“Man, I could live my whole life inside this novel and be perfectly happy. Téa Obreht is the real thing. Inland has the stern gorgeousness of Blood Meridian, the cinematic perfection of Station Eleven, the fantasia-like atmosphere of Cloud Atlas, and the deep-heartedness of The Winter Soldier. This is the sort of novel that makes people want to get up and soldier on. I really loved this book.” — Erica Eisdorfer, Flyleaf Books, Chapel Hill, NC
The New York Times bestselling author of The Tiger’s Wife returns with 
“a bracingly epic and imaginatively mythic journey across the American West” (Entertainment Weekly).
In the lawless, drought-ridden lands of the Arizona Territory in 1893, two extraordinary lives unfold. Nora is an unflinching frontierswoman awaiting the return of the men in her life—her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.
Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie’s death-defying trek at last intersects with Nora’s plight is the surprise and suspense of this brilliant novel.
Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht’s talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely—and unforgettably—her own. 
Advance praise for Inland
“This is no boilerplate Louis L’Amour yarn—there are ghosts, camels and other fantastical elements.”—Newsday (Best Summer Books 2019)
“The long-anticipated second novel from Téa Obreht transports readers to the Wild West through the juxtaposed stories of a frontierswoman whose husband and sons have gone missing, and of an outlaw on the run.”—Bustle
“Magnificent . . . brings to mind similar effects in, say, Gabriel García Márquez’s One Hundred Years of Solitude or Toni Morrison’s Beloved.”—The Times Literary Supplement
“Obreht masterfully intertwines [Nora’s and Lurie’s] seemingly unconnected stories with the rich prose, nods to history, and elements of magical realism she’s known for.”—Real Simple
“It will enchant lovers of lyrical prose and the mythical American West.”—Harper’s Bazaar