Category: Book

From the detective who found the Golden State Killer, a memoir that “grabs its reader in a stranglehold and proves more fascinating than fiction and darker than any noir narrative.” (LA Magazine)

I order another bourbon, neat. This is the drink that will flip the switch. I don’t even know how I got here, to this place, to this point. Something is happening to me lately. I’m drinking too much. My sheets are soaking wet when I wake up from nightmares of decaying corpses. I order another drink and swig it, trying to forget about the latest case I can’t shake.

Crime solving for me is more complex than the challenge of the hunt, or the process of piecing together a scientific puzzle. The thought of good people suffering drives me, for better or worse, to the point of obsession. People always ask how I am able to detach from the horrors of my work. Part of it is an innate capacity to compartmentalize; the rest is experience and exposure, and I’ve had plenty of both. But I have always taken pride in the fact that I can keep my feelings locked up to get the job done. It’s only been recently that it feels like all that suppressed darkness is beginning to seep out.

When I look back at my long career, there is a lot I am proud of. I have caught some of the most notorious killers of the twenty-first century and brought justice and closure for their victims and families. I want to tell you about a lifetime solving these cold cases, from Laci Peterson to Jaycee Dugard to the Pittsburg homicides to, yes, my twenty-year-long hunt for the Golden State Killer.

But a deeper question eats at me as I ask myself, at what cost? I have sacrificed relationships, joy—even fatherhood—because the pursuit of evil always came first. Did I make the right choice? It’s something I grapple with every day. Yet as I stand in the spot where a young girl took her last breath, as I look into the eyes of her family, I know that, for me, there has never been a choice. “I don’t know if I can solve your case,” I whisper. “But I promise I will do my best.”

It is a promise I know I can keep.

“Mythic retelling at its best.” ―R. F. Kuang, author of The Poppy War

“Easily earns its place on shelves alongside Madeline Miller’s Circe.” –Publishers Weekly (starred review)A stunning debut from a powerful new voice, Kaikeyi reimagines the life of the infamous queen from the Indian epic the Ramayana. It is a tale of fate, family, courage, and heartbreak—and an extraordinary woman determined to leave her mark in a world where gods and men dictate the shape of things to come.

I was born on the full moon under an auspicious constellation, the holiest of positions—much good it did me.

So begins Kaikeyi’s story. The only daughter of the kingdom of Kekaya, she is raised on tales of the gods: how they churned the vast ocean to obtain the nectar of immortality, how they vanquish evil and ensure the land of Bharat prospers, and how they offer powerful boons to the devout and the wise. Yet she watches as her father unceremoniously banishes her mother, listens as her own worth is reduced to how great a marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear.

Desperate for some measure of independence, she turns to the texts she once read with her mother and discovers a magic that is hers alone. With this power, Kaikeyi transforms herself from an overlooked princess into a warrior, diplomat, and most favored queen, determined to carve a better world for herself and the women around her.

But as the evil from her childhood stories threatens the cosmic order, the path she has forged clashes with the destiny the gods have chosen for her family. And Kaikeyi must decide if resistance is worth the destruction it will wreak—and what legacy she intends to leave behind.

Praise for Kaikeyi:

“Utterly captivating from start to finish.” ―Genevieve Gornichec, author of The Witch’s Heart
  
“Brave, compassionate and powerful.” ―Tasha Suri, author of The Jasmine Throne
 
“A lyrical and evocative retelling, full of power and grace.” ―Ava Reid, author of The Wolf and the Woodsman
 
“Compulsively readable and infinitely compassionate.” ―Roshani Chokshi, author of The Gilded Wolves 
 
“A thought-provoking, nuanced new look at one of humanity’s most foundational stories.” —S. A. Chakraborty, author of The City of Brass
 
“Fans of Madeline Miller’s Circe will fall hard for this story.” ―Booklist (starred review)

OPRAH’S BOOK CLUB PICK • A HARPERS BAZAAR BEST BOOK OF 2022 • A PARADE MOST ANTICIPATED BOOK • A MARIE CLAIRE MOST ANTICIPATED BOOK

“Reading Finding Me. . . you understand where her ability comes from: Only someone who has already been dragged into the depths of emotion readily knows how to get back there.” —New York Times Magazine

“[A] fulfilling narrative of struggle and success….Her gorgeous storytelling will inspire anyone wishing to shed old labels.” —Los Angeles Times

“This book is a testament to resilience, hard work, and the power of owning your truth.” —Real Simple

In my book, you will meet a little girl named Viola who ran from her past until she made a life-changing decision to stop running forever.

This is my story, from a crumbling apartment in Central Falls, Rhode Island, to the stage in New York City, and beyond. This is the path I took to finding my purpose but also my voice in a world that didn’t always see me.

As I wrote Finding Me, my eyes were open to the truth of how our stories are often not given close examination. We are forced to reinvent them to fit into a crazy, competitive, judgmental world. So I wrote this for anyone running through life untethered, desperate and clawing their way through murky memories, trying to get to some form of self-love. For anyone who needs reminding that a life worth living can only be born from radical honesty and the courage to shed facades and be . . . you.

