A story for all ages from the author of the #1 bestselling Born a Crime
“But sooner or later your mother will find us,” Walter said, looking back at the house. “She always does.”
The boy’s eyes lit up again. He had an idea.
“Then this time we need to go where we’ve never gone before,” he said. “Into the uncut grass!”
In the tradition of The Boy, the Mole, the Fox and the Horse comes a gorgeously illustrated fable about a young child’s journey into the world beyond the shadow of home, a magical landscape where he discovers the secrets of sharing, connection, and finding peace with the people we love. Infused with the author’s signature wit and imagination, in collaboration with visionary artist Sabina Hahn, it’s a tale for readers of all ages—to be read aloud or read alone.
A map for a liberating journey toward a more meaningful life—a journey that begins where we actually find ourselves, not with a fantasy of where we’d like to be—from the New York Times bestselling author of Four Thousand Weeks
Addressing the fundamental questions about how to live, Meditations for Mortals offers a powerful new way to take action on what counts: a guiding philosophy of life Oliver Burkeman calls “imperfectionism.” It helps us tackle challenges as they crop up in our daily lives: our finite time, the lure of distraction, the impossibility of doing anything perfectly.
How can we embrace our nonnegotiable limitations? Or make good decisions when there’s always too much to do? How do we shed the illusion that life will really begin as soon as we can “get on top of everything”? Reflecting on quotations drawn from philosophy, religion, literature, psychology, and self-help, Burkeman explores a combination of practical tools and daily shifts in perspective. The result is a life-enhancing and surprising challenge to much familiar advice—and a profound yet entertaining crash course in living more fully.
To be read either as a four-week “retreat of the mind” or devoured in one or two sittings, Meditations for Mortals will be a source of solace and inspiration, and an aid to a saner, freer, and more enchantment-filled life. In anxiety-inducing times, it is rich in truths we have never needed more.
“Tart, sassy, and hilariously funny from start to finish, Rainbow’s book offers laughter as a tonic for troubled times.” — Kirkus Reviews
A new essay collection by adored comedian and New York Times bestseller Randy Rainbow
Randy Rainbow has a few things on his mind that he wants to talk about. As a savvy social commentator tuned into the public discourse, his unfailing intuition tells him that the perspective everyone in America is clamoring for is that of a privileged white male complaining about a bunch of shit. While writing his New York Times bestseller Playing With Myself, Randy saw an America in crisis. He knew that what the country needed to get back on its high heels was a hard-hitting gay agenda and here it is – Low Hanging Fruit – a book filled with sparkling whines, a few flutes of champagne problems and a Birkin bag of the most pressing issues facing the US, from dancing TikTok grandmas, to Elon Musk, the GOP, and Donald Jessica Trump.
On the down low, Randy dishes up some sex talk about life on the dating apps, Craigslist hookups and more. (“Gurl, wait till you hear the story about the fireman and the goggles…”) Randy’s longtime companion, the glamorous Chinchilla Silver Persian cat Tippi, makes an appearance as she dishes about her life Chez Randy. And, in the most highly anticipated sequel since Top Gun: Maverick, Randy continues the conversation with his mother, Gwen, because who knows better than the Jewish mother of a gay man about how to solve America’s problems? Randy Rainbow’s Low Hanging Fruit – a bold manifesto for a nation desperately in need of a makeover.
From the author of the runaway hit, Hidden Pictures, comes a stunning new work of domestic suspense
“Part conspiracy thriller, part family drama, The Last One at the Wedding kept my heart racing and my mind reeling.” ―Riley Sager
“The ultimate middle-class Dad battles the 1% for his daughter’s soul in the best thriller I’ve read all year.” ―Grady Hendrix
Frank Szatowski is shocked when his daughter, Maggie, calls him for the first time in three years. He was convinced that their estrangement would become permanent. He’s even more surprised when she invites him to her upcoming wedding in New Hampshire. Frank is ecstatic, and determined to finally make things right.
