Category: New Arrivals

A touching and deeply funny debut about starting over sober only to discover life’s biggest messes are still waiting right where you left them. The very last person anyone should worry about is Emma. Yes, hi, she’s an alcoholic. But she’s officially been sober for one entire year. That’s twelve months of better health. Fifty-two whole weeks of focusing on nothing but her nine-to-five office job, group meetings, and avoiding the kind of bad decisions that previously left her awash in shame and regret. It’s also been 365 days of not dating. And with her new dating profile, Emma, 26, of New York is ready to put herself back out there. Except–was dating always this

complicated? And did Emma’s mother really have to choose now to move in with her new boyfriend? Being assigned to plan her office’s holiday party feels like icing on the suddenly very overwhelming cake until her estranged father reappears with devastating news. Icing, meet cherry on top. But then there’s Ben, the charming IT guy who, despite Emma’s awkwardness and shortcomings, seems to maybe actually get her? Sobriety is turning out to be far from the flawless future Emma had once envisioned for herself, but as she allows herself to open up to Ben and confront difficult past relationships, she’s beginning to realize that taking things one day at a time might just be the perfectly imperfect path she’s meant to be on. Bittersweet and darkly hilarious, Ava Robinson’s debut novel about navigating sobriety and complicated family dynamics is witty, heartbreaking, and profoundly relatable.

A series of definitive guides to the most influential film directors of our time.

Charting the rise of these iconic filmmakers from their early years, through their breakout films and their evolution into cinematic greats, these neatly packaged guides are a must-have for any movie fan.

Each title contains perceptive and insightful text about the director’s work, their inspirations, their unique filmmaking style and their favoured collaborations with actors, screenwriters and musicians. With discussion and in-depth analysis of each film in their canon, and packed with images from their films, as well as intriguing behind-the-scenes shots, these books provide an intimate celebration of each director’s work.

Gangster movie, Western, film noir, rom com, screwball, musical, even the Biblical epic… There are few genres left untouched and untwisted by sibling visionaries Joel and Ethan Coen.

Since 1984’s Blood Simple, the inscrutable brothers have effortlessly forged their own cinematic path, avoiding prevailing trends while crafting bold, stylish and witty movies that feel fresh and distinctive despite being deeply rooted in their creators’ filmic passion and knowledge.

This is a definitive guide to that path, bringing the reader through Joel and Ethan’s 20 features (not counting the mezzanine) and exploring the themes, the tropes, the gags, the familiar faces – while also taking in all the Coen curios that litter this quirkily winding byway.

From Texas to Minnesota, from Homer to Shakespeare, from Bluegrass to Busby Berkeley, from wrestling to bowling, from lost hats to severed toes, this book covers everything that one might reasonably consider (to use a word that would likely make Joel and Ethan wince) ‘Coenesque’… And then some.

Detective Galileo, Keigo Higashino’s best loved character from The Devotion of Suspect X, returns in a case where hidden history, and an impossible crime, are linked by nearly invisible threads in surprising ways.

The body of a young man is found floating in Tokyo Bay. But his death was no accident—Ryota Uetsuji was shot. He’d been reported missing the week before by his live-in girlfriend Sonoka Shimauchi, but when detectives from the Homicide Squad go to interview her, she is nowhere to be found. She’s taken time off from work, clothes and effects are missing from the apartment she shared. And when the detectives learn that she was the victim of domestic abuse, they presume that she was the killer. But her alibi is airtight—she was hours away in Kyoto when Ryota disappeared, forcing Detectives Kusanagi and Utsumi to restart their investigation.

But if Sonoko didn’t kill her abusive lover, then who did? A thin thread of association leads them to their old consultant, brilliant physicist Manabu Yukawa, known in the department as “Detective Galileo.” With Sonoko still missing, the detectives investigate other threads of association—an eccentric artist, who was Sonoko’s mother figure after her own single mother passed; and an older woman who is the owner of a hostess club. And how is Sonoko continuing to stay one step ahead of the police searching for her? It’s up to Galileo to find the nearly hidden threads of history and coincidence that connect the people around the bloody murder- which, surprisingly, connect to his own traumatic past—to unravel not merely the facts of the crime but the helix that ties them all together.

Color Theory Made Easy

Elevate your watercolor art with this foolproof guide to mixing stunning colors using just three primary paints! With this approachable handbook, you’ll mix the vivid, realistic colors you’ve been looking for—no more muddy palettes, wasted supplies or premade paints that aren’t quite right. Agus Di Stefano, a seasoned watercolor instructor, brings her expert knowledge and relaxed teaching style to 25 curated lessons and exercises that cover:

•• Color recipes to create everything from earth tones like raw sienna and burnt umber to vibrant violets and intense reds.
•• How to match any color by eye with shortcuts to mix the perfect saturation, hue and value.hue and value.
•• Agus’s pro strategies for mixing true-to-life skin tones.

