A new story collection from “one of Europe’s most exciting writers” (New York Times Book Review) deftly evokes and explores the shifts that occur when the world grows dark.

Snowed in at a remote artists’ residency in Vermont, Peter recalls another Christmas some thirty years earlier, when he met Marcia by chance on a trip to New York City. Only now, in this eerie, isolated place, does he begin to see the consequences of their brief affair through a series of connections.
        When Hubert asks Sabrina to model for a sculpture, she’s flattered and happy to help. But facing the finished product, looking at herself from previously hidden angles, disturbs her, and she becomes determined to follow her double after it’s sold to a collector.
        Uneasy in his own skin and with the humdrum life set out for him, David decides to rob a bank. He already has a mask for the purpose, but won’t be using it today. He’s heard that bank robbers often study the scene for weeks before they strike. So he’s started to lurk.
        We think we know our world, but then the familiar suddenly turns strange, and even frightening. In these powerfully affecting, minutely constructed stories, Peter Stamm illustrates how fragile our reality really is, how susceptible to tricks of the heart and mind.

Stories of Dracula have fascinated people around the world for generations. Both the fictional vampire created by the Irish author Bram Stoker at the end of the nineteenth century and the fifteenth century Prince called Vlad the Impaler, the man regarded as the historical Dracula, have become part of universal culture. Yet few realize that the Wallachian ruler dubbed “the Impaler,” is not the original Dracula. Instead, that distinction belongs to his father, a little-known prince called Vlad Dracul.

The elder Vlad, who gained the sobriquet Dracul or Dracula when Holy Roman Emperor Sigismund of Luxemburg initiated him into the Order of the Dragon in February 1431, was among the most important political personalities of his day. He far surpassed his more famous namesake in those qualities that define a great ruler. Vlad Dracul struggled to protect the independence of his land, under the most difficult of circumstances, against the threats posed by his powerful neighbors, the Ottoman Empire and the Kingdom of Hungary. In so doing, he in no small way contributed to the survival of his principality at a time when Ottoman expansion in the Balkans expunged countries such as Bulgaria and Serbia from the map of Europe.

Several books have been devoted to the study of his famous son, Vlad the Impaler, but any search for the historical Dracula must begin with the story of the father. Now, for the first time, based on extensive documentary research, the true story of the man who founded the Dracula dynasty is revealed.

From the best-selling coauthor of The Disaster Artist and “one of America’s best and most interesting writers” (Stephen King), a new collection of stories that range from laugh-out-loud funny to disturbingly dark—unflinching portraits of women and men struggling to bridge the gap between art and life

A young and ingratiating assistant to a movie star makes a blunder that puts his boss and a major studio at grave risk. A long-married couple hires an escort for a threesome in order to rejuvenate their relationship. An assistant at a prestigious literary journal reconnects with a middle school frenemy and finds that his carefully constructed world of refinement cannot protect him from his past. A Bush administration lawyer wakes up on an abandoned airplane, trapped in a nightmare of his own making.
 
In these and other stories, Tom Bissell vividly renders the complex worlds of characters on the brink of artistic and personal crises—writers, video-game developers, actors, and other creative types who see things slightly differently from the rest of us. With its surreal, poignant, and sometimes squirm-inducing stories, Creative Types is a brilliant new offering from one the most versatile and talented writers working in America today.

A decadent collection of magical dishes and feasts created by the herbalist, witch, chef and co-owner of Catland Books, Melissa Madara.

The feast is a meeting place between family and friends,between humans and gods.

This decadent collection of enchanting dishes is an indispensable companion to kitchen witchcraft, revealing the storied history and seductive art of magical cooking. With witch, herbalist and chef Melissa Jayne Madara as your guide, explore five facets of the occult through food: traditional recipes, the wheel of the zodiac, devotional meals to the planets, seasonal feasts to celebrate solstices and equinoxes, and practical spellwork.