He arrives to find that the wedding is at a private estate—very secluded, very luxurious, very much out of his league. It seems that Maggie failed to mention that she’s marrying Aidan Gardner, the son of a famous tech billionaire. Feeling desperately out of place, Frank focuses on reconnecting with Maggie and getting to know her new family. But it’s difficult: Aidan is withdrawn and evasive; Maggie doesn’t seem to have time for him; and he finds that the locals are disturbingly hostile to the Gardners. Frank needs to know more about this family his daughter is marrying into, but if he pushes too hard, he could lose Maggie forever.
An edge-of-your-seat thriller that delves deep into the heart of one family, The Last One at the Wedding is a work of brilliant suspense from a true modern master.
Twenty-five years after the publication of his groundbreaking first book, Malcolm Gladwell returns with a brand-new volume that reframes the lessons of The Tipping Point in a startling and revealing light.
Why is Miami…Miami? What does the heartbreaking fate of the cheetah tell us about the way we raise our children? Why do Ivy League schools care so much about sports? What is the Magic Third, and what does it mean for racial harmony? In this provocative new work, Malcolm Gladwell returns for the first time in twenty-five years to the subject of social epidemics and tipping points, this time with the aim of explaining the dark side of contagious phenomena.
Through a series of riveting stories, Gladwell traces the rise of a new and troubling form of social engineering. He takes us to the streets of Los Angeles to meet the world’s most successful bank robbers, rediscovers a forgotten television show from the 1970s that changed the world, visits the site of a historic experiment on a tiny cul-de-sac in northern California, and offers an alternate history of two of the biggest epidemics of our day: COVID and the opioid crisis. Revenge of the Tipping Point is Gladwell’s most personal book yet. With his characteristic mix of storytelling and social science, he offers a guide to making sense of the contagions of modern world. It’s time we took tipping points seriously.
The #1 New York Times bestselling author of Between the World and Me journeys to three resonant sites of conflict to explore how the stories we tell—and the ones we don’t—shape our realities.
“[Coates] is intellectually fearless . . . unshackled by political or racial ideology, humane in his judgments, respectful of facts, acutely aware of the difference between what is knowable and what is not.”—The New Yorker
Ta-Nehisi Coates originally set out to write a book about writing, in the tradition of Orwell’s classic “Politics and the English Language,”but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities.
In the first of the book’s three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind. Then he takes readers along with him to Columbia, South Carolina, where he reports on his own book’s banning, but also explores the larger backlash to the nation’s recent reckoning with history and the deeply rooted American mythology so visible in that city—a capital of the Confederacy with statues of segregationists looming over its public squares. Finally, in the book’s longest section, Coates travels to Palestine, where he sees with devastating clarity how easily we are misled by nationalist narratives, and the tragedy that lies in the clash between the stories we tell and the reality of life on the ground.
Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive myths that shape our world—and our own souls—and embrace the liberating power of even the most difficult truths.
In her long-awaited memoir, Ina Garten—aka the Barefoot Contessa, author of thirteen bestselling cookbooks, beloved Food Network personality, Instagram sensation, and cultural icon—shares her personal story with readers hungry for a seat at her table.
Here, for the first time, Ina Garten presents an intimate, entertaining, and inspiring account of her remarkable journey. Ina’s gift is to make everything look easy, yet all her accomplishments have been the result of hard work, audacious choices, and exquisite attention to detail. In her unmistakable voice (no one tells a story like Ina), she brings her past and her process to life in a high-spirited and no-holds-barred memoir that chronicles decades of personal challenges, adventures (and misadventures) and unexpected career twists, all delivered with her signature combination of playfulness and purpose.
