Tag: store events

Moving off the Princess Track with Joan Jacobs Brumberg, author of FASTING GIRLS & THE BODY PROJECT

February 17, 2019

Thursday, March 28, at 6pm, a reading and book signing with Joan Jacobs Brumberg, author of FASTING GIRLS & THE BODY PROJECT. Join us for a fascinating and timely discussion about women, girls, body image and social change.

Leading up to this event, we had the opportunity to ask Joan a few questions about her books and herself.

Q: Since THE BODY PROJECT and FASTING GIRLS were originally published how have the issues explored in the books changed? Has there been an increase or decrease in anorexia nervosa with the growth of social media?

A: Social media and scientific medicine may have intensified the cultural imperative for bodily perfection. There are many more “body projects” requiring time, energy, money and persistent maintenance. The number of diagnosed cases of anorexia nervosa remains consistent but there is more disordered eating and orthorexia.

[Editor’s note: Orthorexia is the obsessive pursuit of ‘healthy’ eating.]

Q: From the research you’ve done about girls and body image, what’s the one thing you wish you could impart to girls and parents?

A: Stop reading each others bodies as well as your own. What your body can do is far more important than what it looks like. Young girls need to be moved off The Princess Track.

Q: What’s your relationship to Key West?

A: My husband and I are happy snowbirds, two months here, for almost a decade. We like winter in the Conch Republic and summer in Ithaca, NY on Cayuga Lake. We chose Key West because it is so different than the rest of Florida.

Q: What are you reading and recommending currently?
So far this season: Finished BECOMING on the plane and thought it was far better than most autobiographies of public figures. But I’ve also read THE LOST GIRLS OF PARIS by Pam Jenoff, EARTHLY REMAINS by Donna Leon, THE WINTER SOLIDER by Daniel Mason. At home, I read mostly nonfiction, but not here.

~Robin Wood, Associate Manager

Michael Mewshaw, author of THE LOST PRINCE

February 12, 2019

by Robin Wood

Photo credit: Sean Mewshaw

Join us Tuesday, February 26, at 6pm, as Michael Mewshaw launches his newest book, THE LOST PRINCE, an examination of his friendship with the author Pat Conroy. Pat Conroy was America’s poet laureate of family dysfunction. A larger-than-life character and the author of such classics as The Prince of Tides and The Great Santini, Conroy was remembered by everybody for his energy, his exuberance, and his self-lacerating humor.

Michael Mewshaw’s THE LOST PRINCE is an intimate memoir of his friendship with Pat Conroy, one that involves their families and those days in Rome when they were both young—when Conroy went from being a popular regional writer to an international bestseller. Family snapshots beautifully illustrate that time. Shortly before his forty-ninth birthday, Conroy telephoned Mewshaw to ask a terrible favor. With great reluctance, Mewshaw did as he was asked—and never saw Pat Conroy again.

Although they never managed to reconcile their differences completely, Conroy later urged Mewshaw to write about “me and you and what happened . . . i know it would cause much pain to both of us. but here is what that story has that none of your others have.” THE LOST PRINCE is Mewshaw’s fulfillment of a promise.

Michael Mewshaw‘s five decade career includes award-winning fiction, nonfiction, literary criticism and investigative journalism. He is the author of the nonfiction works Sympathy for the Devil: Four Decades of Friendship with Gore Vidal and Between Terror and Tourism; the novel Year of the Gun; and the memoir Do I Owe You Something? He spends much of his time in Key West.

Praise for THE LOST PRINCE

“In THE LOST PRINCE Michael Mewshaw sets down one of the most gripping stories of friendship I’ve ever read.” —Daniel Menaker, author of My Mistake: A Memoir

“THE LOST PRINCE: A SEARCH FOR PAT CONROY is a book about male bonding rituals and reversals, but it’s also about so much more than that. It’s about how perplexed and inadequately
prepared we can be as characters who pop up in other people’s lives. It’s about unknowability
and its repercussions. It’s a fluidly written, fascinating book about Michael Mewshaw and Pat Conroy caught in the crossbeams of past and present, fated to overlap, bond, retreat, and then—as Mewshaw clearly hopes—to unite in a different configuration a final time.” — Ann Beattie, author of The Accomplished Guest

Ann Beattie, author of A WONDERFUL STROKE OF LUCK

February 9, 2019

by Robin Wood

Tuesday, April 9, at 6pm, a book launch party and book signing with Ann Beattie, author of A WONDERFUL STROKE OF LUCK.

