Discover wisdom and guidance to face the climate emergency from the most influential spiritual and environmental leaders of our time, including the Dalai Lama, Greta Thunberg, Joanna Macy, Vandana Shiva, Paul Hawken, Katharine Hayhoe, and Matthieu Ricard.

When the Dalai Lama and Greta Thunberg spoke for the first time in January 2021, millions of people around the world took notice. “It is encouraging to see how you have opened the eyes of the world to the urgency to protect our planet, our only home,” the Dalai Lama wrote to Greta before their meeting.

A Future We Can Love shares the words of these two great figures, generations apart, bringing them into dialogue with dozens of visionary scientists, activists, and spiritual luminaries. These include indigenous scholar and artist Lyla June, medical biochemist and author Diana Beresford-Kroeger, climate scientist and Zen teacher Kritee Kanko, interfaith environmental leader Dekila Chungyalpa, Buddhist teacher Willa Blythe Baker, Rabbi Steve Leder, and many more. Through this world-changing conversation, readers embark on a four-part journey toward active hope in the face of the climate crisis: from knowledge of climate science, through the capacity for change, and to the will that is needed and the actions we can take. The book will help you:

• comfort your climate anxiety and metabolize grief or burnout into wonderment and useful energy
• recognize interdependence as key to our well-being and as a lens for understanding both the climate crisis and its solutions
• clarify why feedback loops leave us no time to wait on climate action
• develop your own rituals and practices for connecting to Earth and renewing hope
• overcome common obstacles to speaking and acting clearly on behalf of the human and wild communities most affected by the climate crisis
  

A Future We Can Love inspires each of us to rise to the occasion to ensure a brighter future for generations to come.

When a writer tracks down his literary hero, Graham Greene, who is living quietly on the shores of the Mediterranean, the author finds his new friend is every bit as complex as the fiction he’s famous for.

While living in southern France in 1972, Michael Mewshaw engineered a meeting with Graham Greene. Mewshaw was an ambitious young journalist and novelist, Greene was an internationally revered elder statesman of letters. The pair became fast friends and corresponded for the next twenty years. 

My Man in Antibes is an intimate portrait of what it was like to eat, drink, and gossip with one of the most revered–and complicated–authors of the twentieth century.Growing up Catholic with literary aspirations, Mewshaw believed Greene was the author to emulate. Not only did Greene demonstrate how religious belief and church dogma could be subjects for fiction, he also wrote murder mysteries and political thrillers where his characters’ inner conflicts played out dramatically in exotic settings.

Under Greene’s sway, Mewshaw traveled through Mexico like the whiskey priest in Greene’s The Power and the Glory and honeymooned at the Hotel Oloffson in Haiti, the setting of The Comedians.

When Mewshaw tracked down Greene in Antibes, he found the author was far from a reclusive, close-mouthed figure: Greene garrulously recounted tales about the many women in his life–and husbands of those women–as well as his extraordinary interviews with political figures such as Fidel Castro and Ho Chi Minh. Over the next two decades, Mewshaw and Greene ate meals together, discussed their travels, and talked about writers they knew in common, such as Anthony Burgess, Shirley Hazzard, and Gore Vidal.

While young Mewshaw looked up to the world-weary Greene, their relationship was never simply that of mentor and mentee. My Man in Antibes bristles with misunderstandings, arguments, and one young writer’s desire to get to know a legendary older writer who, in many ways, actively sought to remain unknowable.

“Fresh and exhilarating. . . Cosby keeps his eye on the story and the pedal to the metal.” —Stephen King, The New York Times Book Review

A Black sheriff. A serial killer. A small town ready to combust.

The new novel from New York Times bestselling and Los Angeles Times Book Prize-winning author S. A. Cosby, “one of the most muscular, distinctive, grab-you-by-both-ears voices in American crime fiction.” —Washington Post.

“An atmospheric pressure cooker.” —People

Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, quiet Charon has had only two murders. But after years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface.

Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. As Titus investigates the shootings, he unearths terrible crimes and a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon.

With the killer’s possible connections to a local church and the town’s harrowing history weighing on him, Titus projects confidence about closing the case while concealing a painful secret from his own past. At the same time, he also has to contend with a far-right group that wants to hold a parade in celebration of the town’s Confederate history.

Charon is Titus’s home and his heart. But where faith and violence meet, there will be a reckoning.

Powerful and unforgettable, All the Sinners Bleed confirms S. A. Cosby as “one of the most muscular, distinctive, grab-you-by-both-ears voices in American crime fiction” (The Washington Post).

“The emergence of our true selves is all of our life’s work. Pageboy helps chart the course.” —Jamie Lee Curtis

“Searing, deeply moving, and incredibly poignant… This isn’t simply a book on what it means to be trans, it’s about what it means to be human.” —Alok Vaid-Menon

NAMED A MOST ANTICIPATED BOOK by Salon, The Week, Elle, Bustle, and more.

Full of intimate stories, from chasing down secret love affairs to battling body image and struggling with familial strife, Pageboy is a love letter to the power of being seen. With this evocative and lyrical debut, Oscar-nominated star Elliot Page captures the universal human experience of searching for ourselves and our place in this complicated world.

