An immersive blend of chicken-keeping memoir and culture reporting by a journalist who accidentally became obsessed with her flock.
Since first domesticating the chicken thousands of years ago, humans have become exceptionally adept at raising them for food. Yet most people rarely interact with chickens or know much about them.
In Under the Henfluence, culture reporter Tove Danovich explores the lives of these quirky, mysterious birds who stole her heart the moment her first box of chicks arrived at the post office. From a hatchery in Iowa to a chicken show in Ohio to a rooster rescue in Minnesota, Danovich interviews the people breeding, training, healing, and, most importantly, adoring chickens. With more than 26 billion chickens living on industrial farms around the world, they’re easy to dismiss as just another dinner ingredient. Yet Danovich’s reporting reveals the hidden cleverness, quiet sweetness, and irresistible personalities of these birds, as well as the complex human-chicken relationship that has evolved over centuries.
This glimpse into the lives of backyard chickens doesn’t just help us to understand chickens better–it also casts light back on ourselves and what we’ve ignored throughout the explosive growth of industrial agriculture. Woven with delightful and sometimes heartbreaking anecdotes from Danovich’s own henhouse, Under the Henfluence proves that chickens are so much more than what they bring to the table.
The Pulitzer Prize–winning, bestselling author of Evicted reimagines the debate on poverty, making a new and bracing argument about why it persists in America: because the rest of us benefit from it.
“Urgent and accessible . . . Its moral force is a gut punch.”—The New Yorker
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The Washington Post, Time, Esquire, Newsweek, Minneapolis Star Tribune, Elle, Salon, Lit Hub, Kirkus Reviews
The United States, the richest country on earth, has more poverty than any other advanced democracy. Why? Why does this land of plenty allow one in every eight of its children to go without basic necessities, permit scores of its citizens to live and die on the streets, and authorize its corporations to pay poverty wages?
In this landmark book, acclaimed sociologist Matthew Desmond draws on history, research, and original reporting to show how affluent Americans knowingly and unknowingly keep poor people poor. Those of us who are financially secure exploit the poor, driving down their wages while forcing them to overpay for housing and access to cash and credit. We prioritize the subsidization of our wealth over the alleviation of poverty, designing a welfare state that gives the most to those who need the least. And we stockpile opportunity in exclusive communities, creating zones of concentrated riches alongside those of concentrated despair. Some lives are made small so that others may grow.
Elegantly written and fiercely argued, this compassionate book gives us new ways of thinking about a morally urgent problem. It also helps us imagine solutions. Desmond builds a startlingly original and ambitious case for ending poverty. He calls on us all to become poverty abolitionists, engaged in a politics of collective belonging to usher in a new age of shared prosperity and, at last, true freedom.
One of the Most Anticipated Books of the Year—a masterful and engrossing novel about a single mother’s collapse and the fate of her family after she enters a California state hospital in the 1970s.
“A sweeping family epic that took me from one American coast to another…Simpson is so attuned to the family heart.” —Weike Wang, author of Joan Is Okay
When Diane Aziz drives her oldest son, Walter, from Los Angeles to college at UC Berkeley, it will be her last parental act before falling into a deep depression. A single mother who maintains a wishful belief that her children can attain all the things she hasn’t, she’s worked hard to secure their future in caste-driven 1980s Los Angeles, gaining them illegal entry to an affluent public school. When she enters a state hospital, her closest friend tries to keep the children safe and their mother’s dreams for them alive.
At Berkeley, Walter discovers a passion for architecture just as he realizes his life as a student may need to end for lack of funds. Back home in LA, his sister, Lina, who works in an ice-cream parlor while her wealthy classmates are preparing for Ivy league schools, wages a high stakes gamble to go there with them. And Donny, the little brother everybody loves, begins to hide in plain sight, coding, gaming, and drifting towards a life on the beach, where he falls into an escalating relationship with drugs.
Moving from Berkeley and Los Angeles to New York and back again, this is a story about one family trying to navigate the crisis of their lives, a crisis many know first-hand in their own families or in those of their neighbors. A resonant novel about family and duty and the attendant struggles that come when a parent falls ill, Commitment honors the spirit of fragile, imperfect mothers and the under-chronicled significance of friends, in determining the lives of our children left on their own. With Commitment, Mona Simpson, one of the foremost chroniclers of the American family in our time, has written her most important and unforgettable novel.
The dramatic and uplifting story of legendary outdoorsman and conservationist John Muir’s journey to become the man who saved Yosemite—from the author of the bestselling Skeletons on the Zahara: A True Story of Survival.
In June of 1889 in San Francisco, John Muir—iconic environmentalist, writer, and philosopher—meets face-to-face for the first time with his longtime editor Robert Underwood Johnson, an elegant and influential figure at The Century magazine. Before long, the pair, opposites in many ways, decide to venture to Yosemite Valley, the magnificent site where twenty years earlier, Muir experienced a personal and spiritual awakening that would set the course of the rest of his life.