Named a Most Anticipated Book of 2019 by Vulture, The Millions, and O Magazine

A razor-sharp, deeply felt new novel–the twenty-first book by Ann Beattie–about the complicated relationship between a charismatic teacher and his students, and the secrets we keep from those we love.

At a boarding school in New Hampshire, Ben joins the honor society led by Pierre LaVerdere, an enigmatic, brilliant, yet perverse teacher who instructs his students not only about how to reason, but how to prevaricate. As the years go by, LaVerdere’s covert and overt instruction lingers in his students’ lives as they seek some sense of purpose or meaning. Ben feels the pace of his life accelerating and views his intimate relationships as less and less fulfilling; there seems to be a subtext he’s not able to access. And what, really, did Bailey Academy teach him?

While relationships with his stepmother and sister improve, and a move to upstate New York offers respite from his anxiety about love and work, LaVerdere’s reappearance in his life disturbs Ben’s equilibrium. Everything he once thought he knew about his teacher–and himself–is called into question. Written by one of our most iconic writers, known for casting a cold eye on her generation’s ambivalence and sometimes mistaken ambition, A WONDERFUL STROKE OF LUCKis a keenly observed psychological study of a man who alternates between careful driving and hazardous risk-taking, as he struggles to incorporate his past into the vertiginous present.

CLICK HERE TO ORDER NOW

Ann Beattie has published twenty-one books and lives with her husband, the painter Lincoln Perry, in Maine. She is a recipient of the PEN/Malamud Award for achievement in the short story and a member of the American Academy of Arts and Letters and of the American Academy of Arts and Sciences.

Praise for A WONDERFUL STROKE OF LUCK

“Even if you’re not old enough to remember the thrill of reading Beattie’s first-ever story to be published in The New Yorker, you’ll find that the short fiction master’s latest foray into long form is a marvel of wry wit and wisdom.”
—Oprah magazine

“I would read anything by Beattie.”
—Lila Shapiro, Vulture (a Most Anticipated Book of 2019)

“How do our charismatic teachers set the stage for the rest of our lives? That’s one of the questions that Ann Beattie tackles in this novel. When a former New England boarding school student named Ben looks back on his childhood, he starts to question the motives of his superstar teacher. Later on, his teacher gets in contact, and Ben has to grapple with his legacy.”
—The Millions (a Most Anticipated Book of 2019)

“[Beattie’s] elegantly sculpted tale is both wrenchingly sad and ultimately enigmatic: as usual.”
—Kirkus Reviews (starred review)

“Gimlet-eyed Beattie has created a stunningly unnerving and provocative tale spiked with keen cultural allusions and drollery. This jarring dissection of privilege and anxiety, gender expectations, lust, ludicrous predicaments, defensive selfishness, moral confusion, and numbing loneliness projects a matrix of angst somewhat countered by the solace and sustenance found in a quiet life far from the grasping, hurried, hostile world. . . . Beattie’s literary reign continues apace, thanks to her stealthily eviscerating insights and disquieting wit.”
—Booklist (starred review)

Artists & Mothers: Talking with Susan Conley, author of ELSEY COME HOME

February 2, 2019

by Robin Wood

Hearing Susan Conley, author of ELSEY COME HOME read from and discuss her novel was a great way to close out a busy January 2019 calendar of events. Conley’s novel about an expat American living in China deals with issues of artistic and personal identity, addiction, marriage, and motherhood.

Elsey, the novel’s protagonist is trying to figure out how to reconcile the divergent needs of marriage, motherhood with small children and art. Her husband suggests a yoga retreat in the mountains where Elsey meets a cast of characters, who, among other things, depict women dealing with different kinds of issues and challenges.