Finding Me is a deep reflection, a promise, and a love letter of sorts to self. My hope is that my story will inspire you to light up your own life with creative expression and rediscover who you were before the world put a label on you.

From the #1 internationally bestselling author of the Cartel Trilogy (The Power of the Dog, The Cartel, and The Border), The Force, and Broken comes the first novel in an epic new trilogy.

“Superb. City on Fire is exhilarating.” – Stephen King

“Epic, ambitious, majestic, City on Fire is The Godfather for our generation.” – Adrian McKinty, New York Times bestselling author of The Chain

Two criminal empires together control all of New England.

Until a beautiful woman comes between the Irish and the Italians, launching a war that will see them kill each other, destroy an alliance, and set a city on fire.

Danny Ryan yearns for a more “legit” life and a place in the sun. But as the bloody conflict stacks body on body and brother turns against brother, Danny has to rise above himself. To save the friends he loves like family and the family he has sworn to protect, he becomes a leader, a ruthless strategist, and a master of a treacherous game in which the winners live and the losers die.

From the gritty streets of Providence to the glittering screens of Hollywood to the golden casinos of Las Vegas, two rival crime families ignite a war that will leave only one standing. The winner will forge a dynasty.

Exploring the classic themes of loyalty, betrayal, and honor, City on Fire is a contemporary masterpiece in the tradition of The Godfather, Casino, and Goodfellas—a thrilling saga from Don Winslow, “America’s greatest living crime writer” (Jon Land, Providence Journal).

From Putin, Trump, and Bolsonaro to Erdoğan, Orbán, and Xi, an intimate look at the rise of strongman leaders around the world.

The first truly global treatment of the new nationalism, underpinned by an exceptional level of access to its key actors, from the award-winning journalistand author of Easternization.


This is the most urgent political story of our time: authoritarian leaders have become a central feature of global politics. Since 2000, self-styled strongmen have risen to power in capitals as diverse as Moscow, Beijing, Delhi, Brasilia, Budapest, Ankara, Riyadh, and Washington. These leaders are nationalists and social conservatives, with little tolerance for minorities, dissent, or the interests of foreigners. At home, they claim to be standing up for ordinary people against globalist elites; abroad, they posture as the embodiments of their nations. And everywhere they go, they encourage a cult of personality. What’s more, these leaders are not just operating in authoritarian political systems but have begun to emerge in the heartlands of liberal democracy.

Gideon Rachman has been in the same room with most of these strongmen and reported from their countries over a long journalistic career. While others have tried to understand their rise individually, Rachman pays full attention to the widespread phenomenon and uncovers the complex and often surprising interaction among these leaders. In the process, he identifies the common themes in our local nightmares, finding global coherence in the chaos and offering a bold new paradigm for navigating our world.

Best friends exploring the Louvre in Paris find themselves in a time loop searching for answers in this “exhilarating” novel “for fans of Rumaan Alam’s Leave the World Behind” (The Millions).

“What do you get when you take Groundhog Day, add a dash of the apocalypse, a little French obsession, and mix in female friendship and romantic entanglement? This firecracker of a book.” –Good Housekeeping

Bertie and Kate have been best friends since high school. Bertie is a semi-failed cartoonist, working for a prominent Silicon Valley tech firm. Her job depresses her, but not as much as the fact that Kate has recently decided to move from San Francisco to Los Angeles.

When Bertie’s attempts to make Kate stay fail, she suggests the next-best thing: a trip to Paris that will hopefully distract the duo from their upcoming separation. The vacation is also a sort of last hurrah, coming during a ceasefire in a series of escalating world conflicts.

When a mysterious stranger offers them a private tour of the Louvre, the women find themselves alone in the museum where nothing is quite as it seems. Caught up in a day that keeps repeating itself, the two are eventually separated, and Bertie is faced with a mystery that threatens to derail everything. A heartfelt ode to friendship and self-discovery, The End of the World House is a charming and thought-provoking novel exploring relationships, art, and the choices which make all the difference.

From one of our sharpest and most important political thinkers, a brilliant big-picture vision of the greatest challenge of our time—how to bridge the bitter divides within diverse democracies enough for them to remain stable and functional

Some democracies are highly homogeneous. Others have long maintained a brutal racial or religious hierarchy, with some groups dominating and exploiting others. Never in history has a democracy succeeded in being both diverse and equal, treating members of many different ethnic or religious groups fairly. And yet achieving that goal is now central to the democratic project in countries around the world. It is, Yascha Mounk argues, the greatest experiment of our time.

Drawing on history, social psychology, and comparative politics, Mounk examines how diverse societies have long suffered from the ills of domination, fragmentation, or structured anarchy. So it is hardly surprising that most people are now deeply pessimistic that different groups might be able to integrate in harmony, celebrating their differences without essentializing them. But Mounk shows us that the past can offer crucial insights for how to do better in the future. There is real reason for hope.

