Named one of the Most Anticipated Books of 2021 by Oprah Magazine, Chicago Tribune, the Guardian, Literary Hub, The Times (UK), Financial Times, and more.
The renowned biographer’s definitive portrait of a literary titan.
Appointed by Philip Roth and granted independence and complete access, Blake Bailey spent years poring over Roth’s personal archive, interviewing his friends, lovers, and colleagues, and engaging Roth himself in breathtakingly candid conversations. The result is an indelible portrait of an American master and of the postwar literary scene.
Bailey shows how Roth emerged from a lower-middle-class Jewish milieu to achieve the heights of literary fame, how his career was nearly derailed by his catastrophic first marriage, and how he championed the work of dissident novelists behind the Iron Curtain.
Bailey examines Roth’s rivalrous friendships with Saul Bellow, John Updike, and William Styron, and reveals the truths of his florid love life, culminating in his almost-twenty-year relationship with actress Claire Bloom, who pilloried Roth in her 1996 memoir, Leaving a Doll’s House.
Tracing Roth’s path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth’s engagement with nearly every aspect of postwar American culture.
“Blake Bailey’s comprehensive life of Philip Roth—to tell it outright—is a narrative masterwork … As in a novel, what is seen at first to be casual chance is revealed at last to be a steady and powerfully demanding drive. … under Bailey’s strong light what remains on the page is one writer’s life as it was lived, and—almost—as it was felt.” Cynthia Ozick – New York Times Book Review (cover)
“Bailey is industrious, rigorous, and uncowed. … Although Roth would not have enjoyed some of the tumult that will now attend its publication, he might have admired his biographer’s … refusal to fall under his subject’s sway. The man who emerges is a literary genius, constantly getting it wrong, loving others, then hurting them, wrestling with himself and with language, devoted to an almost unfathomable degree to the art of fiction.” David Remnick – The New Yorker