“A twisty, immersive whodunit perfect for fans of Donna Tartt’s The Secret History.” —People 

“Enthralling.” —Wall Street Journal“[An] irresistible literary page-turner.” —The Boston Globe

Named a Most Anticipated Book of 2023 by TIME, NPR, USA Today, Elle, Newsweek, Salon, Bustle, AARP, The Millions, Good Housekeeping, and more

The riveting new novel — “part true-crime page-turner, part campus coming-of-age” (San Francisco Chronicle) — from the author of the Pulitzer Prize and National Book Award finalist The Great Believers

A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s death and the conviction of the school’s athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie.

But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn’t as much of an outsider at Granby as she’d thought—if, perhaps, back in 1995, she knew something that might have held the key to solving the case.

In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation into collective memory and a deeply felt examination of one woman’s reckoning with her past, with a transfixing mystery at its heart. Timely, hypnotic, and populated with a cast of unforgettable characters, I Have Some Questions for You is at once a compulsive page-turner and a literary triumph.

For fans of Helen MacDonald’s H is for Hawk and Mary Roach, Erica Berry’s WOLFISH blends science, history, and cultural criticism in a years-long journey to understand our myths about wolves, and track one legendary wolf, OR-7, from the Wallowa Mountains of Oregon

A Most Anticipated Book of 2023: TIME, Los Angeles Times, Vulture, Salon, Bustle, The Rumpus, The Financial Times, Book Riot, Debutiful, and more!

“Wolfish starts with a single wolf and spirals through nuanced investigations of fear, gender, violence, and story. A GORGEOUS achievement.” —Blair Braverman, author of Welcome to the Goddamn Ice Cube

“This is one of those stories that begins with a female body. Hers was crumpled, roadside, in the ash-colored slush between asphalt and snowbank.”

So begins Erica Berry’s kaleidoscopic exploration of wolves, both real and symbolic. At the center of this lyrical inquiry is the legendary OR-7, who roams away from his familial pack in northeastern Oregon. While charting OR-7’s record-breaking journey out of the Wallowa Mountains, Erica simultaneously details her own coming-of-age as she moves away from home and wrestles with inherited beliefs about fear, danger, femininity, and the body.

As Erica chronicles her own migration—from crying wolf as a child on her grandfather’s sheep farm to accidentally eating mandrake in Sicily—she searches for new expressions for how to be a brave woman, human, and animal in our warming world. What do stories so long told about wolves tell us about our relationship to fear? How can our society peel back the layers of what scares us? By strategically unspooling the strands of our cultural constructions of predator and prey, and what it means to navigate a world in which we can be both, Erica bridges the gap between human fear and grief through the lens of a wrongfully misunderstood species.

Wolfish is for anybody trying to navigate a world that is often scary. A powerful, timeless, and necessary book for our current and future generations.

A warm, funny, irresistible book that follows an improbable and life-changing college friendship over the course of forty years—from the best-selling author of The End of Your Life Book Club

A “searching, tender, insightful, and wise memoir…Reading this beautifully written and generous book, you will find yourself thinking of your own friendships” —Dani Shapiro, author of Signal Fires

By the time Will Schwalbe was a junior at college, he had already met everyone he cared to know: the theater people, writers, visual artists and comp lit majors, and various other quirky characters including the handful of students who shared his own major, Latin and Greek. He also knew exactly who he wanted to avoid: the jocks. The jocks wore baseball caps and moved in packs, filling boisterous tables in the dining hall, and on the whole seemed to be another species entirely, one Will might encounter only at his own peril. 

All this changed dramatically when Will collided with Chris Maxey, known to just about everyone as Maxey. Maxey was physically imposing, loud, and a star wrestler who was determined to become a Navy SEAL (where he would later serve for six years). Thanks to the strangely liberating circumstances of a little-known secret society at Yale, the two forged a bond that would become a mainstay of each other’s lives as they repeatedly lost and found each other and themselves in the years after graduation. 

From New Haven to New York City, from Hong Kong and Panama to a remarkable school on an island in the Bahamas—through marriages and a divorce, triumphs and devastating losses—We Should Not Be Friends tracks an extraordinary friendship over decades of challenge and change. Schwalbe’s marvelous new work is, at its heart, a joyful testament to the miracle of human connection—and how if we can just get past our preconceptions, we may find some of our greatest friends.

