The definitive biography of legendary musician, composer, and performer Leon Russell, a profound influence on countless artists, including George Harrison, the Rolling Stones, Eric Clapton, Elton John, Willie Nelson, Tom Petty, and the world of music as a whole.

Leon Russell is an icon, but somehow is still an underappreciated artist. He is spoken of in tones reserved not just for the most talented musicians, but also for the most complex and fascinating. His career is like a roadmap of music history, often intersecting with rock royalty like Bob Dylan, the Stones, and the Beatles. He started in the Fifties as a teenager touring with Jerry Lee Lewis, going on to play piano on records by such giants as Frank Sinatra, The Beach Boys, and Phil Spector, and on hundreds of classic songs with major recording artists. Leon was Elton John’s idol, and Elton inducted him into the Rock and Roll Hall of Fame in 2011. Leon also gets credit for altering Willie Nelson’s career, giving us the long-haired, pot-friendly Willie we all know and love today.

In his prime, Leon filled stadiums on solo tours, and was an organizer/performer on both Joe Cocker’s revolutionary Mad Dogs and Englishmen tour and George Harrison’s Concert for Bangladesh. Leon also founded Shelter Records in 1969 with producer Denny Cordell, discovering and releasing the debut albums of Tom Petty, the Gap Band, Phoebe Snow, and J.J. Cale. Leon always assembled wildly diverse bands and performances, fostering creative and free atmospheres for musicians to live and work together. He brazenly challenged musical and social barriers. However, Russell also struggled with his demons, including substance abuse, severe depression, and a crippling stage fright that wreaked havoc on his psyche over the long haul and at times seemed to will himself into obscurity. Now, acclaimed author and founding member of Buffalo Tom, Bill Janovitz shines the spotlight on one of the most important music makers of the twentieth century.

“If you consider yourself an Atwood fan and have only read her novels: Get your act together. You’ve been missing out.” —Rebecca Makkai, New York Times Book Review

A dazzling collection of short stories from the internationally acclaimed, award-winning author of The Handmaid’s Tale and The Testaments, stories that look deeply into the heart of family relationships, marriage, loss and memory, and what it means to spend a life together

Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect. 

The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love—and what comes after.

Returning to short fiction for the first time since her 2014 collection Stone Mattress, Atwood showcases both her creativity and her humanity in these remarkable tales which by turns delight, illuminate, and quietly devastate.

From the author of the New York Times bestseller Everybody Rise, a rich and riveting novel with the exquisite historical detail and evocative settings of The Cold Millions and Great Circle that tells the story of one unforgettable woman’s rise in country and western music.

It’s 1980, and Lillian Waters is hitting the road for the very last time.

Jaded from her years in the music business, perpetually hungover, and diagnosed with career-ending vocal problems, Lillian cobbles together a nationwide farewell tour featuring some old hands from her early days playing honky-tonk bars in Washington State and Nashville, plus a few new ones. She yearns to feel the rush of making live music one more time and bask in the glow of a packed house before she makes the last, and most important, stop on the tour: the farm she left behind at age ten and the sister she is finally ready to confront about an agonizing betrayal in their childhood.

As the novel crisscrosses eras, moving between Lillian’s youth—the Depression, the Second World War, the rise of Nashville—and her middle-aged life in 1980, we see her striving to build a career in the male-dominated world of country music, including the hard choices she makes as she tries to redefine music, love, aging, and womanhood on her own terms.

Nearing her final tour stop, Lil is forced to confront those choices and how they shaped her life. Would a different version of herself have found the happiness and success that has eluded her? When she reaches her Washington hometown for her very last show, though, she’ll undergo a reckoning with the past that forces her to reconsider her entire life story.

Exploring one unforgettable woman’s creativity, ambition, and sacrifices in a world—and an art form—made for men, The Farewell Tour asks us to consider how much of our past we can ever leave behind.

We are living on the wrong clock, and it is destroying us. The New York Times bestselling author of How to Do Nothing offers us different ways to experience time in this dazzling, subversive, and deeply hopeful book.

In her first book, How to Do Nothing, Jenny Odell wrote about the importance of disconnecting from the “attention economy” to spend time in quiet contemplation. But what if you don’t have time to spend?

In order to answer this seemingly simple question, Odell took a deep dive into the fundamental structure of our society and found that the clock we live by was built for profit, not people. This is why our lives, even in leisure, have come to seem like a series of moments to be bought, sold, and processed ever more efficiently. Odell shows us how our painful relationship to time is inextricably connected not only to persisting social inequities but to the climate crisis, existential dread, and a lethal fatalism.

This dazzling, subversive, and deeply hopeful book offers us different ways to experience time—inspired by pre-industrial cultures, ecological cues, and geological timescales—that can bring within reach a more humane, responsive way of living. As planet-bound animals, we live inside shortening and lengthening days alongside gardens growing, birds migrating, and cliffs eroding; the stretchy quality of waiting and desire; the way the present may suddenly feel marbled with childhood memory; the slow but sure procession of a pregnancy; the time it takes to heal from injuries. Odell urges us to become stewards of these different rhythms of life in which time is not reducible to standardized units and instead forms the very medium of possibility.

Saving Time tugs at the seams of reality as we know it—the way we experience time itself—and rearranges it, imagining a world not centered on work, the office clock, or the profit motive. If we can “save” time by imagining a life, identity, and source of meaning outside these things, time might also save us.

SA mother vanished. A father presumed guilty. There is no proof. There are no witnesses. For the children, there is only doubt. From the New York Times bestselling author of Defending Jacob. . . .
 
“Astonishing, powerful, and provocative, this book is worth the excruciating wait for another William Landay.”—Louise Penny, author of A World of Curiosities
 
One afternoon in November 1975, ten-year-old Miranda Larkin comes home from school to find her house eerily quiet. Her mother is missing. Nothing else is out of place. There is no sign of struggle. Her mom’s pocketbook remains in the front hall, in its usual spot.
 
So begins a mystery that will span a lifetime. What happened to Jane Larkin?
 
Investigators suspect Jane’s husband. A criminal defense attorney, Dan Larkin would surely be an expert in outfoxing the police.
 
But no evidence is found linking him to a crime, and the case fades from the public’s memory, a simmering, unresolved riddle. Jane’s three children—Alex, Jeff, and Miranda—are left to be raised by the man who may have murdered their mother.
 
Two decades later, the remains of Jane Larkin are found. The investigation is awakened. The children, now grown, are forced to choose sides. With their father or against him? Guilty or innocent? And what happens if they are wrong?
 
A tale about family—family secrets and vengeance, but also family love—All That Is Mine I Carry With Me masterfully grapples with a primal question: When does loyalty reach its limit?

“Entertaining, illuminating, and inspiring! More than a book, it’s a public service announcement that we’d all do well to―well, STFU and listen to!”
―Sarah Knight, New York Times bestselling author of Calm the F*ck Down

New York Times bestselling author Dan Lyons is here to tell you – and don’t take this the wrong way – that you really need to shut the f*ck up!

Our noisy world has trained us to think that those who get in the last word win, when in fact it’s those who know how to stay silent who really hold the power. STFU is a book that unlocks this power and will change your life, freeing you to focus on what matters. Lyons combines leading behavioral science with actionable advice on how to communicate with intent, think critically, and open your mind and ears to the world around you.

Talk less, get more. That’s what STFU is all about. Prescriptive, informative, and addictively readable, STFU gives you the tools to become your better self, whether that’s in the office, at home, online, or in your most treasured relationships. Because, after all, what you say is who you are.

So take a deep breath, turn the page, and quietly change your life.