“Elsey’s problem is that she can’t cohere all the parts of herself,” Susan said. Painting and parenting both call for a kind of obsession, focus, that it is hard to divide. Art calls for a kind of recklessness – and more than anything else – for time.

And, though, Susan herself is now the mother of teenagers rather than young children, she says that need for time doesn’t go away. But while children require the alteration of artistic habits, Susan says they have also been a gift to her work as a writer. “A deeper sense of empathy, a more expansive emotional bandwith, I am more committed to my work,” she said.

~ Robin Wood, Associate Manager

Planting Seeds with Andrew Furman, author of GOLDENS ARE HERE

February 2, 2019

by Robin Wood

Inspired by true events surrounding an historic Florida citrus season and the civil rights struggle, Andrew Furman’s GOLDENS ARE HERE offers a glimpse of the sea changes occurring in Florida and the nation in the 1960s through the prism of one family’s negotiations with the land, their neighbors, and each other. Leading up to his reading and book signing Feb. 6, we had the opportunity to chat with him about his background and new book.

Q: Please tell us a little about how you came to write GOLDENS ARE HERE?

A: I’ve lived here in south Florida for the past 22 years and one of my favorite things to do is hop in the car with my family and visit some of the more scruffy out-of-the-way outposts of our Sunshine State. The seeds for GOLDENS ARE HERE, if I might use a botanical metaphor, originated in one of these trips with my family to the small town of Titusville and its rural outskirts. As I walked the streets of this historic town and visited the remaining orange groves along the nearby Indian River, I found myself imagining what the place must have looked like and meant to the people who lived there in what might be considered the region’s hey-day, the 1960s when the space-race was hitting its stride, the citrus industry was booming, and, as my research would uncover, the Civil Rights struggle was impacting black and white lives in significant ways. It seemed like a rich time and place to direct my creative energies. It wasn’t too long before a cast of characters and a story emerged in my mind that would allow me to engage with the intersections between the social and environmental realms, which has long been a primary interest of mine.

Q: You’ve also written a memoir about Florida? Can you say a little about how you decide to cast a subject as fiction or nonfiction and how you think readers respond to those narrative choices?

A: This is an excellent question that preoccupies much of my attention these days. In fact, I’m currently teaching a graduate writing workshop at Florida Atlantic University entitled, Writing Across Genres, which examines the work of writers (e.g., Colson Whitehead, Marilynne Robinson, Jesmyn Ward) who write both nonfiction and fiction. The aim, ultimately, is for my students to contemplate their own choices, vis a vis genre, more deliberately. Most of my writing—both nonfiction and fiction, and as my answer above suggests—originates in place. From there, I might choose the essay form if I feel that my own personal experiences in and of a particular place stands the chance of resonating with readers in a powerful way, and/or the real-life experience of another person associated with that place demands attention, or if some feature of the place (an animal or plant, say) intrigues me so much that I’m compelled to research and reflect upon this feature in earnest. BITTEN, my recent memoir, documents my experiences coming to know various fascinating aspects of my adopted home state.

I think I turn to fiction when there’s something about a place that inspires me to imagine an entire story and set of characters outside my own personal experiences, when to imagine a place as fully as I desire, I require the freedom of the “make believe” realm. As I review this response, I realize that I’ve positioned fiction, perhaps, as the more “creative” genre. I resist this notion, in theory, as I believe that the essay form can be every bit as creative as fiction, and as some of my most creative work, certainly from an aesthetic point of view, exists within the pages of my essays. But there we are.

In terms of how readers respond to these narrative choices, this is an even tougher question. But if I understand the question correctly, and given all the scandals in the realm of nonfiction lately (James Frey, Margaret B. Jones, et. al.), I will say that I believe that writers enter into a sort of contract with their readers when they purport to write nonfiction, that writers implicitly promise to be telling the truth (not to be inventing characters or events out of whole cloth, for example) and that readers have a right to be disappointed when writers are discovered to have violated these essential terms. In my creative nonfiction classes, my students and I spend a good bit of time brooding over the more nuanced terms of this contract.

Q: If you can boil it down, what’s the top piece you’d give aspiring writers?

