodell explains, is a predatory event— one that culls out the most vulnerable people. But that is changing. As heatwaves become more intense and more common, they will become more democratic.
As an award-winning journalist who has been at the forefront of environmental journalism for decades, Goodell’s new book may be his most provocative yet, explaining how extreme heat will dramatically change the world as we know it. Masterfully reported, mixing the latest scientific insight with on-the-ground storytelling, Jeff Goodell tackles the big questions and uncovers how extreme heat is a force beyond anything we have reckoned with before.
From bestselling and award-winning author Patrick deWitt comes the story of Bob Comet, a man who has lived his life through and for literature, unaware that his own experience is a poignant and affecting narrative in itself.
Bob Comet is a retired librarian passing his solitary days surrounded by books and small comforts in a mint-colored house in Portland, Oregon. One morning on his daily walk he encounters a confused elderly woman lost in a market and returns her to the senior center that is her home. Hoping to fill the void he’s known since retiring, he begins volunteering at the center. Here, as a community of strange peers gathers around Bob, and following a happenstance brush with a painful complication from his past, the events of his life and the details of his character are revealed.
Behind Bob Comet’s straight-man façade is the story of an unhappy child’s runaway adventure during the last days of the Second World War, of true love won and stolen away, of the purpose and pride found in the librarian’s vocation, and of the pleasures of a life lived to the side of the masses. Bob’s experiences are imbued with melancholy but also a bright, sustained comedy; he has a talent for locating bizarre and outsize players to welcome onto the stage of his life.
With his inimitable verve, skewed humor, and compassion for the outcast, Patrick deWitt has written a wide-ranging and ambitious document of the introvert’s condition.The Librarianist celebrates the extraordinary in the so-called ordinary life, and depicts beautifully the turbulence that sometimes exists beneath a surface of serenity.
From the award-winning author of Stealing Buddha’s Dinner, a powerful memoir of a mother-daughter relationship fragmented by war and resettlement.
At the end of the Vietnam War, when Beth Nguyen was eight months old, she and her father, sister, grandmother, and uncles fled Saigon for America. Beth’s mother stayed—or was left—behind, and they did not meet again until Beth was nineteen. Over the course of her adult life, she and her mother have spent less than twenty-four hours together.
Owner of a Lonely Heart is a memoir about parenthood, absence, and the condition of being a refugee: the story of Beth’s relationship with her mother. Framed by a handful of visits over the course of many years—sometimes brief, sometimes interrupted, sometimes with her mother alone and sometimes with her sister—Beth tells a coming-of-age story that spans her own Midwestern childhood, her first meeting with her mother, and becoming a parent herself. Vivid and illuminating, Owner of a Lonely Heart is a deeply personal story of family, connection, and belonging: as a daughter, a mother, and as a Vietnamese refugee in America.
“Pete and Alice in Maine is a tender, big-hearted, clear-eyed portrait of a marriage, and a family, in crisis—set during the plague years when the entire world was in crisis. As she investigates the insidious effect of lies, betrayal, fear, and anger, not to mention the mundane joys and wrenching heartaches of everyday life, Caitlin Shetterly gets to the heart of what it means to be a family.” — Christina Baker Kline, New York Times bestselling author of The Exiles
A powerful and beautifully written debut novel that intimately explores a fractured marriage and the struggles of modern parenthood, set against the backdrop of the chaotic spring of 2020.
Reeling from a painful betrayal in her marriage as the Covid pandemic takes hold in New York City, Alice packs up her family and flees to their vacation home in Maine. She hopes to find sanctuary—from the uncertainties of the exploding pandemic and her faltering marriage.
Putting distance between herself and the stresses and troubles of the city, Alice begins to feel safe and relieved. But the locals are far from friendly. Trapped and forced into quarantine by hostile neighbors, Alice sees the imprisoning structure of her lifein his new predicament. Stripped down to the bare essentials of survival and tending to the needs of her two children, she can no longer ignore all the ways in which she feels limited and lost—lost in the big city, lost as a wife, lost as a mother, lost as a daughter and lost as a person.
As the world shifts around her and the balance in her marriage tilts, Alice and her husband, Pete, are left to consider if what keeps their family safe is the same thing as what keeps their family together.
“Kate Zambreno has invented a new form. It is a kind of absolute present, real life captured in closeup.“ —Annie Ernaux, winner of the Nobel Prize in Literature
From “one of our most formally ambitious writers” (Esquire), a moving account of caretaking in a time of uncertainty and loss
In The Light Room, Zambreno offers her most profound and affecting work yet: a candid chronicle of life as a mother of two young daughters in a moment of profound uncertainty about public health, climate change, and the future we can expect for our children. Moving through the seasons, returning often to parks and green spaces, Zambreno captures the isolation and exhaustion of being home with a baby and a small child, but also small and transcendent moments of beauty and joy. Inspired by writers and artists ranging from Natalia Ginzburg to Joseph Cornell, Yūko Tsushima to Bernadette Mayer, Etel Adnan to David Wojnarowicz, The Light Room represents an impassioned appreciation of community and the commons, and an ecstatic engagement with the living world.
How will our memories, and our children’s, be affected by this time of profound disconnection? What does it mean to bring new life, and new work, into this moment of precarity and crisis? In The Light Room, Kate Zambreno offers a vision of how to live in ways that move away from disenchantment, and toward light and possibility.
Factory Girls by Michelle Gallen (Algonquin Books), picked by store manager, Emily
Maeve Murray has complicated feelings on just about everything: her family, her friends, her English boss, Protestant co-workers and most of all preparing to leave her small town in Northern Ireland.