Essential for seasoned watercolorists and beginners alike, this book will train your eye to break down any color you want to paint and recreate it using simple color theory principles.

The heartbreaking story of a young Catholic girl transported to Auschwitz becomes a Rashomon-like rondo by one of our greatest novelists.
Esquire • Best Books of Fall 2024

“The Rest Is Memory is a literary resurrection, as shattering as it is astonishing. Lily Tuck has done the impossible; from darkness and hideous cruelty, she has woven an unforgettable paean to hope, to life, to justice.” —Junot Diaz
First glimpsed riding on the back of a boy’s motorcycle, fourteen-year-old Czeslawa comes to life in this mesmerizing novel by Lily Tuck, who imagines her upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, shorn, and tattooed number 26947 on arriving at Auschwitz, Czeslawa is then photographed. Three months later, she is dead.

How did this happen to an ordinary Polish citizen? This is the question that Tuck grapples with in this haunting novel, which frames Czeslawa’s story within the epic tragedy of six million Poles who perished during the German occupation. A decade prior to writing The Rest Is Memory, Tuck read an obituary of the photographer Wilhelm Brasse, who took more than 40,000 pictures of the Auschwitz prisoners. Included were three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out the photos and kept them, determined to learn more about Czeslawa, but she was only able to glean the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and her neighbors, her tattoo number, and the date of her death. From this scant evidence, Tuck’s novel becomes a remarkable kaleidoscopic feat of imagination, something only our greatest novelists can do.

“Beautifully written, all the while instilling a sense of horror” (Susanna Moore), Tuck’s language swirls about, yet not a word is out of place. The subtly rotating images tumble out at us, accelerating as we learn about Czeslawa’s tragic stay in Auschwitz, the lives of real people such as the barbaric Commandant Rudolf Höss; his unconscionable wife, Hedwig; the psychiatrist and child rescuer Janusz Korczak; and the mordant Polish short story writer Tadeusz Borowski. Although we are certain of Czeslawa’s fate, we have no choice but to keep turning the pages, thoroughly mesmerized by Tuck’s near otherworldly prose.

In Lily Tuck’s hands, The Rest Is Memory becomes an unforgettable work of historical reclamation that rescues an innocent life, one previously only recalled by a stark triptych of photographs.

“This is a serious, meticulous history that will also appeal to Game of Thrones fans, who will discover intriguing parallels between history and fiction.” — Booklist

“An enlightening portrait of the medieval mindset.” — Publishers Weekly

The authors of The Bright Ages return with a real-life Game of Thrones—the story of the Carolingian Civil War, a bloody, protracted battle pitting brother against brother, father against son, that would end an empire, upend a continent, and redefine the future of Europe

By the early ninth century, the Carolingian empire was at the height of its power. The Franks, led by Charlemagne, had built the largest European domain since Rome in its heyday. Though they jockeyed for power, prestige, and profit, the Frankish elites enjoyed political and cultural consensus. But just two generations later, their world was in shambles. Civil war, once an unthinkable threat, had erupted after Louis the Pious’s sons tried to overthrow him—and then placed their knives at the other’s neck. Families who had once charged into battle together now drew each other’s blood.

The Carolingian Civil War would rage for years as kings fought kings, brother faced off against brother, and sons challenged fathers. Oathbreakers is the dramatic history of this brutal, turbulent time. Medieval historians David M. Perry and Matthew Gabriele illuminate what happens when a once unshakeable political and cultural order breaks down and long suppressed tensions flare into deadly violence. Drawn from rich primary sources, featuring a wide cast of characters, packed with dramatic twists and turns, this is history that rivals the greatest fictional epics—with consequences that continue to shape our own world.

Oathbreakers offers lessons of what deep cracks in a once-stable social and political fabric might reveal, and the bloody consequences of disagreeing on facts and reality. The Civil War at the heart of this tale asks: who is “in” and who is “out”? And what happens when things fall apart?

“[A] rich and lyrical tale of desperation and redemption, set during an outbreak of a plague that causes amnesia…. Throughout, Sainz Borgo applies stark poetry to the terrifying setting, where ‘moans and cries attributed to ghosts sometimes masked executions and beatings.’ It’s a stunner.” —Publishers Weekly (starred review)

Winner of the 2023 Jan Michalski Prize, a searing novel of loss and resilience that illuminates the often-overlooked human dimension of the migrant crisis, re-imagining the border as a dreamlike purgatory bridging life and death.

 In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite––a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs.

Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar and a refuge beyond suffering and fear. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación–friends and sometimes rivals– stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death.

Exploring what we are capable of and how far we will go when we have nothing to lose, No Place to Bury the Dead confirms Karina Sainz Borgo’s importance amongst the voices of modern Latin American literature, merging thriller, western, and classic tragedy in an unforgettable and urgent novel that won the 2023 Jan Michalski Prize.