A: This one’s easy. Don’t give up! That is, if you love the writing part of writing, keep at it and don’t be discouraged by the obstacles that come your way as you seek publication. I find that many aspiring writers simply don’t realize how many false starts, how many drafts, how many rejections by agents and editors, how many years, in short, go into a typical book. Perseverance pays.

Q: What are you reading and recommending currently?

A: The best novel I read recently is Richard Powers’ THE OVERSTORY, in which several interconnected characters and plot-lines beautifully evoke the long and tangled relationship between trees and us. On the nonfiction front, I was fascinated and moved by Sy Montgomery’s THE SOUL OF AN OCTOPUS, which forced me to look at octopuses (not “octopi,” I learned) in an entirely new light, and to rethink my alimentary choices at Greek restaurants and sushi bars!

Finally, upon learning of Mary Oliver’s recent passing (who was living just up the coast in Hobe Sound), I’ve been re-reading many of the poems I’ve so admired over her long career and reading some of her newer work in DEVOTIONS, a fairly comprehensive recent anthology of her poetry.

Q: What are you working on next?

A: Funny that you ask. I’m delighted to report that I’m currently working on a novel manuscript and a related collection of stories set in the Florida Keys! While I don’t like to talk too much about my current projects, I will say that I was inspired by my several bird-watching visits to the Dagny Johnson Key Largo Hammock Botanical State Park. As some of your readers surely know, this hammock and much of north Key Largo was slated for residential development in the 1970s and 80s, and some construction had ensued. Thanks in no small part to the tireless efforts of various environmental groups, including the Izaak Walton League, Friends of the Everglades, and the Upper Keys Citizens Association, led by Dagny Johnson, the land was finally acquired by Florida’s Conservation and Recreational Lands Program. The 2,421 acre park, which I encourage readers to visit, is now home to 84 protected species of plants and animals.

~ Robin Wood, Associate Manager

A Q&A with Holly Goldberg Sloan, co-author of TO NIGHT OWL FROM DOGFISH

February 2, 2019

by Robin Wood

Photo credit: Gary A. Rosen

Come meet Holly Goldberg Sloan, co-author of TO NIGHT OWL FROM DOGFISH and be among the first people to read her new middle-grade book. Attendees at Holly’s Sunday, February 10, reading and book signing will have the opportunity to get the book two days before its official release.This 2pm store event is free, family friendly and open to the public.

Holly Goldberg Sloan, author of the New York Times bestsellers COUNTING BY 7s and SHORT, has teamed up with Meg Wolitzer, the New York Times-bestselling author of novels for adults and kids, on TO NIGHT OWL FROM DOGFISH, a moving, exuberant, laugh-out-loud novel about friendship and family, told entirely in emails and letters. Get to know a little bit about Holly and her new book below and come ready with your own questions.

Q: How did you and Meg Wolitzer come to write this novel together?

A: Meg and I met in Naperville, Illinois at Anderson’s Bookshop’s YA Conference. I thought Meg was so funny, and it wasn’t long before we discovered that we had so many life similarities. We’re both writers married to writers. We both have two sons. We both want to laugh more than anything. Over the course of the next few years, as we sent each other email and text messages, we decided we wanted to write something together. We didn’t know how, exactly. I remember asking my husband, and he said, “Just start by emailing each other.” He meant, for the record, that we should send emails back and forth with ideas, themes and possible outlines. I didn’t understand. I thought he meant I should email Meg as a character. So I did that. The very first email of TO NIGHT OWL FROM DOGFISH remains very, very close to that first message! I’m pretty proud of that. We never had an outline. And in fact, I resisted talking much about the story. It was so exciting to not know where it was all going.

Q: What do you hope readers will take away from Avery, Bett and their family?

A: Our book is about two young girls who are trying to navigate the fact that their single fathers are now in a relationship. It’s about identity and family, and it’s funny and, I hope, moving. The big take away, I believe, is one of acceptance. We live in times of great division. If these two girls (and their two dads) can find a way to work things out, there’s hope for us all.

Q: What do you like about writing for middle-grade readers?