“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.

With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare.

As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do. Until enough was enough.

The Oscar-nominated star who captivated the world with his performance in Juno finally shares his story in a groundbreaking and inspiring memoir about love, family, fame — and stepping into who we truly are with strength, joy and connection.

This powerful and moving novel from the New York Times bestselling author of A Long Petal of the Sea and Violeta weaves together past and present, tracing the ripple effects of war and immigration on one child in Europe in 1938 and another in the United States in 2019.

“Both stories are rich enough to carry the weight of one novel, but Allende expertly intertwines them.”—The Washington Post

Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht—the night his family loses everything. As her child’s safety becomes ever harder to guarantee, Samuel’s mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin.

Arizona, 2019. Eight decades later, Anita Díaz and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. But their arrival coincides with the new family separation policy, and seven-year-old Anita finds herself alone at a camp in Nogales. She escapes her tenuous reality through her trips to Azabahar, a magical world of the imagination. Meanwhile, Selena Durán, a young social worker, enlists the help of a successful lawyer in hopes of tracking down Anita’s mother.

Intertwining past and present, The Wind Knows My Name tells the tale of these two unforgettable characters, both in search of family and home. It is both a testament to the sacrifices that parents make and a love letter to the children who survive the most unfathomable dangers—and never stop dreaming.

The paths of two women on opposite ends of a high-profile sexual abuse scandal set them on a devastating collision course.

“Part thriller, part Hollywood satire, Lucky Dogs is a brash, sometimes heartbreaking saga in which trauma and self-preservation converge across decades and continents. This is Helen Schulman’s best novel yet.”—Jennifer Egan, best-selling author of A Visit from the Goon Squad and The Candy House

On a sultry summer night in Paris, two women meet in line at an ice cream kiosk on the Ile de la Cité. One is tall, fair, striking, with an indeterminate accent. The other, a troubled American TV star, is hiding her beauty and identity under a shapeless sweatshirt, wearing sunglasses even in the darkness. When leering male tourists hassle the pair, the blonde pulls out a knife and a sisterhood is born. Both women have been victims of male violence, and both are warriors—one trained and calculating, one instinctually ferocious. They each think they know who they are dealing with. But both are very, very wrong.

In a story that unfolds with unexpected humor and the pace of a thriller, acclaimed novelist Helen Schulman lays bare what happens to women—no matter how fortunate they may appear to be on the surface—whose lives have been warped by brutality and misogyny. The issues are universal, but the core of the story is intimate: a passionate exploration of love, betrayal, and survival. Lucky Dogs asks and answers a shattering question: How could one woman so utterly betray another?

One of California’s leading writers, winner of the Pulitzer Prize in fiction, presents her first nonfiction volume on writing since 2005’s best-selling Thirteen Ways of Looking at the Novel.

Long acclaimed as one of America’s preeminent novelists, Jane Smiley is also an unparalleled observer of the craft of writing. In The Questions That Matter Most this Pulitzer Prize-winning writer offers steady and penetrating essays on some of the aesthetic and cultural issues that mark any serious engagement with reading and writing. Beginning with a personal introduction tracing Smiley’s migration from Iowa to California, the author reflects on her findings in the varied literature of the Golden State, whose writers have for decades litigated the West’s contested legacies of racism, class conflict, and sexual politics through their pens.

As she considers the ambiguity of character and the weight of history, her essays provide new entry points into literature, and we lucky readers can see how Smiley draws inspiration from across the literary spectrum to invigorate her own writing. With enthusiasm and meticulous attention, Smiley dives beneath surface-level interpretations to examine the works of Marguerite de Navarre, Charles Dickens, Anthony Trollope, Harriet Beecher Stowe, Louisa May Alcott, Mark Twain, Willa Cather, Franz Kafka, Halld r Laxness, and Jessica Mitford. Throughout, Smiley seeks to think harder and, in her words, with “more clarity and nuance” about the questions that matter most.

Named one of Shondaland and Town & Country’s Best Books of May • Named one of Lambda Literary’s Most Anticipated LGBTQIA+ Books • Named one of Cosmopolitan’s Best Books of 2023 (So Far)

An unashamedly proud, loud, and hilarious novel about a small town that’s forever changed by a big gay wedding, perfect for fans of Red, White & Royal Blue and The Guncle

Two grooms. One mother of a problem.

Barnett Durang has a secret. No, not THAT secret. His widowed mother has long known he’s gay. The secret is Barnett is getting married. At his mother’s farm. In their small Louisiana town. She just doesn’t know it yet.

It’ll be an intimate affair. Just two hundred or so of the most fabulous folks Barnett is shipping in from the “heathen coasts,” as Mom likes to call them, turning her quiet rescue farm for misfit animals into a most unlikely wedding venue.

But there are forces, both within this modern new family and in the town itself, that really don’t want to see this handsome couple march down the aisle. It’ll be the biggest, gayest event in the town’s history if they can pull it off, and after a glitter-filled week, nothing will ever be the same. Big Gay Wedding is an uplifting book about the power of family and the unconditional love of a mother for her son.