Named a Most Anticipated Book in…
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Vulture’s “Into It”

From the writer whose New York Magazine piece “I Was Caroline Calloway” broke the internet comes a fresh, incisive, laugh-out-loud funny memoir-in-essays about the frenzied journey to adulthood.

Natalie Beach became an internet sensation when her essay on her toxic friendship with Instagram influencer Caroline Calloway went viral. Now, for the first time, and in her own indelible voice, Beach offers a revelatory glimpse into her own life alongside a broader cultural criticism of the world today. Through stories of heartbreak, odd jobs, political activism, existential crises and low-rise jeans, Natalie Beach explores the high stakes and absurdist comedy of coming of age in a world gone mad.

Effervescent, hilarious and unflinchingly self-aware, Adult Drama marks the arrival of an electrifying new literary voice.

From “one of the most acute and lasting writers of her generation” (The New York Times)—a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things—seen and unseen.

“Is it an allegory? Is it real? It doesn’t matter . . . [It’s] a novel with big questions, no answers, and it’s absolutely brilliant.” —Lit Hub

“[A] triumph of tone and, ultimately, of the imagination.” —The Guardian

Lorrie Moore’s first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heart

A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all…

With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true.

I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.

How seeing Earth through the eyes of an astronaut brings new wonder and meaning to life on our planet.

One stifling summer night, the poet and journalist Marjolijn van Heemstra lay awake, unable to sleep—like so many of us feeling anxious and alienated, deeply exhausted yet restless. Amid the suffocating stream of daily obligations, the clamor of notifications and increasingly dismal headlines, she longed for a way to rise above the frenzy, for a renewed sense of meaning and connection. Then she learned about the overview effect—a permanent shift in consciousness many astronauts experience when beholding Earth from outside the atmosphere—and wondered: could the perspective of outer space offer the internal space she sought?

The lyrical account of van Heemstra’s yearlong quest to experience the overview effect on Earth, In Light-Years There’s No Hurry invites us to lift our gaze above eye level and discover our connections with the cosmos, our planet, and each other. We follow as van Heemstra’s cosmic awareness expands and she finds herself feeling simultaneously lighter and more grounded. Compared with the complexity of the universe, daily life on Earth begins to seem more manageable, while understanding the improbability of our collective existence gives her new patience and tenderness for her neighbors. The grand rhythms of light-years and eons become a source of restoration and relief—a comforting, necessary reminder to slow down and zoom out.

Contemplating the solace a cosmic perspective offers in our chaotic, divided world, In Light-Years There’s No Hurry is a moving meditation on what it is to be human amid the vastness of the universe.

A lucid, genre-defying novel that explores the surreality of pregnancy, childbirth, and motherhood in a country in crisis

A novelist attempts to write a book about Mary Shelley, author of Frankenstein, a mother and artist whose harrowing pregnancies reveal the cost of human reproduction. Soon, however, the novelist’s own painful experiences of pregnancy and childbirth, as well as her increasing awareness of larger threats from climate change to pandemic, force her to give up on the book and turn instead to writing a contemporary Frankenstein, based on the story of an old friend who mysteriously reappears in her life.

In telling a story that ranges from pregnancy to miscarriage to traumatic birth, from motherhood to the frontiers of reproductive science, Louisa Hall draws powerfully from her own experiences, as well as the stories of two other women: Mary Shelley and Anna, a scientist and would-be parent who is contemplating the possibilities, and morality, of genetic modification.

Both devastating and joyful, elegant and exacting, Reproduction is a powerful reminder of the hazards and the rewards involved in creating new life, and a profoundly feminist exploration of motherhood, female friendship, and artistic ambition.

Central Park birder Christian Cooper takes us beyond the viral video that shocked a nation and into a world of avian adventures, global excursions, and the unexpected lessons you can learn from a life spent looking up.

“Wondrous . . . captivating.”—Ed Yong, Pulitzer Prize–winning author of An Immense World

Christian Cooper is a self-described “Blerd” (Black nerd), an avid comics fan and expert birder who devotes every spring to gazing upon the migratory birds that stop to rest in Central Park, just a subway ride away from where he lives in New York City. While in the park one morning in May 2020, Cooper was engaged in the birdwatching ritual that had been a part of his life since he was ten years old when what might have been a routine encounter with a dog walker exploded age-old racial tensions. Cooper’s viral video of the incident would send shock waves through the nation.

In Better Living Through Birding, Cooper tells the story of his extraordinary life leading up to the now-infamous incident in Central Park and shows how a life spent looking up at the birds prepared him, in the most uncanny of ways, to be a gay, Black man in America today. From sharpened senses that work just as well at a protest as in a park to what a bird like the Common Grackle can teach us about self-acceptance, Better Living Through Birding exults in the pleasures of a life lived in pursuit of the natural world and invites you to discover them yourself.

Equal parts memoir, travelogue, and primer on the art of birding, this is Cooper’s story of learning to claim and defend space for himself and others like him, from his days at Marvel Comics introducing the first gay storylines to vivid and life-changing birding expeditions through Africa, Australia, the Americas, and the Himalayas. Better Living Through Birding recounts Cooper’s journey through the wonderful world of birds and what they can teach us about life, if only we would look and listen.

From the #1 New York Times bestselling author of The Hotel Nantucket: After tragedy strikes, food blogger Hollis Shaw gathers four friends from different stages in her life to spend an unforgettable weekend on Nantucket.