It is up to us and the institutions we build whether different groups will come to see each other as enemies or friends, as strangers or compatriots. To make diverse democracies endure, and even thrive, we need to create a world in which our ascriptive identities come to matter less—not because we ignore the injustices that still characterize the United States and so many other countries around the world, but because we have succeeded in addressing them.

The Great Experiment is that rare book that offers both a profound understanding of an urgent problem and genuine hope for our human capacity to solve it. As Mounk contends, giving up on the prospects of building fair and thriving diverse democracies is simply not an option—and that is why we must strive to realize a more ambitious vision for the future of our societies.

“New to Liberty is a marvel. I was enraptured by DeMisty Bellinger’s portrait of a gothic, gritty countryside. This atmospheric novel traces, with great sincerity, sensitivity, and crystal-clear prose, the dynamics of love and courtship, even as it explores lives lived in the haunting aftermath of violence. Bellinger’s is a major, exciting new voice in fiction.” –Timothy Schaffert, author of The Perfume Thief

One of BuzzFeed’s Most Anticipated Books of 2022: “Watch for this book on every ‘best of’ list for 2022.”

Three women, decades apart from each other, fight for love and agency in a rural Kansas community seemingly frozen in time: 1966: Sissily is driving cross-country with a much older man called Ezzy. On their way to California to begin a life together, he insists on stopping at his family ranch outside Liberty, Kansas visit his mother, Mrs. Svoboda. This family reunion is a painful reminder for Sissily of the rumors about the scandal that led to her running away from home, but while Mrs. Svoboda is a domineering figure, Sissily sees a woman who harbors secrets of her own. 

1947: Nella’s family relocates to Liberty from Milwaukee, and during the summer before her senior year, begins an interracial relationship with a white man called Lucky. They can only meet in secret, or as Lucky is in a wheelchair sometimes Nella pretends to be his nurse. When three white men stumble upon “Nurse Nella” one catastrophic afternoon, the violence of a racist society forces Nella to face the harsh reality of her love affair. 

1933: Greta finds love with a woman from the neighboring farm during the height of the Dust Bowl and brutal jackrabbit roundups. Surrounded by violence and starvation, their clandestine encounters are unsustainable, and yet the implications of their relationship will find a way to endure for generations. A novel told in three parts, New to Liberty showcases the growth and strength of three unforgettable women as they evolve in a society that refuses to. In lustrous prose, DeMisty Bellinger brings the quiet but treacherous landscape to life, offering a vivid snapshot of mid-century America and keeping readers guessing until the end as to how these three women are connected.

From the bestselling author of I Miss You When I Blink and “writer of singular spark and delight” (Elizabeth Gilbert, #1 New York Times bestselling author) comes a poignant and powerful new memoir that tackles the big questions of life, death, and existential fear with humor and hope.

A lifelong worrier, Philpott always kept an eye out for danger, a habit that only intensified when she became a parent. But she looked on the bright side, too, believing that as long as she cared enough, she could keep her loved ones safe.

Then, in the dark of one quiet, pre-dawn morning, she woke abruptly to a terrible sound—and found her teenage son unconscious on the floor. In the aftermath of a crisis that darkened her signature sunny spirit, she wondered: If this happened, what else could happen? And how do any of us keep going when we can’t know for sure what’s coming next?

Leave it to the writer whose critically acclaimed debut had us “laughing and crying on the same page” (NPR) to illuminate what it means to move through life with a soul made of equal parts anxiety and optimism (and while she’s at it, to ponder the mysteries of backyard turtles and the challenges of spatchcocking a turkey).

Hailed by TheWashington Post as “Nora Ephron, Erma Bombeck, Jean Kerr, and Laurie Colwin all rolled into one,” Philpott returns in her distinctive voice to explore our protective instincts, the ways we continue to grow up long after we’re grown, and the limits—both tragic and hilarious—of the human body and mind.

Click here to buy book and attend April 20 8pm Zoom event with Mary Laura Philpott & Kimberly Williams-Paisley

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A Best Book of 2022 in Harper’s Bazaar, Daily Mail, Glamour, and Thrillist.

Most Anticipated of 2022 in The Millions, Ms. Magazine, LitHub

A young, mixed-race vampire must find a way to balance her deep-seated desire to live amongst humans with her incessant hunger in this stunning debut novel from a writer-to-watch.

Lydia is hungry. She’s always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside – the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can’t eat any of these things. Her body doesn’t work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs’ blood in London – where she is living away from her vampire mother for the first time – is much more difficult than she’d anticipated.

Then there are the humans – the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can’t bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for – perpetual youth, near-invulnerability, immortality – but she is miserable; she is lonely; and she is hungry – always hungry.

As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her – between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans – if she is to find a way to exist in the world. Before any of this, however, she must eat.

“Absolutely brilliant – tragic, funny, eccentric and so perfectly suited to this particularly weird time. Claire Kohda takes the vampire trope and makes it her own in a way that feels fresh and original. Serious issues of race, disability, misogyny, body image, sexual abuse are handled with subtlety, insight, and a lightness of touch. The spell this novel casts is so complete I feel utterly, and happily, bitten.” — Ruth Ozeki, Booker-shortlisted author of A Tale for the Time Being