A: I think that both Meg and I write stories that interest us. So we don’t target readers so much as we target intriguing characters and stories. I believe that adults will get as much out of TO NIGHT OWL FROM DOGFISH as kids.

Q: What are you reading and recommending? For adults? For kids?

I loved EDUCATED, by Tara Westover. And I just finished ASYMMETRY, by Lisa Halliday. I love all of Kate Dicamillo’s books. And Jackie Woodson makes the world go round.

Q: Have you been to Key West before? What are you most looking forward to here?

A: I have never been to Key West and I will visit 15 cities in the next month as Meg and I promote this new novel. Key West is by far the place I’m most excited to see. I have heard that the drive from Miami is epic. I’m ready!

~ Robin Wood, Associate Manager

Joan Jacobs Brumberg, author of FASTING GIRLS & THE BODY PROJECT

February 1, 2019

by Robin Wood

Joan Jacobs Brumberg is the award-winning author of FASTING GIRLS: THE HISTORY OF ANOREXIA NERVOSA and THE BODY PROJECT. She is a Stephen H. Weiss Professor at Cornell University, where she holds a unique appointment teaching in the fields of history, human development, and women’s studies. Her research and sensitive writing about American women and girls have been recognized by the Guggenheim Foundation, the National Endowment for the Humanities, the Rockefeller Foundation, and the MacDowell Colony.

Winner of four major awards, the updated edition of Joan Jacobs Brumberg’s FASTING GIRLS, presents a history of women’s food-refusal dating back as far as the sixteenth century. Here is a tableau of female self-denial: medieval martyrs who used starvation to demonstrate religious devotion, “wonders of science” whose families capitalized on their ability to survive on flower petals and air, silent screen stars whose strict “slimming” regimens inspired a generation. Here, too, is a fascinating look at how the cultural ramifications of the Industrial Revolution produced a disorder that continues to render privileged young women helpless. Incisive, compassionate, illuminating, FASTING GIRLS offers real understanding to victims and their families, clinicians, and all women who are interested in the origins and future of this complex, modern and characteristically female disease.

A hundred years ago, women were lacing themselves into corsets and teaching their daughters to do the same. The ideal of the day, however, was inner beauty: a focus on good deeds and a pure heart. Today American women have more social choices and personal freedom than ever before. But fifty-three percent of our girls are dissatisfied with their bodies by the age of thirteen, and many begin a pattern of weight obsession and dieting as early as eight or nine. Why?

In THE BODY PROJECT, Brumberg answers this question, drawing on diary excerpts and media images from 1830 to the present. Tracing girls’ attitudes toward topics ranging from breast size and menstruation to hair, clothing, and cosmetics, she exposes the shift from the Victorian concern with character to our modern focus on outward appearance—in particular, the desire to be model-thin and sexy. Compassionate, insightful, and gracefully written, THE BODY PROJECT explores the gains and losses adolescent girls have inherited since they shed the corset and the ideal of virginity for a new world of sexual freedom and consumerism—a world in which the body is their primary project.

Practicing Yoga with Michelle C. Johnson, author of SKILL IN ACTION

February 1, 2019

by Robin Wood

Michelle C. Johnson will read from her book SKILL IN ACTION: RADICALIZING YOUR YOGA PRACTICE TO CREATE A JUST WORLD on Friday, February 8, at 6pm. We had the opportunity recently to ask Michelle a few questions to give you an idea of the concepts she will discuss during her presentation.

Q: Please tell us a little about the links between yoga and social justice work?

A: Yoga is a transformative practice physically, emotionally, mentally and spiritually. The practice of yoga is about more than our individual transformation, it is also about our collective liberation. The principles of yoga invite practitioners to consider how to live in ways that decrease harm, increase being truthful about the cultural context and our social location and to live with an awareness of our devotion to something bigger than us. Given these times, it is important for yogis to consider how they can live into their yoga and transform the world.

Q: How did you come to this combined practice of yoga and social justice work?