Upon their arrival the men are confronted with a shocking vision, as predatory mining, tourism, and logging industries have plundered and defaced “the grandest of all the special temples of Nature.” While Muir is consumed by grief, Johnson, a champion of society’s most pressing debates via the pages of the nation’s most prestigious magazine, decides that he and Muir must fight back. The pact they form marks a watershed moment, leading to the creation of Yosemite National Park, and launching an environmental battle that captivates the nation and ushers in the beginning of the American environmental movement.
Beautifully rendered, deeply researched, and inspiring, Guardians of the Valley is a moving story of friendship, the written word, and the transformative power of nature. It is also a timely and powerful “origin story” as the toweringly complex environmental challenges we face today become increasingly urgent.
A brilliantly funny debut novel that follows a writer lured to Los Angeles to adapt her feminist mermaid novel into a big-budget action film, who believes her heroine has come to life to take revenge for Hollywood’s violations.
“Brilliantly sharp, funny, and thought-provoking, the gripping story of a woman trying to find her way in our chaotic world.” —Madeline Miller, bestselling author of Circe
Broke English teacher Penelope Schleeman is as surprised as anyone when her feminist novel American Mermaid becomes a best-seller. Lured by the promise of a big payday, she quits teaching and moves to L.A. to turn the novel into an action flick with the help of some studio hacks. But as she’s pressured to change her main character from a fierce, androgynous eco-warrior to a teen sex object in a clamshell bra, strange things start to happen. Threats appear in the screenplay; siren calls lure Penelope’s co-writers into danger. Is Penelope losing her mind, or has her mermaid come to life, enacting revenge for Hollywood’s violations?
American Mermaid follows a young woman braving the casual slights and cruel calculations of a ruthless industry town, where she discovers a beating heart in her own fiction, a mermaid who will fight to move between worlds without giving up her voice. A hilarious story about deep things, American Mermaid asks how far we’ll go to protect the parts of ourselves that are not for sale.
A story about love, loss and that point where you realize your parents are human too and not always perfect! Set in the beautiful Amalfi Coast, this book is heartwarming, heartbreaking, and VERY HARD TO PUT DOWN! My favorite read of this year so far! – Gina (Staff)
Get out your headphones, THE FAREWELL TOUR will make you want to crank up the music. But first, we are delighted to introduce you to author Stephanie Clifford, who took time out of her busy book launch to chat with us. (Read Assistant Manager Allison’s review of THE FAREWELL TOUR.)
Stephanie Clifford, photo credit: Sarah Bode-Clark Photography
Q: How big a music fan were you before writing THE FAREWELL TOUR? What was the first album you bought with your own money?
A: I’ve always adored music, from opera to musicals to rock, and play piano and guitar. But I didn’t fall in love with country until high school—I grew up in Seattle, and worked one summer in Arkansas doing trail maintenance in a national forest there, where the only radio station we could get was country. Suddenly, I was hooked, and returned to Seattle at the height of the grunge era to listen to, like, Tammy Wynette—no one in Seattle understood what on earth I was doing.
First album—for some reason it wasn’t an album I first bought, but a cassette-tape single: Prince (cool), “Arms of Orion” (not very cool).
Q: What was the idea that sparked this novel?
A: Before I began writing this book, I happened to be on a literature-of-the-American-West kick, so Grapes of Wrath and Cormac McCarthy and Larry McMurtry. The landscapes they wrote about were arid and harsh, and I didn’t recognize them. I felt like there was this missing piece of the “Western” genre, that the Northwest, this place I had grown up in—and which, by the way, takes up a rather large geographical chunk of the West!—was completely ignored. So I began playing with the idea of writing a Western—not a shootout-and-saloons story, but one that considers the myth of the West, and how the landscape shapes its characters—that was set in the historical Northwest.
As I read more and more, I also came to feel that even for writers who were women or were sympathetic to women, like Wallace Stegner or Willa Cather, in the era I was writing about—the book starts in the 1920s—the women in these books literally didn’t get to leave their houses. They were stuck inside, cooking, cleaning, and sewing. And I thought of the fierce Northwest women I knew, who would basically skin a deer in the morning and then put on lipstick and go shopping at I. Magnin’s downtown in the afternoon, and I thought, just try keeping a Northwest woman inside her house; good luck.
That became the genesis for Lil, the main character. I wanted to get across the grit and battle scars that so many Northwest women of that era had, and also the desire to survive, and give her a life where she has to be out in the world—in this case, via singing country music—and see what happens.
Q: What was interesting to you about this particular time in history, women’s history or music history?
A: First of all, it’s just this incredibly rich time to imagine and research—Lil’s born on the cusp of the Depression, gets her start as a singer in WWII-era Tacoma, lands in Nashville in its golden era—all a gold mine for a writer. I also wanted her to have to navigate her career and art in a time that wasn’t very open to working women generally, and certainly not in the country music. She’s going to have to make real concessions in order to succeed, which is always interesting to write about.
