Category: Book

An enduring account of joy and sorrow from one of the great writers of our time,The New Yorker’s Kathryn Schulz, winner of the Pulitzer Prize

“Our lives do indeed deserve and reward the kind of honest, gentle, brilliant scrutiny Schulz brings to bear on her own life. The book is profound and beautiful.”—Marilynne Robinson, author of Housekeeping and Gilead

ONE OF THE MOST ANTICIPATED BOOKS OF 2022—Oprah Daily, The Washington Post, Vogue, The Philadelphia Inquirer, Esquire, Chicago Review of Books, Town & Country, Electric Lit, The Rumpus, Lit Hub

Eighteen months before Kathryn Schulz’s beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery—from the maddening disappearance of everyday objects to the sweeping devastations of war, pandemic, and natural disaster; from finding new planets to falling in love.

Three very different American families form the heart of Lost & Found: the one that made Schulz’s father, a charming, brilliant, absentminded Jewish refugee; the one that made her partner, an equally brilliant farmer’s daughter and devout Christian; and the one she herself makes through marriage. But Schulz is also attentive to other, more universal kinds of conjunction: how private happiness can coexist with global catastrophe, how we get irritated with those we adore, how love and loss are themselves unavoidably inseparable. The resulting book is part memoir, part guidebook to living in a world that is simultaneously full of wonder and joy and wretchedness and suffering—a world that always demands both our gratitude and our grief.

A staff writer at The New Yorker and winner of the Pulitzer Prize, Kathryn Schulz writes with curiosity, tenderness, erudition, and wit about our finite yet infinitely complicated lives. Crafted with the emotional clarity of C. S. Lewis and the intellectual force of Susan Sontag, Lost & Found is an uncommon book about common experiences.

One of SheReads’ Best Literary Historical Fiction Coming in 2022

One of Reader’s Digest’sBest Books for Women Written by Female Authors
The dramatic story of how a humble bookseller fought against incredible odds to bring one of the most important books of the 20th century to the world in this new novel from the author of The Girl in White Gloves.
 
When bookish young American Sylvia Beach opens Shakespeare and Company on a quiet street in Paris in 1919, she has no idea that she and her new bookstore will change the course of literature itself.
 
Shakespeare and Company is more than a bookstore and lending library: Many of the prominent writers of the Lost Generation, like Ernest Hemingway, consider it a second home. It’s where some of the most important literary friendships of the twentieth century are forged—none more so than the one between Irish writer James Joyce and Sylvia herself. When Joyce’s controversial novel Ulysses is banned, Beach takes a massive risk and publishes it under the auspices of Shakespeare and Company.
 
But the success and notoriety of publishing the most infamous and influential book of the century comes with steep costs. The future of her beloved store itself is threatened when Ulysses‘ success brings other publishers to woo Joyce away. Her most cherished relationships are put to the test as Paris is plunged deeper into the Depression and many expatriate friends return to America. As she faces painful personal and financial crises, Sylvia—a woman who has made it her mission to honor the life-changing impact of books—must decide what Shakespeare and Company truly means to her.

A Most Anticipated Title from: USA Today * The Guardian * Alma * Fodor’s * AV Club * Vogue * KatieCouric.com * BookRiot * Lithub

From New York Times bestselling author Jami Attenberg comes a dazzling memoir about unlocking and embracing her creativity—and how it saved her life.

Copies Signed by the author available while supplies last.

In this brilliant, fierce, and funny memoir of transformation, Jami Attenberg—described as a “master of modern fiction” (Entertainment Weekly) and the “poet laureate of difficult families” (Kirkus Reviews)—reveals the defining moments that pushed her to create a life, and voice, she could claim for herself. What does it take to devote oneself to art? What does it mean to own one’s ideas? What does the world look like for a woman moving solo through it?

As the daughter of a traveling salesman in the Midwest, Attenberg was drawn to a life on the road. Frustrated by quotidian jobs and hungry for inspiration and fresh experiences, her wanderlust led her across the country and eventually on travels around the globe. Through it all she grapples with questions of mortality, otherworldliness, and what we leave behind.

It is during these adventures that she begins to reflect on the experiences of her youth—the trauma, the challenges, the risks she has taken. Driving across America on self-funded book tours, sometimes crashing on couches when she was broke, she keeps writing: in researching articles for magazines, jotting down ideas for novels, and refining her craft, she grows as an artist and increasingly learns to trust her gut and, ultimately, herself.

Exploring themes of friendship, independence, class, and drive, I Came All This Way to Meet You is an inspiring story of finding one’s way home—emotionally, artistically, and physically—and an examination of art and individuality that will resonate with anyone determined to listen to their own creative calling.

From the author of the classic A Little Life—a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia.

In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.

These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.

To Paradise is a findesiecle novel of marvelous literary effect, but above all it is a work of emotional genius.  The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family and even our fellow citizens—and the pain that ensues when we cannot.

In this riveting and immersive novel, bestselling author Thrity Umrigar tells the story of two couples and the sometimes dangerous and heartbreaking challenges of love across a cultural divide.

