For readers of Carrie Brownstein’s Hunger Makes the Modern Girl and Brandi Carlile’s Broken Horses comes a profoundly moving portrait of a remarkable life forged through trial and error, unlikely inspiration, and hard work, from critically-acclaimed singer-songwriter Neko Case.
The daughter of an affluent Black family pieces together the connection between a childhood tragedy and a beloved heirloom in this moving novel from the New York Times bestselling author of Black Cake, a Read with Jenna Book Club Pick
When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well.
The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby’s high profile romance falls apart without any explanation, that’s exactly what they get.
So Ebby flees to France, only for her past to follow her there. And as she tries to process what’s happened, she begins to think about the other loss her family suffered on that day eighteen years ago—the stoneware jar that had been in their family for generations, brought North by an enslaved ancestor. But little does she know that the handcrafted piece of pottery held more than just her family’s history—it might also hold the key to unlocking her own future.
In this sweeping, evocative novel, Charmaine Wilkerson brings to life a multi-generational epic that examines how the past informs our present.
NAMED A MOST ANTICIPATED BOOK BY: Time, USA Today, People, AARP, Harper’s Bazaar, Today.com, BookRiot, Bustle, LitHub, BookPage, The Millions, Ms., Our Culture, Electric Literature, W, and Vulture
A surprising and beautiful meditation on the color blue—and its fascinating role in Black history and culture—from National Book Award winner Imani Perry
Throughout history, the concept of Blackness has been remarkably intertwined with another color: blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for that which lies beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong’s question, “What did I do to be so Black and blue?” In this book, celebrated author Imani Perry uses the world’s favorite color as a springboard for a riveting emotional, cultural, and spiritual journey—an examination of race and Blackness that transcends politics or ideology.
Perry traces both blue and Blackness from their earliest roots to their many embodiments of contemporary culture, drawing deeply from her own life as well as art and history: The dyed indigo cloths of West Africa that were traded for human life in the 16th century. The mixture of awe and aversion in the old-fashioned characterization of dark-skinned people as “Blue Black.” The fundamentally American art form of blues music, sitting at the crossroads of pain and pleasure. The blue flowers Perry plants to honor a loved one gone too soon.
Poignant, spellbinding, and utterly original, Black in Blues is a brilliant new work that could only have come from the mind of one of our greatest writers and thinkers. Attuned to the harrowing and the sublime aspects of the human experience, it is every bit as vivid, rich, and striking as blue itself.
From the legendary author Edmund White, a stunning, revelatory memoir of a lifetime of gay love and sex.
“In his panoply of sexual encounters, Edmund White’s love of sex makes us proud to be human. And the story of his sex life reads like a beautifully crafted, very moving (and very funny!) novel.” -John Irving
“A raw, frightening, funny, and beautiful testimony, brimming with transgressive wisdom.” –Robert Jones, Jr.
I’m at an age when writers are supposed to say finally what mattered most to them-for me it would be thousands of sex partners.
The 85-year-old “paterfamilias of queer literature” (New York Times) recounts the sixty-plus years of sexual escapades that have inspired his many masterpieces. He explores the sex he had with other closeted boys of the 50s Midwest, with women as a young man trying to be straight, the sex he’s paid for and been paid for, sex during the Stonewall and HIV eras, and in the age of the apps. Through tales of transactional sex, mutual admiration, open relationships, domination, submission, love, and loss, he paints an indelible portrait of queer history in America and abroad in a way only someone who has lived through it can.
Written with White’s signature honesty, irreverence, and wit, The Loves of My Life is the culmination of a legend’s life and work, a delightful and moving tour of over seventy years of being unabashedly gay and in love with love in all its forms.
THE NEW NOVEL FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE
“[Han Kang’s] intense poetic prose . . . confronts historical traumas and exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize
“Unforgettable.”—Hernan Diaz
Han Kang’s most revelatory book since The Vegetarian, We Do Not Part tells the story of a friendship between two women while powerfully reckoning with a hidden chapter in Korean history.
One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn’t yet suspect the vertiginous plunge into the darkness that awaits her at her friend’s house.
Blurring the boundaries between dream and reality, We Do Not Part powerfully illuminates a forgotten chapter in Korean history, buried for decades—bringing to light the lost voices of the past to save them from oblivion. Both a hymn to an enduring friendship and an argument for remembering, it is the story of profound love in the face of unspeakable violence—and a celebration of life, however fragile it might be.
Multi-platinum artist, entrepreneur, and philanthropist, Big Sean shares his five key practices for inner work and self-acceptance in this interactive guidebook on maintaining daily mental wellness.
Sean Anderson, better known as Big Sean, has reached incredible levels of success in his music career. And while, from the outside, his life looks like a collection of enviable achievements, in truth, he has experienced the highest highs and the lowest lows that come with anxiety and depression.