Hollis Shaw’s life seems picture-perfect. She’s the creator of the popular food blog Hungry with Hollis and is married to Matthew, a dreamy heart surgeon. But after she and Matthew get into a heated argument one snowy morning, he leaves for the airport and is killed in a car accident. The cracks in Hollis’s perfect life—her strained marriage and her complicated relationship with her daughter, Caroline—grow deeper.

So when Hollis hears about something called a “Five-Star Weekend”—one woman organizes a trip for her best friend from each phase of her life: her teenage years, her twenties, her thirties, and midlife—she decides to host her own Five-Star Weekend on Nantucket. But the weekend doesn’t turn out to be a joyful Hallmark movie.

The husband of Hollis’s childhood friend Tatum arranges for Hollis’s first love, Jack Finigan, to spend time with them, stirring up old feelings. Meanwhile, Tatum is forced to play nice with abrasive and elitist Dru-Ann, Hollis’s best friend from UNC Chapel Hill. Dru-Ann’s career as a prominent Chicago sports agent is on the line after her comments about a client’s mental health issues are misconstrued online. Brooke, Hollis’s friend from their thirties, has just discovered that her husband is having an inappropriate relationship with a woman at work. Again! And then there’s Gigi, a stranger to everyone (including Hollis) who reached out to Hollis through her blog. Gigi embodies an unusual grace and, as it happens, has many secrets.

The Five-Star Weekend is a surprising and captivating story about friendship, love, and self-discovery set on Nantucket. It will be a weekend like no other.

“Millions of eyes were suddenly upon us, creating a picture I will never forget.” —Paul McCartney

Taken with a 35mm camera by Paul McCartney, these largely unseen photographs capture the explosive period, from the end of 1963 through early 1964, in which The Beatles became an international sensation and changed the course of music history. Featuring 275 images from the six cities—Liverpool, London, Paris, New York, Washington, D.C., and Miami—of these legendary months, 1964: Eyes of the Storm also includes:

• A personal foreword in which McCartney recalls the pandemonium of British concert halls, followed by the hysteria that greeted the band on its first American visit

• Candid recollections preceding each city portfolio that form an autobiographical account of the period McCartney remembers as the “Eyes of the Storm,” plus a coda with subsequent events in 1964

• “Beatleland,” an essay by Harvard historian and New Yorker essayist Jill Lepore, describing how The Beatles became the first truly global mass culture phenomenon

Handsomely designed, 1964: Eyes of the Storm creates an intensely dramatic record of The Beatles’ first transatlantic trip, documenting the radical shift in youth culture that crystallized in 1964.

“You could hold your camera up to the world, in 1964. But what madness would you capture, what beauty, what joy, what fury?” —Jill Lepore

From Pulitzer Prize winner Richard Ford: the final novel in the world of Frank Bascombe, one of the most indelible characters in American literature

Over the course of four celebrated works of fiction and almost forty years, Richard Ford has crafted an ambitious, incisive, and singular view of American life as lived. Unconstrained, astute, provocative, often laugh-out-loud funny, Frank Bascombe is once more our guide to the great American midway.

Now in the twilight of life, a man who has occupied many colorful lives—sportswriter, father, husband, ex-husband, friend, real estate agent—Bascombe finds himself in the most sorrowing role of all: caregiver to his son, Paul, diagnosed with ALS. On a shared winter odyssey to Mount Rushmore, Frank, in typical Bascombe fashion, faces down the mortality that is assured each of us, and in doing so confronts what happiness might signify at the end of days.

In this memorable novel, Richard Ford puts on displays the prose, wit, and intelligence that make him one of our most acclaimed living writers. Be Mine is a profound, funny, poignant love letter to our beleaguered world.

Discover wisdom and guidance to face the climate emergency from the most influential spiritual and environmental leaders of our time, including the Dalai Lama, Greta Thunberg, Joanna Macy, Vandana Shiva, Paul Hawken, Katharine Hayhoe, and Matthieu Ricard.

When the Dalai Lama and Greta Thunberg spoke for the first time in January 2021, millions of people around the world took notice. “It is encouraging to see how you have opened the eyes of the world to the urgency to protect our planet, our only home,” the Dalai Lama wrote to Greta before their meeting.

A Future We Can Love shares the words of these two great figures, generations apart, bringing them into dialogue with dozens of visionary scientists, activists, and spiritual luminaries. These include indigenous scholar and artist Lyla June, medical biochemist and author Diana Beresford-Kroeger, climate scientist and Zen teacher Kritee Kanko, interfaith environmental leader Dekila Chungyalpa, Buddhist teacher Willa Blythe Baker, Rabbi Steve Leder, and many more. Through this world-changing conversation, readers embark on a four-part journey toward active hope in the face of the climate crisis: from knowledge of climate science, through the capacity for change, and to the will that is needed and the actions we can take. The book will help you:

• comfort your climate anxiety and metabolize grief or burnout into wonderment and useful energy
• recognize interdependence as key to our well-being and as a lens for understanding both the climate crisis and its solutions
• clarify why feedback loops leave us no time to wait on climate action
• develop your own rituals and practices for connecting to Earth and renewing hope
• overcome common obstacles to speaking and acting clearly on behalf of the human and wild communities most affected by the climate crisis
  

A Future We Can Love inspires each of us to rise to the occasion to ensure a brighter future for generations to come.