From Patricia Engel, whose novel Infinite Country was a New York Times bestseller and a Reese’s Book Club pick, comes an exquisite collection of ten haunting, award-winning short stories set across the Americas and linked by themes of migration, sacrifice, and moral compromise.

Two Colombian expats meet as strangers on the rainy streets of New York City, both burdened with traumatic pasts. In Cuba, a woman discovers her deceased brother’s bones have been stolen, and the love of her life returns from Ecuador for a one-night visit. A cash-strapped couple hustles in Miami, to life-altering ends.

The Faraway World is a collection of arresting stories from the New York Times bestselling author of Infinite Country, Patricia Engel, “a gifted storyteller whose writing shines even in the darkest corners” (The Washington Post). Intimate and panoramic, these stories bring to life the liminality of regret, the vibrancy of community, and the epic deeds and quiet moments of love.

The final posthumous work by the coauthor of the major New York Times bestseller The Dawn of Everything.

Pirates have long lived in the realm of romance and fantasy, symbolizing risk, lawlessness, and radical visions of freedom. But at the root of this mythology is a rich history of pirate societies—vibrant, imaginative experiments in self-governance and alternative social formations at the edges of the European empire.

In graduate school, David Graeber conducted ethnographic field research in Madagascar for his doctoral thesis on the island’s politics and history of slavery and magic. During this time, he encountered the Zana-Malata, an ethnic group of mixed descendants of the many pirates who settled on the island at the beginning of the eighteenth century. Pirate Enlightenment, or the Real Libertalia, Graeber’s final posthumous book, is the outgrowth of this early research and the culmination of ideas that he developed in his classic, bestselling works Debt and The Dawn of Everything (written with the archaeologist David Wengrow). In this lively, incisive exploration, Graeber considers how the protodemocratic, even libertarian practices of the Zana-Malata came to shape the Enlightenment project defined for too long as distinctly European. He illuminates the non-European origins of what we consider to be “Western” thought and endeavors to recover forgotten forms of social and political order that gesture toward new, hopeful possibilities for the future.

From the Pulitzer Prize–winning author of Tinkers, a novel inspired by the true story of Malaga Island, an isolated island off the coast of Maine that became one of the first racially integrated towns in the Northeast.

In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discover an island where they can make a life together. Over a century later, the Honeys’ descendants and a diverse group of neighbors are desperately poor, isolated, and often hungry, but nevertheless protected from the hostility awaiting them on the mainland.

During the tumultuous summer of 1912, Matthew Diamond, a retired, idealistic but prejudiced schoolteacher-turned-missionary, disrupts the community’s fragile balance through his efforts to educate its children. His presence attracts the attention of authorities on the mainland who, under the influence of the eugenics-thinking popular among progressives of the day, decide to forcibly evacuate the island, institutionalize its residents, and develop the island as a vacation destination. Beginning with a hurricane flood reminiscent of the story of Noah’s Ark, the novel ends with yet another Ark.

In prose of breathtaking beauty and power, Paul Harding brings to life an unforgettable cast of characters: Iris and Violet McDermott, sisters raising three orphaned Penobscot children; Theophilus and Candace Larks and their brood of vagabond children; the prophetic Zachary Hand to God Proverbs, a Civil War veteran who lives in a hollow tree; and more. A spellbinding story of resistance and survival, This Other Eden is an enduring testament to the struggle to preserve human dignity in the face of intolerance and injustice.

“Orenstein is such a breezy, funny writer, it’s easy to forget she’s an important thinker too.”—People

In this lively, funny memoir, Peggy Orenstein sets out to make a sweater from scratch—shearing, spinning, dyeing wool—and in the process discovers how we find our deepest selves through craft. Orenstein spins a yarn that will appeal to everyone.  

The COVID pandemic propelled many people to change their lives in ways large and small. Some adopted puppies. Others stress-baked. Peggy Orenstein, a lifelong knitter, went just a little further. To keep herself engaged and cope with a series of seismic shifts in family life, she set out to make a garment from the ground up: learning to shear sheep, spin and dye yarn, then knitting herself a sweater.