From a difficult childhood to meeting the love of her life, Jeffrey, and marrying him while still in college, from a boring bureaucratic job in Washington, D.C., to answering an ad for a specialty food store in the Hamptons, from the owner of one Barefoot Contessa shop to author of bestselling cookbooks and celebrated television host, Ina has blazed her own trail and, in the meantime, taught millions of people how to cook and entertain. Now, she invites them to come closer to experience her story in vivid detail and to share the important life lessons she learned along the way: do what you love because if you love it you’ll be really good at it, swing for the fences, and always Be Ready When the Luck Happens.
After the “insanely readable” (Stephen King) and “perfectly told” (Malcolm Gladwell) New York Times bestseller The Plot comes Jean Hanff Korelitz’s equally captivating new novel: The Sequel.
Anna Williams-Bonner has taken care of business. That is to say, she’s taken care of her husband, bestselling novelist Jacob Finch Bonner, and laid to rest those anonymous accusations of plagiarism that so tormented him. Now she is living the contented life of a literary widow, enjoying her husband’s royalty checks in perpetuity, but for the second time in her life, a work of fiction intercedes, and this time it’s her own debut novel, The Afterword. After all, how hard can it really be to write a universally lauded bestseller?
But when Anna publishes her book and indulges in her own literary acclaim, she begins to receive excerpts of a novel she never expected to see again, a novel that should no longer exist. That it does means something has gone very wrong, and someone out there knows far too much: about her late brother, her late husband, and just possibly… Anna, herself. What does this person want and what are they prepared to do? She has come too far, and worked too hard, to lose what she values most: the sole and uncontested right to her own story. And she is, by any standard, a master storyteller.
With her signature wit and sardonic humor, Jean Hanff Korelitz gives readers an antihero to root for while illuminating and satirizing the world of publishing in this deliciously fun and suspenseful read.
You Like It Darker by Stephen King (Scribner), picked by bookseller Lori
Twelve new short stories from the master of horror. Standouts for me: “Rattlesnakes,” a sequel to 1981’s Cujo, and “The Answer Man,” my personal favorite, which asks us to ponder the meaning of our own lives and ask ourselves how we will approach the inevitable end of it.
Beauty, horror, humor and humanity are all present in the pages from the true King of the genre.
“Jonathan prepares to join the Israeli army while desperately hoping to keep his two best friends in his life. Besides being the most important people to him they are also Palestinian. The stakes are high. Tradition, culture, history, family responsibility, and love all battle for space in Jonathan’s heart. I read this book fast because I needed to know if I was going to be left heartbroken or relieved. Ultimately it’s so beautifully written that either option would’ve been worth it.” – Emily, staff
In this “nuanced, sharp, and beautifully written” (Michael Chabon) debut novel, a young man prepares to serve in the Israeli army while also trying to reconcile his close relationship to two Palestinian siblings with his deeply ingrained loyalties to family and country.
The story begins in an Israeli military jail, where—four days after his nineteenth birthday—Jonathan stares up at the fluorescent lights of his cell and recalls the series of events that led him there.
Two years earlier: Moving back to Israel after several years in Pennsylvania, Jonathan is ready to fight to preserve and defend the Jewish state. But he is also conflicted about the possibility of having to monitor the occupied Palestinian territories, a concern that grows deeper and more urgent when he meets Nimreen and Laith—the twin daughter and son of his mother’s friend.
From that morning on, the three become inseparable: wandering the streets on weekends, piling onto buses toward new discoveries, laughing uncontrollably. They share joints on the beach, trading snippets of poems, intimate secrets, family histories, resentments, and dreams. But with his draft date rapidly approaching, Jonathan wrestles with the question of what it means to be proud of your heritage, while also feeling love for those outside of your own family. And then that fateful day arrives, the one that lands Jonathan in prison and changes his relationship with the twins forever.
“Unflinching in its honesty, unyielding in its moral complexity” (Geraldine Brooks, Pulitzer Prize–winning author), Sadness Is a White Bird explores one man’s attempts to find a place for himself, discovering in the process a beautiful, against-the-odds love that flickers like a candle in the darkness of a never-ending conflict.