Translated from the Spanish by Elizabeth Bryer

A vivid look at 10astonishing people who are maintaining some of the world’s oldest and rarest cultural traditions.

Eliot Stein has traveled the globe in search of remarkable people who are preserving some of our most extraordinary cultural rites. In Custodians of Wonder: Ancient Customs, Profound Traditions, and the Last People Keeping Them Alive, Stein introduces readers to a man saving the secret ingredient in Japan’s 700-year-old original soy sauce recipe. In Italy, he learns how to make the world’s rarest pasta from one of the only women alive who knows how to make it. And in India, he discovers a family rumored to make a mysterious metal mirror believed to reveal your truest self. From shadowing Scandinavia’s last night watchman to meeting a 27th-generation West African griot to tracking down Cuba’s last official cigar factory “readers” more than a century after they spearheaded the fight for Cuban independence, Stein uncovers an almost lost world.

Climbing through Peru’s southern highlands, he encounters the last Inca bridge master who rebuilds a grass-woven bridge every year from the fabled Inca Road System. He befriends a British beekeeper who maintains a touching custom of “telling the bees” important news of the day. And he crunches through a German forest to find the official mailman of the only tree in the world with its own address – to which countless people from across the world have written in hopes of finding love. These are just some of the last custodians preserving age-old rites on the brink of disappearance against all odds. Let Eliot Stein introduce you to all of them.

“Wang’s slender tour de force offers one of the most nuanced, astute critiques of America now I’ve read in years. And it’s also frequently hilarious.”
—Los Angeles Times

“[For] basically anyone who is breathing, Rental House is a must-read.”—San Francisco Chronicle

“Sharp, insightful, occasionally heartbreaking, and incredibly relatable.”
—Gabrielle Zevin, author of Tomorrow, and Tomorrow, and Tomorrow

“For anyone who’s experienced demanding parents, misunderstanding in-laws, a vacation-gone-wrong, or mid-life questions about how to reconcile your own personality liabilities with those of the person you love most.”
—Elif Batuman, author of The Idiot

From the award-winning author of Chemistry, a sharp-witted, insightful novel about a marriage as seen through the lens of two family vacations

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife.

Some years into their marriage, the couple invites their families on vacation. At a Cape Cod beach house, and later at a luxury Catskills bungalow, Keru, Nate, and their giant sheepdog navigate visits from in-laws and unexpected guests, all while wondering if they have what it takes to answer the big questions: How do you cope when your spouse and your family of origin clash?  How many people (and dogs) make a family? And when the pack starts to disintegrate, what can you do to shepherd everyone back together?

With her “wry, wise, and simply spectacular” style (People) and “hilarious deadpan that recalls Gish Jen and Nora Ephron” (O, The Oprah Magazine), Weike Wang offers a portrait of family that is equally witty, incisive, and tender.

From true-crime legend T. J. English, the epic, behind-the-scenes saga of “Los Muchachos,” one of the most successful cocaine trafficking organizations in American history—a story of glitz, glamour, and organized crime set against 1980’s Miami.

Despite what Scarface might lead one to believe, violence was not the dominant characteristic of the cocaine business. It was corruption: the dirty cops, agents, lawyers, judges, and politicians who made the drug world go round. And no one managed that carousel of dangerous players better than Willy Falcon.

A Cuban exile whose family escaped Fidel Castro’s Cuba when he was eleven years old, Falcon, as a teenager, became active in the anti-Castro movement. He began smuggling cocaine into the U.S. as a way to raise money to buy arms for the Contras in Central America. This counter-revolutionary activity led directly to Willy’s genesis as a narco. He and his partners built an extraordinary international organization from the ground up. Los Muchachos, the syndicate founded by Falcon, thrived as a major cocaine distribution network in the U.S. from the late 1970’s into the early 1990’s. At their height, Los Muchachos made more than a hundred million dollars a year. At the same time, Willy, his brother Tavy Falcon, and partner Sal Magluta became famous as championship powerboat racers.

Cocaine, used by everyone from A-list celebrities to lawyers and people in law enforcement, came to define an era, and for a time, Willy Falcon and those like him—major suppliers, of whom there were only a few—became stars in their own right. They were the deliverers of good times, at least until the downside of persistent cocaine use became apparent: delusions of grandeur, psychological addiction, financial ruin. Thus, the War on Drugs was born, and federal authorities came after Falcon and his crew with a vengeance. Willy found himself on the run, his marriage and family life in shambles, the halcyon days of boat races and lavish trips to Vegas and parties at the Mutiny night club seemingly a distant memory.

T. J. English has been granted unprecedented access to the inner workings of Los Muchachos, sitting down with Willy Falcon and his associates for many lengthy interviews, and revealing never-before-understood details about drug trafficking. A classic of true-crime writing from a master of the genre, The Last Kilo traces the rise and fall of a true cocaine empire—and the lives left in its wake.