Orenstein hoped the project would help her process not just wool but her grief over the recent death of her mother and the decline of her dad, the impending departure of her college-bound daughter, and other thorny issues of aging as a woman in a culture that by turns ignores and disdains them. What she didn’t expect was a journey into some of the major issues of our time: climate anxiety, racial justice, women’s rights, the impact of technology, sustainability, and, ultimately, the meaning of home.

With her wry voice, sharp intelligence, and exuberant honesty, Orenstein shares her year-long journey as daughter, wife, mother, writer, and maker—and teaches us all something about creativity and connection. 

A novel of sensational literary and psychological suspense from the best-selling author of Less Than Zero and American Psycho that tracks a group of privileged high school friends in a vibrantly fictionalized 1980s Los Angeles as a serial killer strikes across the city

Bret Easton Ellis’s masterful new novel is a story about the end of innocence, and the perilous passage from adolescence into adulthood, set in a vibrantly fictionalized Los Angeles in 1981 as a serial killer begins targeting teenagers throughout the city.

Seventeen-year-old Bret is a senior at the exclusive Buckley prep school when a new student arrives with a mysterious past. Robert Mallory is bright, handsome, charismatic, and shielding a secret from Bret and his friends even as he becomes a part of their tightly knit circle. Bret’s obsession with Mallory is equaled only by his increasingly unsettling preoccupation with the Trawler, a serial killer on the loose who seems to be drawing ever closer to Bret and his friends, taunting them—and Bret in particular—with grotesque threats and horrific, sharply local acts of violence. The coincidences are uncanny, but they are also filtered through the imagination of a teenager whose gifts for constructing narrative from the filaments of his own life are about to make him one of the most explosive literary sensations of his generation. Can he trust his friends—or his own mind—to make sense of the danger they appear to be in? Thwarted by the world and by his own innate desires, buffeted by unhealthy fixations, he spirals into paranoia and isolation as the relationship between the Trawler and Robert Mallory hurtles inexorably toward a collision. 

Set against the intensely vivid and nostalgic backdrop of pre-Less Than Zero L.A., The Shards is a mesmerizing fusing of fact and fiction, the real and the imagined, that brilliantly explores the emotional fabric of Bret’s life at seventeen—sex and jealousy, obsession and murderous rage. Gripping, sly, suspenseful, deeply haunting, and often darkly funny, The Shards is Ellis at his inimitable best.

From a Pulitzer Prize winner, a powerful history that reveals how the twin strands of liberty and slavery were joined in the nation’s founding.

New attention from historians and journalists is raising pointed questions about the founding period: was the American revolution waged to preserve slavery, and was the Constitution a pact with slavery or a landmark in the antislavery movement? Leaders of the founding who called for American liberty are scrutinized for enslaving Black people themselves: George Washington consistently refused to recognize the freedom of those who escaped his Mount Vernon plantation. And we have long needed a history of the founding that fully includes Black Americans in the Revolutionary protests, the war, and the debates over slavery and freedom that followed.

We now have that history in Edward J. Larson’s insightful synthesis of the founding. With slavery thriving in Britain’s Caribbean empire and practiced in all of the American colonies, the independence movement’s calls for liberty proved narrow, though some Black observers and others made their full implications clear. In the war, both sides employed strategies to draw needed support from free and enslaved Blacks, whose responses varied by local conditions. By the time of the Constitutional Convention, a widening sectional divide shaped the fateful compromises over slavery that would prove disastrous in the coming decades. Larson’s narrative delivers poignant moments that deepen our understanding: we witness New York’s tumultuous welcome of Washington as liberator through the eyes of Daniel Payne, a Black man who had escaped enslavement at Mount Vernon two years before. Indeed, throughout Larson’s brilliant history it is the voices of Black Americans that prove the most convincing of all on the urgency of liberty.