In this highly anticipated sequel from Edgar Award-winning “master of craft and narrative,” Walter Mosley, Joe King Oliver is entangled in a dangerous case when he’s asked to investigate whether a white nationalist is being unjustly set up. (National Book Foundation)When friend of the family and multi-billionaire Roger Ferris comes to Joe with an assignment, he’s got no choice but to accept, even if the case is a tough one to stomach. White nationalist Alfred Xavier Quiller has been accused of murder and the sale of sensitive information to the Russians. Ferris has reason to believe Quiller’s been set up and he needs King to see if the charges hold.

This linear assignment becomes a winding quest to uncover the extent of Quiller’s dealings, to understand Ferris’ skin in the game, and to get to the bottom of who is working for whom. Even with the help of bodyguard and mercenary Oliya Ruez—no regular girl Friday—the machine King’s up against proves relentless and unsparing. As King gets closer to exposing the truth, he and his loved ones barrel towards grave danger.

Mosley once again proves himself a “master of craft and narrative” (National Book Foundation) in this carefully plotted mystery that is at once a classic caper, a family saga and an examination of fealty, pride and how deep debt can go.

We still have time to change the world. From Greta Thunberg, the world’s leading climate activist, comes the essential handbook for making it happen.

You might think it’s an impossible task: secure a safe future for life on Earth, at a scale and speed never seen, against all the odds. There is hope – but only if we listen to the science before it’s too late.

In The Climate Book, Greta Thunberg has gathered the wisdom of over one hundred experts – geophysicists, oceanographers and meteorologists; engineers, economists and mathematicians; historians, philosophers and indigenous leaders – to equip us all with the knowledge we need to combat climate disaster. Throughout, illuminating and often shocking grayscale charts, graphs, diagrams, photographs, and illustrations underscore their research and their arguments. Alongside them, she shares her own stories of demonstrating and uncovering greenwashing around the world, revealing how much we have been kept in the dark. This is one of our biggest challenges, she shows, but also our greatest source of hope. Once we are given the full picture, how can we not act? And if a schoolchild’s strike could ignite a global protest, what could we do collectively if we tried?

We are alive at the most decisive time in the history of humanity. Together, we can do the seemingly impossible. But it has to be us, and it has to be now.

An incisive, deeply resonant debut novel about a nonconsensual sexual encounter that propels one woman’s final semester at an elite New England college into controversy and chaos—and into an ill-advised affair with a married professor.

It’s 1998 and Isabel Rosen, the only daughter of a Lower East Side appetizing store owner, has one semester left at Wilder College, a prestigious school in New Hampshire. Desperate to shed her working-class roots and still mourning the death of her mother four years earlier, Isabel has always felt like an outsider at Wilder but now, in her final semester, she believes she has found her place—until a nonconsensual sexual encounter with one of the only other Jewish students on campus leaves her reeling.

Enter R. H. Connelly, a once-famous poet and Isabel’s writing professor, a man with secrets of his own. Connelly makes Isabel feel seen, beautiful, talented: the woman she longs to become. His belief in her ignites a belief in herself, and the two begin an affair that shakes the foundation of who Isabel thinks she is, for better and worse. As the lives of the adults around her slowly come apart, Isabel discovers that the line between youth and adulthood is less defined than she thought.

A coming-of-age story set against the backdrop of the Clinton/Lewinsky scandal, Daisy Alpert Florin’s My Last Innocent Year is a timely and wise portrait of a young woman learning to trust her voice and move toward independence while recognizing the beauty and grit of where she came from.

“Earnest, amusing, and contemplative….though Beattie is known for her fiction, her nonfiction has just as much to offer.”–Publishers Weekly

“Shimmering prose and critical acumen on display in an eclectic collection.”–Kirkus Reviews
As deeply rewarding as her fiction, a selection of Ann Beattie’s essays, chosen and introduced by the author. From appreciations of writers, photographers, and other artists, to notes on the craft of writing itself, this is a wide-ranging, and always penetrating collection of writing never before published in book form.