Recreate a pagan feast of lamb roasted with milk and honey, with cheesecake baked in fig leaves for dessert.

Celebrate a Gemini birthday with herbed fondue, followed by lemongrass pavlova.

Align with the poetic pleasures of Venus with edible flower dumplings, or commune with Saturn over blackberry pulled pork sandwiches.

Enjoy the vibrancy of the spring equinox with herb and allium quiche with a potato crust, radish salad with cherry blossom vinaigrette and jasmine tea shortbread.

Share an evening of storytelling over mugwort and catnip divination tea, or embody an otherworldly spirit with ritual bread masks.

Packed with ancient knowledge, practical advice and witchcraft expertise, this book will help you develop your craft through culinary creativity. Gather, share, and rediscover the most fundamental of human rituals: the divine indulgence of the senses and the soul.

The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman

Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.

From the critically acclaimed author of All That’s Bright and Gone comes an atmospheric thriller that unearths a cache of age-old secrets–and a hidden danger–in the Florida Keys.

Magda Trudell is the present-day caretaker of Whimbrel Estate, the Key West home of the famous poet Isobel Reyes. Isobel’s suicide at the residence in 1918 has nearly overshadowed her creative legacy–but Magda, a botanist and avid historian, is determined to protect it. Over the past decade, Magda has lovingly restored the house to the exact condition Isobel would have known. And even though a fierce October hurricane is headed straight for the Keys, she isn’t about to abandon her life’s work to evacuate.

As the mighty storm makes landfall, the dangers mount. First, a fire and flood threaten to destroy the house. Then the storm claims most of Magda’s supplies. When part of the house collapses, she unearths an old steamer trunk in the rubble that contains a woman’s remains. Is there more to Isobel’s story than Magda knows?

The unexpected appearance of a teenage girl and her father seeking shelter from the storm poses unnerving new questions. Are they really who they seem? And could they have a connection to the house’s shadowy past? As the storm rages, Magda desperately tries to solve the real mystery of Isobel’s death–and keep the living in one piece.

Feminist philosophy meets family memoir in this new essay collection from Siri Hustvedt, an exploration of the shifting borders that define human experience, including boundaries we usually take for granted—between ourselves and others, nature and nurture, viewer and artwork—which turn out to be far less stable than we imagine.

Described as “a 21st-century Virginia Woolf” in the Literary Review (UK), Man Booker longlisted Hustvedt displays her expansive intellect and interdisciplinary knowledge in this collection that moves effortlessly between stories of her mother, grandmother, and daughter to artistic mothers, Jane Austen, Emily Brontë, and Lousie Bourgeois, to the broader meanings of maternal in a culture shaped by misogyny and fantasies of paternal authority. Mothers, Fathers, and Others is a polymath’s journey into urgent questions about familial love and hate, human prejudice and cruelty, and the transformative power of art.

This moving, fierce, and often funny book is finally about the fact that being alive means being in states of constant, dynamic exchange with what is around us, and that the impulse to draw hard and fast conceptual borders where none exist carries serious theoretical and political dangers.

A chance meeting on the New York subway leads to the destinies of two very different women becoming intertwined with terrifying consequences in this nerve-jangling thriller.

Sixteen-year-old Addison is on the run. She’s leaving her life on New York’s streets behind for a new one with Rafe, armed with just his phone number on a scrap of paper. She’s taking the subway to meet him in New Jersey. He’ll take care of her. Or so she thinks . . .

Elizabeth Brown’s world has fallen apart and she’s thinking about her newly ex-fianc . Until she locks eyes with a teenage girl while waiting for the train doors to open, and a bundle is thrust into her arms as she leaves the subway. A baby, wrapped in a dirty coat.

Elizabeth phones the number she finds in the coat pocket. Then wishes she hadn’t. Someone wants Addison and the baby. And they’ll do whatever it takes to get them . . .

Signed First Editions available while supplies last.