Q: What were your top 3 songs of 2022? What would be your picks for saddest song? Happiest?
A: Because I was so deep into research for 2022, my Spotify most-played for the year looks like it’s out of 1962! Tammy Wynette, “Apartment No. 9” – Tammy makes everything sound heartbreaking; Sister Rosetta Tharpe, “Didn’t It Rain” – an incredible, pioneering guitar player; “He Is Fine,” Secret Sisters, a fabulous duo. Happiest – I love a musical number for a pick-me-up (my first book, Everybody Rise, has tons of musical references, and the title is from a Sondheim song) – so maybe a classic like “Seventy-Six Trombones.” Saddest, there’s a scene in the book where the characters are discussing the saddest country song, and I think Lil gets it right when she suggests Emmylou Harris’s “Boulder to Birmingham,” written after Harris’s musical partner, Gram Parsons, overdosed and died. Just try not to cry when you hear Emmylou sing that one.
Q: What are you reading and recommending these days?
A: I just (accidentally) read back-to-back two wonderful, thoughtful books on women during times of civil war/domestic terrorism in the ’70s: V.V. Ganeshananthan’s Brotherless Night, set in the Tamil region of Sri Lanka during the civil war there; and Louise Kennedy’s Trespasses, set during the Troubles in Northern Ireland. The books made perfect companions and almost talked to each other.
From the New York Times bestselling author of Dear Edward comes a “powerfully affecting” (People) family story that asks: Can love make a broken person whole?
“Another tender tearjerker . . . Napolitano chronicles life’s highs and lows with aching precision.”—The Washington Post
William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman year of college, it’s as if the world has lit up around him. With Julia comes her family, as she and her three sisters are inseparable: Sylvie, the family’s dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all. With the Padavanos, William experiences a newfound contentment; every moment in their house is filled with loving chaos.
But then darkness from William’s past surfaces, jeopardizing not only Julia’s carefully orchestrated plans for their future, but the sisters’ unshakeable devotion to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most?
An exquisite homage to Louisa May Alcott’s timeless classic, Little Women, Hello Beautiful is a profoundly moving portrait of what is possible when we choose to love someone not in spite of who they are, but because of it.
From the acclaimed author of Einstein’s Dreams comes a rich, fascinating answer to the question, Can the scientifically inclined still hold space for spirituality?
Gazing at the stars, falling in love, or listening to music, we sometimes feel a transcendent connection with a cosmic unity and things larger than ourselves. But these experiences are not easily understood by science, which holds that all things can be explained in terms of atoms and molecules. Is there space in our scientific worldview for these spiritual experiences?
According to acclaimed physicist and novelist Alan Lightman, there may be. Drawing on intellectual history and conversations with contemporary scientists, philosophers, and psychologists, Lightman asks a series of thought-provoking questions that illuminate our strange place between the world of particles and forces and the world of complex human experience. Can strict materialism explain our appreciation of beauty? Or our feelings of connection to nature and to other people? Is there a physical basis for consciousness, the most slippery of all scientific problems?
Lightman weaves these investigations together to propose what he calls “spiritual materialism”— the belief that we can embrace spiritual experiences without letting go of our scientific worldview. In his view, the breadth of the human condition is not only rooted in material atoms and molecules but can also be explained in terms of Darwinian evolution.
What is revealed in this lyrical, enlightening book is that spirituality may not only be compatible with science, it also ought to remain at the core of what it means to be human.
There was a time when the family Künstler lived in the fairy-tale city of Vienna. Circumstances transformed that fairy tale into a nightmare, and in 1939 the Künstlers found their way out of Vienna and into a new fairy tale: Los Angeles, California, United States of America.
For years Mamie Künstler, ninety-three-years-old, as clever and glamorous as ever, has lived happily in her bungalow in Venice, California with her inscrutable housekeeper and her gigantic St. Bernard dog. Their tranquility is upended when Mamie’s grandson, Julian, arrives from New York City. Like many a twenty-something, he has come to seek his fortune in Hollywood. But it is 2020, the global pandemic sweeps in, and Julian’s short visit suddenly has no end in sight.
Mamie was only eleven when the Künstlers escaped Vienna in 1939. They made their way, stunned and overwhelmed, to sunny, surreal Los Angeles where they joined a colony of distinguished Jewish musicians, writers and intellectuals also escaping Hitler. Now, faced with months of lockdown and a willing listener, Mamie begins to tell Julian the buried stories of her early years in Los Angeles: her escapades with eminent émigrés like Arnold Schoenberg, Christopher Isherwood, Thomas Mann. Oh, and Greta Garbo. While the pandemic cuts Julian off from the life he knows, Mamie’s tales open up a world of lives that came before him. They reveal to him just how much the past holds of the future.
