The dramatic and uplifting story of legendary outdoorsman and conservationist John Muir’s journey to become the man who saved Yosemite—from the author of the bestselling Skeletons on the Zahara: A True Story of Survival.
In June of 1889 in San Francisco, John Muir—iconic environmentalist, writer, and philosopher—meets face-to-face for the first time with his longtime editor Robert Underwood Johnson, an elegant and influential figure at The Century magazine. Before long, the pair, opposites in many ways, decide to venture to Yosemite Valley, the magnificent site where twenty years earlier, Muir experienced a personal and spiritual awakening that would set the course of the rest of his life.
Upon their arrival the men are confronted with a shocking vision, as predatory mining, tourism, and logging industries have plundered and defaced “the grandest of all the special temples of Nature.” While Muir is consumed by grief, Johnson, a champion of society’s most pressing debates via the pages of the nation’s most prestigious magazine, decides that he and Muir must fight back. The pact they form marks a watershed moment, leading to the creation of Yosemite National Park, and launching an environmental battle that captivates the nation and ushers in the beginning of the American environmental movement.
Beautifully rendered, deeply researched, and inspiring, Guardians of the Valley is a moving story of friendship, the written word, and the transformative power of nature. It is also a timely and powerful “origin story” as the toweringly complex environmental challenges we face today become increasingly urgent.
A brilliantly funny debut novel that follows a writer lured to Los Angeles to adapt her feminist mermaid novel into a big-budget action film, who believes her heroine has come to life to take revenge for Hollywood’s violations.
“Brilliantly sharp, funny, and thought-provoking, the gripping story of a woman trying to find her way in our chaotic world.” —Madeline Miller, bestselling author of Circe
Broke English teacher Penelope Schleeman is as surprised as anyone when her feminist novel American Mermaid becomes a best-seller. Lured by the promise of a big payday, she quits teaching and moves to L.A. to turn the novel into an action flick with the help of some studio hacks. But as she’s pressured to change her main character from a fierce, androgynous eco-warrior to a teen sex object in a clamshell bra, strange things start to happen. Threats appear in the screenplay; siren calls lure Penelope’s co-writers into danger. Is Penelope losing her mind, or has her mermaid come to life, enacting revenge for Hollywood’s violations?
American Mermaid follows a young woman braving the casual slights and cruel calculations of a ruthless industry town, where she discovers a beating heart in her own fiction, a mermaid who will fight to move between worlds without giving up her voice. A hilarious story about deep things, American Mermaid asks how far we’ll go to protect the parts of ourselves that are not for sale.
A story about love, loss and that point where you realize your parents are human too and not always perfect! Set in the beautiful Amalfi Coast, this book is heartwarming, heartbreaking, and VERY HARD TO PUT DOWN! My favorite read of this year so far! – Gina (Staff)
Get out your headphones, THE FAREWELL TOUR will make you want to crank up the music. But first, we are delighted to introduce you to author Stephanie Clifford, who took time out of her busy book launch to chat with us. (Read Assistant Manager Allison’s review of THE FAREWELL TOUR.)
Stephanie Clifford, photo credit: Sarah Bode-Clark Photography
Q: How big a music fan were you before writing THE FAREWELL TOUR? What was the first album you bought with your own money?
A: I’ve always adored music, from opera to musicals to rock, and play piano and guitar. But I didn’t fall in love with country until high school—I grew up in Seattle, and worked one summer in Arkansas doing trail maintenance in a national forest there, where the only radio station we could get was country. Suddenly, I was hooked, and returned to Seattle at the height of the grunge era to listen to, like, Tammy Wynette—no one in Seattle understood what on earth I was doing.
First album—for some reason it wasn’t an album I first bought, but a cassette-tape single: Prince (cool), “Arms of Orion” (not very cool).
Q: What was the idea that sparked this novel?
A: Before I began writing this book, I happened to be on a literature-of-the-American-West kick, so Grapes of Wrath and Cormac McCarthy and Larry McMurtry. The landscapes they wrote about were arid and harsh, and I didn’t recognize them. I felt like there was this missing piece of the “Western” genre, that the Northwest, this place I had grown up in—and which, by the way, takes up a rather large geographical chunk of the West!—was completely ignored. So I began playing with the idea of writing a Western—not a shootout-and-saloons story, but one that considers the myth of the West, and how the landscape shapes its characters—that was set in the historical Northwest.