In the Summer of 1994 as they wait for their school test results Maeve and her two best friends, Caroline and Aoife, take the only jobs available to them. Working in a shirt factory is hard but made all the more difficult with The Troubles brewing inside and outside of the factory walls.
I found this book to be in turns funny and somber. Gallen captures the time and place but with characters so relatable everyone can enjoy their story.
She’s the author of our July featured staff pick, Factory Girls. Questions by Emily Berg, store manager.
Michelle Gallen (photo credit: Brideen Baxter and Deci Gallen/Simpletapestry.com)
Q: This is a work of fiction, but it does take place in a time and place you lived. Of the three girls, is there one whose feelings and experiences most closely reflect your own?
A: I think each character has strengths, weaknesses, griefs and talents that I envy or fear, and that’s why they are all so vivid to me. I also feel incredibly close to both Deirdre – Maeve’s sister – and I adore Fidelma, the fist-fighting factory worker who elbows her way into the narrative.
Having said that, when I worked in a shirt factory, I did press shirts, and the hard physical experience of that is one I brought to the book. In one way, it was an incredibly zen job – I have never since got so ‘lost’ in my work, or felt so in the flow. But I found the socio-political side of working in the factory hugely stressful – I worked alongside lots of clever, quick-witted people who were also watchful and wary – I never felt like I could keep up with the ‘banter’, and disliked the underlying current of mistrust.
Q: Maeve has some memories of programs set up (in school and out) to bring Catholics and Protestants together. Did you participate in any such programs and, if so, did you find they were successful in anyway?
A: I think the fundamental problem with these programs is that they are based on premise that children who have been brought up in a society that is structurally biased and segregated at almost every level, run by adults who aren’t doing all that much to change the dynamic, will bring about peace simply by hanging out for the weekend and doing some mildly risky outdoors activities. If it were that easy, Mo Mowlam and Bill Clinton would’ve had a much easier time of it in the peace process. I think these programs were better than nothing. But they also placed an enormous burden on our shoulders, while giving us almost no power to make changes. I think if the adults and interested parties had placed all that energy and funding into integrating the schools, our peace process would be a lot more advanced than it currently is – and the current school system would be spending its money on a shared education instead of wasting money segregating students.
Q: The book captured the feeling of having that first apartment, out on your own with a friend. What was your first apartment like?
A: Oh I didn’t live independently until I got to university, and it wasn’t the same experience, as I knew nobody in Dublin and had to room with a total stranger. I know that’s quite a common college experience in the US, but very unusual in Ireland, where everyone knows each other or has family they can stay with. I lived with a student from Newry and one from Tipperary. We were all utterly different from each other but I bonded well with the student who had come from Northern Ireland. Our lives were much more similar than students who had never experienced the Troubles, who had no idea of what the conflict was like. Although I didn’t drink, I loved hosting friends and parties in my flat. I had the only computer in the building, so lots of geeks came to hang out and use the program Eliza to work through their problems, or to play basic arcade games. We also had ‘sessions’ where we’d get together to sing and play guitar. The building I lived in was occupied mostly by students – so I got to meet and mix with people from all over Ireland for the first time. It was an incredible experience, even if I was also homesick for the North.
Q: Have you heard the audio book version of Factory Girls? Did you think the narrator’s accent was accurate? (I believe she’s English.)
A: I actually had the opportunity to hear the shortlisted narrators before the final choice was made, so I was thrilled to discover that Northern Irish actors were in the line up. I loved the selected narrator, Amy Molloy, who grew up in Belfast. She captures all the different voices and characters just beautifully. Nicola Coughlan – who plays Clare in Derry Girls – narrated my first book, Big Girl Small Town. Nicola isn’t from Northern Ireland, but obviously her work in refining her accent for Derry Girls helped her nail the narration too.
Q: What are you currently reading?
A: Oh I’m reading about 10 books at the moment because I’m a bit overloaded juggling the the chaos of a renovation, work and travel. So to escape into the world of a deliciously eccentric character, I’m reading Strange Sally Diamond by Liz Nugent. To improve my French and consider the horror of always being in the first flush of love, I’m reading Mon Mari by Maud Ventura. And to keep myself doing ‘The Work’ I’m reading Waking the Tigerby Peter Levine.
Ed note: In English, Mon Mari is My Husband by Maud Ventura, translated by Emma Ramadan.
Q: Are you working on anything new?
A: I’m silly busy writing at the moment 😱 I’m trying to finish a fourth book instead of redrafting my third, simply because every time I sit down to start the redraft of the third book, the narrator of the fourth book grabs me by the throat and won’t let go until I’ve exhausted that voice. I’m also working on the adaptation of Big Girl Small Town for screen with BBC production company Lookout Point, and working on the adaptation of Factory Girls for TV with Irish Production company Deadpan Pictures. I feel like I am being jostled on all sides by characters, locations, voices and events – on top of finishing up a house renovation, parenting, and travelling for work in the ‘real’ world. It’s funny how exhausting having your dreams come true is 😂
Q: One of my favorite quotes from the book is “If Aoife fell into a barrel of c*cks she’d come out sucking her own thumb.” Is this an idiom I just may not have heard as an American or a Michelle Gallen original phrase? I love it.
A: Hahahahah no it’s a phrase I first heard in Belfast. I can still remember how hard I laughed. It’s TERRIBLE. It’s brilliant! I’m heading up to Belfast shortly for an event and I can’t wait to catch up with all my friends there – it will be like drinking pure comedy gold.