Ann Beattie, a master storyteller, has been delighting readers since the publication of her short stories in the 1970s and her first novel, Chilly Scenes of Winter. But as her literary acclaim grew and she was hailed “the voice of her generation,” Ms. Beattie was also moonlighting as a nonfiction writer. As she writes in her introduction to this collection, “Nonfiction always gave me a thrill, even if it provided only an illusion of freedom. Freedom and flexibility–for me, those are the conditions under which imagination sparks.”

These penetrating essays are stories unto themselves, closely observed appreciations of life and art. The reader travels with Ms. Beattie to Cedar Rapids, Iowa to learn about the legacy of the painter, Grant Wood, and his iconic painting American Gothic; to the famed University of Virginia campus with her husband, the painter Lincoln Perry; to Key West, Florida for New Years with writer and translator, Harry Mathews; to a roadside near Boston in a broken-down car with the wheelchair-bound writer Andre Dubus.

There are explorations of novels, short stories, paintings, and photographs by artists ranging from Alice Munro to Elmore Leonard, from Sally Mann to John Loengard. Whatever the subject, Ms. Beattie brings penetrating insight into literature and art that’s both familiar and unfamiliar–as she writes, “This, I think, is what artists want to do: find a way to lure the reader or viewer into an alternate realm, to overcome the audience’s resistance to being taken away from their own lives and interests and priorities.”

Ann Beattie’s nonfiction (originally published in Life, The New Yorker, The New York Times, and The American Scholar, among others) is a new way to enjoy one of the great writers of her generation. Readers will find much to love in this journey with a curious and fascinating mind.

More to Say is part of Godine’s Nonpareil series: celebrating the joy of discovery with books bound to be classics.

“The Sun Walks Down is the book I’m always longing to find: brilliant, fresh and compulsively readable. It is marvelous. I loved it start to finish.”
—Ann Patchett, author of The Dutch House

Fiona McFarlane’s blazingly brilliant new novel, The Sun Walks Down, tells the many-voiced, many-sided story of a boy lost in colonial Australia.

In September 1883, a small town in the South Australian outback huddles under strange, vivid sunsets. Six-year-old Denny Wallace has gone missing during a dust storm, and the entire community is caught up in the search for him. As they scour the desert and mountains for the lost child, the residents of Fairly—newlyweds, farmers, mothers, indigenous trackers, cameleers, children, artists, schoolteachers, widows, maids, policemen—confront their relationships, both with one another and with the land­scape they inhabit.

The colonial Australia of The Sun Walks Down is noisy with opinions, arguments, longings, and terrors. It’s haunted by many gods—the sun among them, rising and falling on each day in which Denny could be found, or lost forever.

Told in many ways and by many voices, Fiona McFarlane’s new novel pulses with love, art, and the unbearable divine. It arrives like a vision: mythic, vivid, and bright with meaning.

A sea captain’s beautifully written tour of our planet, our oceans, and our ever-changing atmosphere

“An extraordinary book by a modern-day Melville.”—Mark Vanhoenacker • “Immensely rewarding and entertaining.”—Lincoln Paine • “Full of history, wisdom, and hilarious stories from life on the open seas.”—Daniel Stone

What’s in a cloud? Did you know that water vapor is invisible and actually lighter than dry air? What separates a tropical storm from a winter blizzard? And what exactly is El Niño? Elliot Rappaport, a professional captain of traditional sailing ships, has spent three decades at sea, where understanding weather is crucial to the safety of vessels and their crews. In Reading the Glass, he offers a sailor’s-eye view of the moving parts of our atmosphere and unveils the larger patterns it holds: global winds, storms, air masses, jet streams, and the longer arc of our climate.

Told through a series of tall ship voyages, Rappaport’s narrative takes readers from the icy seas of Greenland to the Roaring Forties, places where one can experience all four seasons in an hour. He navigates the turbulent waters of the Strait of Gibraltar, en route to storied port cities of the Mediterranean. In the vast tropical Pacific he crosses the equator, where heat, moisture, and unsettled winds churn out powerful squalls, and drops anchor in isolated ports of call. He explores wide swathes of ocean to explain how the trade winds have carried ships westward for centuries, and how ancient Polynesian explorers pushed back the other way, leveraging their mastery of waves and weather to achieve what may be humanity’s greatest navigational achievement.

Written in stunning prose, brimming with wisdom, curiosity, and humor, Reading the Glass brilliantly blends science and memoir to reveal how weather has shaped our oceans, our history, and ourselves.