As I read more and more, I also came to feel that even for writers who were women or were sympathetic to women, like Wallace Stegner or Willa Cather, in the era I was writing about—the book starts in the 1920s—the women in these books literally didn’t get to leave their houses. They were stuck inside, cooking, cleaning, and sewing. And I thought of the fierce Northwest women I knew, who would basically skin a deer in the morning and then put on lipstick and go shopping at I. Magnin’s downtown in the afternoon, and I thought, just try keeping a Northwest woman inside her house; good luck.
That became the genesis for Lil, the main character. I wanted to get across the grit and battle scars that so many Northwest women of that era had, and also the desire to survive, and give her a life where she has to be out in the world—in this case, via singing country music—and see what happens.
Q: What was interesting to you about this particular time in history, women’s history or music history?
A: First of all, it’s just this incredibly rich time to imagine and research—Lil’s born on the cusp of the Depression, gets her start as a singer in WWII-era Tacoma, lands in Nashville in its golden era—all a gold mine for a writer. I also wanted her to have to navigate her career and art in a time that wasn’t very open to working women generally, and certainly not in the country music. She’s going to have to make real concessions in order to succeed, which is always interesting to write about.
Q: What were your top 3 songs of 2022? What would be your picks for saddest song? Happiest?
A: Because I was so deep into research for 2022, my Spotify most-played for the year looks like it’s out of 1962! Tammy Wynette, “Apartment No. 9” – Tammy makes everything sound heartbreaking; Sister Rosetta Tharpe, “Didn’t It Rain” – an incredible, pioneering guitar player; “He Is Fine,” Secret Sisters, a fabulous duo. Happiest – I love a musical number for a pick-me-up (my first book, Everybody Rise, has tons of musical references, and the title is from a Sondheim song) – so maybe a classic like “Seventy-Six Trombones.” Saddest, there’s a scene in the book where the characters are discussing the saddest country song, and I think Lil gets it right when she suggests Emmylou Harris’s “Boulder to Birmingham,” written after Harris’s musical partner, Gram Parsons, overdosed and died. Just try not to cry when you hear Emmylou sing that one.
Q: What are you reading and recommending these days?
A: I just (accidentally) read back-to-back two wonderful, thoughtful books on women during times of civil war/domestic terrorism in the ’70s: V.V. Ganeshananthan’s Brotherless Night, set in the Tamil region of Sri Lanka during the civil war there; and Louise Kennedy’s Trespasses, set during the Troubles in Northern Ireland. The books made perfect companions and almost talked to each other.
From the New York Times bestselling author of Dear Edward comes a “powerfully affecting” (People) family story that asks: Can love make a broken person whole?
“Another tender tearjerker . . . Napolitano chronicles life’s highs and lows with aching precision.”—The Washington Post
William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman year of college, it’s as if the world has lit up around him. With Julia comes her family, as she and her three sisters are inseparable: Sylvie, the family’s dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all. With the Padavanos, William experiences a newfound contentment; every moment in their house is filled with loving chaos.
But then darkness from William’s past surfaces, jeopardizing not only Julia’s carefully orchestrated plans for their future, but the sisters’ unshakeable devotion to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most?
An exquisite homage to Louisa May Alcott’s timeless classic, Little Women, Hello Beautiful is a profoundly moving portrait of what is possible when we choose to love someone not in spite of who they are, but because of it.
From the acclaimed author of Einstein’s Dreams comes a rich, fascinating answer to the question, Can the scientifically inclined still hold space for spirituality?
Gazing at the stars, falling in love, or listening to music, we sometimes feel a transcendent connection with a cosmic unity and things larger than ourselves. But these experiences are not easily understood by science, which holds that all things can be explained in terms of atoms and molecules. Is there space in our scientific worldview for these spiritual experiences?