Indian American journalist Smita has returned to India to cover a story, but reluctantly: long ago she and her family left the country with no intention of ever coming back. As she follows the case of Meena—a Hindu woman attacked by members of her own village and her own family for marrying a Muslim man—Smita comes face to face with a society where tradition carries more weight than one’s own heart, and a story that threatens to unearth the painful secrets of Smita’s own past. While Meena’s fate hangs in the balance, Smita tries in every way she can to right the scales. She also finds herself increasingly drawn to Mohan, an Indian man she meets while on assignment. But the dual love stories of Honor are as different as the cultures of Meena and Smita themselves: Smita realizes she has the freedom to enter into a casual affair, knowing she can decide later how much it means to her.

In this tender and evocative novel about love, hope, familial devotion, betrayal, and sacrifice, Thrity Umrigar shows us two courageous women trying to navigate how to be true to their homelands and themselves at the same time.

In The Steal, veteran journalists Mark Bowden and Matthew Teague offer a
week-by-week, state-by-state account of the effort to overturn the 2020 presidential
election

In the sixty-four days between November 3 and January 6, President Donald Trump and his allies fought to reverse the outcome of the vote. Focusing on six states–Arizona, Georgia, Michigan, Nevada, Pennsylvania, and Wisconsin–Trump’s supporters claimed widespread voter fraud.Caught up in this effort were scores of activists, lawyers, judges, and state and local officials. Working with a team of researchers and reporters, Bowden and Teague uncover never-before-told accounts from the election officials fighting to do their jobs amid outlandish claims and threats to themselves, their colleagues, and their families. The Steal is an engaging, in-depth report on what happened during those crucial nine weeks and a portrait of the dedicated individuals who did their duty and stood firm against the unprecedented, sustained attack on our election system and ensured that every legal vote was counted and that the will of the people prevailed.

The first big novel of 2022: an epic literary thriller set where America is right now, in which a band of unlikely heroes sets out on a quest to save one innocent life—and might end up saving us all.

Something is happening to teenagers across America, spreading through memes only they can parse.  

At the Float Anxiety Abatement Center, in a suburb of Chicago, Simon Oliver is trying to recover from his sister’s tragic passing. He breaks out to join a woman named Louise and a man called The Prophet on a quest as urgent as it is enigmatic. Who lies at the end of the road? A man known as The Wizard, whose past encounter with Louise sparked her own collapse. Their quest becomes a rescue mission when they join up with a man whose sister is being held captive by the Wizard, impregnated and imprisoned in a tower.  

Noah Hawley’s new novel is an adventure that finds unquenchable lights in dark corners.  Unforgettably vivid characters and a plot as fast and bright as pop cinema blend in a Vonnegutian story that is as timeless as a Grimm’s fairy tale.  It is a leap into the idiosyncratic pulse of the American heart, written with the bravado, literary power, and feverish foresight that have made Hawley one of our most essential writers.

A new story collection from “one of Europe’s most exciting writers” (New York Times Book Review) deftly evokes and explores the shifts that occur when the world grows dark.

Snowed in at a remote artists’ residency in Vermont, Peter recalls another Christmas some thirty years earlier, when he met Marcia by chance on a trip to New York City. Only now, in this eerie, isolated place, does he begin to see the consequences of their brief affair through a series of connections.
        When Hubert asks Sabrina to model for a sculpture, she’s flattered and happy to help. But facing the finished product, looking at herself from previously hidden angles, disturbs her, and she becomes determined to follow her double after it’s sold to a collector.
        Uneasy in his own skin and with the humdrum life set out for him, David decides to rob a bank. He already has a mask for the purpose, but won’t be using it today. He’s heard that bank robbers often study the scene for weeks before they strike. So he’s started to lurk.
        We think we know our world, but then the familiar suddenly turns strange, and even frightening. In these powerfully affecting, minutely constructed stories, Peter Stamm illustrates how fragile our reality really is, how susceptible to tricks of the heart and mind.

Stories of Dracula have fascinated people around the world for generations. Both the fictional vampire created by the Irish author Bram Stoker at the end of the nineteenth century and the fifteenth century Prince called Vlad the Impaler, the man regarded as the historical Dracula, have become part of universal culture. Yet few realize that the Wallachian ruler dubbed “the Impaler,” is not the original Dracula. Instead, that distinction belongs to his father, a little-known prince called Vlad Dracul.

The elder Vlad, who gained the sobriquet Dracul or Dracula when Holy Roman Emperor Sigismund of Luxemburg initiated him into the Order of the Dragon in February 1431, was among the most important political personalities of his day. He far surpassed his more famous namesake in those qualities that define a great ruler. Vlad Dracul struggled to protect the independence of his land, under the most difficult of circumstances, against the threats posed by his powerful neighbors, the Ottoman Empire and the Kingdom of Hungary. In so doing, he in no small way contributed to the survival of his principality at a time when Ottoman expansion in the Balkans expunged countries such as Bulgaria and Serbia from the map of Europe.

Several books have been devoted to the study of his famous son, Vlad the Impaler, but any search for the historical Dracula must begin with the story of the father. Now, for the first time, based on extensive documentary research, the true story of the man who founded the Dracula dynasty is revealed.