At the age of eighteen, Sean decided to forgo college to sign with Kanye West’s record label. Even though he saw his wildest dreams coming true, almost like a rap fairytale, he found himself contemplating taking his own life. It was in this, his darkest moments, that he started applying the spiritual practices he’d witnessed his mother embrace throughout his childhood from books like The Four Agreements, The Secret, and many more.
From that moment on, Sean has been on a journey of inward reflection, self-acceptance, and continual work to become the best version of himself every day. In these pages he walks you through the five practices—accepting, strategizing, trying, trusting, and manifesting—that have given him the skills and confidence to become the beloved father, musician, and man that he is today. This book is a clarion call for the next self-help movement, poised to meet the complexities of the moment we’re in.
Go Higher dares to ask the question: If we worked on our self-care regularly, instead of only when we were in crisis, how much higher could we go? Filled with step-by-step instructions for the tools Sean has been using on a daily basis for the last decade—journaling, agreements, affirmations, and meditation, as well as prompts to guide you on your own journey of self-reflection, Go Higher is a spiritual guidebook for our times, proving that investing in yourself isn’t something that drains your energy, but is something that gives you the energy to reach your fullest potential.
In this “absorbing, astute novel” (Town & Country, Must Read Books of Winter 2025) one young woman’s summer of infinite possibility takes a turn she never saw coming.
A CRIMEREADS MOST ANTICIPATED CRIME BOOK OF 2025
“I haven’t felt this kind of excitement reading a story set in the ’80s since I first discovered Jay McInerney, Tama Janowitz, and Bret Easton Ellis.”—Margarita Montimore, bestselling author of Oona Out of Order
There are two things Nina Jacobs is determined to do over the summer of 1986: avoid her mother’s depression-fueled rages, and lose her virginity before she starts college in the fall. Both are seemingly impossible—when her mother isn’t lying in bed for days, she’s lashing out at Nina over any perceived slight. And after a blowjob gone spectacularly wrong, Nina is the talk of Flanagan’s, the Upper East Side bar where young Manhattan society congregates. It doesn’t help that she’s Jewish, an outsider among the blue-eyed blondes who populate this rarified world. She can fit in, kind of, with enough alcohol and prescription drugs stolen from her parents’ medicine cabinet.
Flanagan’s is where she pines for the handsome, preppy, and charismatic Gardner Reed. Every girl wants to sleep with him and every guy wants to be him. After she’s introduced to cocaine, Nina plunges headlong into her pursuit of Gardner, oblivious to the warning signs. When a new medication seemingly frees her mother from darkness, and Nina and Gardner grow closer, it seems like Nina might finally get what she wants. But at what cost?
Freud called cocaine “a gorgeous excitement,” but a gorgeous excitement for the wrong guy can be lethal.
The eternal singer-songwriter Joni Mitchell is seen anew, portrayed through a witty and comprehensive exploration of anecdotes, quotes, and lyrics by Henry Alford, “the most graceful of humorists” (Vanity Fair) and a writer for The New Yorker.
Joni Mitchell’s life, psyche, and evolving legacy are explored here in vivid technicolor—from her childhood in Saskatoon, Canada, to her arrival in Laurel Canyon that turned her into, as Alford puts it, “the bard of heartbreak and longing.” Each period of Mitchell’s life is observed via the artists, friends, family, and lovers she encountered along the way, including James Taylor, Leonard Cohen, Georgia O’Keefe, Prince, and, most significantly, Kilauren, the daughter Mitchell gave up for adoption at birth but then reconnected with decades later.
Presented in the impressionistic vein of Ninety-Nine Glimpses of Princess Margaret, I Dream of Joni explores in fifty-three essays, with the author’s trademark wit and verve, the life of the legendary singer-songwriter.
There’s power in a book…
They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened.
Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who plans to marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who.
Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid…and it’s usually paid in blood.
In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).
From generational icon Brooke Shields comes an intimate and empowering exploration of aging that flips the script on the idea of what it means for a woman to grow older
Brooke Shields has spent a lifetime in the public eye. Growing up as a child actor and model, her every feature was scrutinized, her every decision judged. Today Brooke faces a different kind of scrutiny: that of being a “woman of a certain age.”
And yet, for Brooke, the passage of time has brought freedom. At fifty-nine, she feels more comfortable in her skin, more empowered and confident than she did decades ago in those famous Calvin Kleins. Now, in Brooke Shields Is Not Allowed to Get Old, she’s changing the narrative about women and aging.
This is an era, insists Brooke, when women are reclaiming agency and power, not receding into the shadows. These are the years when we get to decide how we want to live—when we get to write our own stories.
With remarkable candor, Brooke bares all, painting a vibrant and optimistic picture of being a woman in the prime of her life, while dismantling the myths that have, for too long, dimmed that perception. Sharing her own life experiences with humor and humility, and weaving together research and reporting, Brooke takes aim at the systemic factors that contribute to age-related bias.
By turns inspiring, moving, and galvanizing, Brooke’s honesty and vulnerability will resonate with women everywhere, and spark a new conversation about the power and promise of midlife.