According to acclaimed physicist and novelist Alan Lightman, there may be. Drawing on intellectual history and conversations with contemporary scientists, philosophers, and psychologists, Lightman asks a series of thought-provoking questions that illuminate our strange place between the world of particles and forces and the world of complex human experience. Can strict materialism explain our appreciation of beauty? Or our feelings of connection to nature and to other people? Is there a physical basis for consciousness, the most slippery of all scientific problems?
Lightman weaves these investigations together to propose what he calls “spiritual materialism”— the belief that we can embrace spiritual experiences without letting go of our scientific worldview. In his view, the breadth of the human condition is not only rooted in material atoms and molecules but can also be explained in terms of Darwinian evolution.
What is revealed in this lyrical, enlightening book is that spirituality may not only be compatible with science, it also ought to remain at the core of what it means to be human.
There was a time when the family Künstler lived in the fairy-tale city of Vienna. Circumstances transformed that fairy tale into a nightmare, and in 1939 the Künstlers found their way out of Vienna and into a new fairy tale: Los Angeles, California, United States of America.
For years Mamie Künstler, ninety-three-years-old, as clever and glamorous as ever, has lived happily in her bungalow in Venice, California with her inscrutable housekeeper and her gigantic St. Bernard dog. Their tranquility is upended when Mamie’s grandson, Julian, arrives from New York City. Like many a twenty-something, he has come to seek his fortune in Hollywood. But it is 2020, the global pandemic sweeps in, and Julian’s short visit suddenly has no end in sight.
Mamie was only eleven when the Künstlers escaped Vienna in 1939. They made their way, stunned and overwhelmed, to sunny, surreal Los Angeles where they joined a colony of distinguished Jewish musicians, writers and intellectuals also escaping Hitler. Now, faced with months of lockdown and a willing listener, Mamie begins to tell Julian the buried stories of her early years in Los Angeles: her escapades with eminent émigrés like Arnold Schoenberg, Christopher Isherwood, Thomas Mann. Oh, and Greta Garbo. While the pandemic cuts Julian off from the life he knows, Mamie’s tales open up a world of lives that came before him. They reveal to him just how much the past holds of the future.
The definitive biography of legendary musician, composer, and performer Leon Russell, a profound influence on countless artists, including George Harrison, the Rolling Stones, Eric Clapton, Elton John, Willie Nelson, Tom Petty, and the world of music as a whole.
Leon Russell is an icon, but somehow is still an underappreciated artist. He is spoken of in tones reserved not just for the most talented musicians, but also for the most complex and fascinating. His career is like a roadmap of music history, often intersecting with rock royalty like Bob Dylan, the Stones, and the Beatles. He started in the Fifties as a teenager touring with Jerry Lee Lewis, going on to play piano on records by such giants as Frank Sinatra, The Beach Boys, and Phil Spector, and on hundreds of classic songs with major recording artists. Leon was Elton John’s idol, and Elton inducted him into the Rock and Roll Hall of Fame in 2011. Leon also gets credit for altering Willie Nelson’s career, giving us the long-haired, pot-friendly Willie we all know and love today.
In his prime, Leon filled stadiums on solo tours, and was an organizer/performer on both Joe Cocker’s revolutionary Mad Dogs and Englishmen tour and George Harrison’s Concert for Bangladesh. Leon also founded Shelter Records in 1969 with producer Denny Cordell, discovering and releasing the debut albums of Tom Petty, the Gap Band, Phoebe Snow, and J.J. Cale. Leon always assembled wildly diverse bands and performances, fostering creative and free atmospheres for musicians to live and work together. He brazenly challenged musical and social barriers. However, Russell also struggled with his demons, including substance abuse, severe depression, and a crippling stage fright that wreaked havoc on his psyche over the long haul and at times seemed to will himself into obscurity. Now, acclaimed author and founding member of Buffalo Tom, Bill Janovitz shines the spotlight on one of the most important music makers of the twentieth century.
I loved this book! It was exactly what I needed – funny, light, charming, as all Eli Lipman’s books are – one of her best most romantic. A real treat. – Judy B (Co-founder)
I read this book in one sweeping motion. Florin’s writing is clean and precise but paints a wildly detailed image of the characters and all their flaws. It was a perfect balance of heartbreaking while still being a joy to read. -Emily (Manager)