A: I was an activist before a yogi. I entered into my teacher training with an anti-racism lens and a liberatory framework. With each introduction of the tenants of yoga I heard justice infused in them. I have only practiced yoga in this country and my experience as a black yoga teacher has reflected my experience as a black woman navigating the dominant culture. Yoga can be exclusive and a I don’t fit the norms of yoga in the U.S. based on race and body type. Given my experience of oppression in the world and oppression in the yoga room I saw the need for the yoga community to begin to explore the ways in which it is exclusive and not living into the universal truth of our oneness. I have had times when I experience liberation on my yoga mat but in the room I don’t feel free because I am the “only one” or I don’t see myself reflected in the class or teacher.

Q: What will people who aren’t yoga practitioners get from your presentation?

A: Justice is created through social change. Each one of us moves on this planet and needs to be thinking about our identities, our power, our privilege and the healing that needs to happen based on the identities that are oppressed by dominant culture. My presentation is for everyone because yoga and justice are for everyone. I speak about yoga as a way of living and being, not as a physical practice. Often the practice begins when we roll up our mat or step off our meditation cushion. Everyone can relate to navigating a culture with an awareness that we are moving in different ways. The presentation is for anyone interested in social change, creating a just world and deepening their understanding of power and privilege.

Q: What are you reading and recommending currently?

A: EMERGENT STRATEGY by Adrienne Maree Brown
RADICAL DHARMA by Rev. Angel Kyodo Williams
THE HEALING by Saeeda Hafiz

~ Robin Wood, Associate Manager

Andrew Furman, author of GOLDENS ARE HERE

January 15, 2019

by Robin Wood

Wednesday, February 6, at 6pm, a reading, discussion and book signing with Andrew Furman, author of GOLDENS ARE HERE.

Inspired by true events surrounding an historic Florida citrus season and the civil rights struggle, GOLDENS ARE HERE offers a glimpse of the sea changes occurring in Florida and the nation in the 1960s through the prism of one family’s negotiations with the land, their neighbors, and each other.

It’s 1961, and everything is changing in Florida. Jim Crow strains to maintain its hold, the Cold War escalates, the US space program hits its stride, and the Jewish Goldens—determined to begin a new pastoral life along Florida’s central east coast—are just trying to hold on to their small orange grove near the excitement of Cape Canaveral.

In GOLDENS ARE HERE, Andrew Furman imagines with great empathy the individual members of the Golden family, their unique struggles and dreams, during a single tumultuous citrus season. Isaac Golden must reckon between his ambition to create the perfect fruit and the business realities bearing down upon him given the booming postwar demand for cheap frozen concentrate. His beautiful wife, Melody, finds herself testing the boundaries that had so clearly governed her more conventional life in suburban Philadelphia, and their chronically ill son, Eli, wishes only to muster his strength so that he might enjoy the wide-open outdoors and see a bobcat.

Andrew Furman is a professor of English at Florida Atlantic University and teaches in its creative writing MFA program. He is the author of the environmental memoir Bitten: My Unexpected Love Affair with Florida (2014), which was named a Finalist for the ASLE Environmental Book Award, and My Los Angeles in Black and (Almost) White (2010). His fiction and creative nonfiction frequently engages with the Florida outdoors, but he has also written about Jewish identity, basketball, lighthouses, swimming, and cast-iron cookware. He lives in south Florida.

Praise for GOLDENS ARE HERE:

“Andrew Furman’s GOLDENS ARE HERE is a smart, generous, and engrossing look at the Civil Rights struggle in Florida. A fascinating meditation on what it means to be a neighbor in a highly unjust world.” —Gary Shteyngart, author of Super Sad True Love Story and Little Failure

“‘There was something glorious about an examination with a stethoscope,’ muses Isaac Golden, the searching, hopeful patriarch in Andrew Furman’s novel, GOLDENS ARE HERE. ‘This laying on of hands. This reverent silence. . . . Here was the real, Isaac thought.’ Readers looking for the real will find it in Furman’s careful attunement to place (tamarind, lantana, wax myrtle; Parson Brown, Hamlin, Valencia) and time (the Space Age and the Civil Rights struggle.) Furman gives this moment in our collective history its due with nuance, warmth, and a palpable sense of family grief and love.”
—Joni Tevis, author of The World Is On Fire: Scrap, Treasure, and Songs of Apocalypse