She’s the author of our July featured staff pick, Factory Girls. Questions by Emily Berg, store manager.
Q: This is a work of fiction, but it does take place in a time and place you lived. Of the three girls, is there one whose feelings and experiences most closely reflect your own?
A: I think each character has strengths, weaknesses, griefs and talents that I envy or fear, and that’s why they are all so vivid to me. I also feel incredibly close to both Deirdre – Maeve’s sister – and I adore Fidelma, the fist-fighting factory worker who elbows her way into the narrative.
Having said that, when I worked in a shirt factory, I did press shirts, and the hard physical experience of that is one I brought to the book. In one way, it was an incredibly zen job – I have never since got so ‘lost’ in my work, or felt so in the flow. But I found the socio-political side of working in the factory hugely stressful – I worked alongside lots of clever, quick-witted people who were also watchful and wary – I never felt like I could keep up with the ‘banter’, and disliked the underlying current of mistrust.
Q: Maeve has some memories of programs set up (in school and out) to bring Catholics and Protestants together. Did you participate in any such programs and, if so, did you find they were successful in anyway?
A: I think the fundamental problem with these programs is that they are based on premise that children who have been brought up in a society that is structurally biased and segregated at almost every level, run by adults who aren’t doing all that much to change the dynamic, will bring about peace simply by hanging out for the weekend and doing some mildly risky outdoors activities. If it were that easy, Mo Mowlam and Bill Clinton would’ve had a much easier time of it in the peace process. I think these programs were better than nothing. But they also placed an enormous burden on our shoulders, while giving us almost no power to make changes. I think if the adults and interested parties had placed all that energy and funding into integrating the schools, our peace process would be a lot more advanced than it currently is – and the current school system would be spending its money on a shared education instead of wasting money segregating students.
Q: The book captured the feeling of having that first apartment, out on your own with a friend. What was your first apartment like?
A: Oh I didn’t live independently until I got to university, and it wasn’t the same experience, as I knew nobody in Dublin and had to room with a total stranger. I know that’s quite a common college experience in the US, but very unusual in Ireland, where everyone knows each other or has family they can stay with. I lived with a student from Newry and one from Tipperary. We were all utterly different from each other but I bonded well with the student who had come from Northern Ireland. Our lives were much more similar than students who had never experienced the Troubles, who had no idea of what the conflict was like. Although I didn’t drink, I loved hosting friends and parties in my flat. I had the only computer in the building, so lots of geeks came to hang out and use the program Eliza to work through their problems, or to play basic arcade games. We also had ‘sessions’ where we’d get together to sing and play guitar. The building I lived in was occupied mostly by students – so I got to meet and mix with people from all over Ireland for the first time. It was an incredible experience, even if I was also homesick for the North.
Q: Have you heard the audio book version of Factory Girls? Did you think the narrator’s accent was accurate? (I believe she’s English.)
A: I actually had the opportunity to hear the shortlisted narrators before the final choice was made, so I was thrilled to discover that Northern Irish actors were in the line up. I loved the selected narrator, Amy Molloy, who grew up in Belfast. She captures all the different voices and characters just beautifully. Nicola Coughlan – who plays Clare in Derry Girls – narrated my first book, Big Girl Small Town. Nicola isn’t from Northern Ireland, but obviously her work in refining her accent for Derry Girls helped her nail the narration too.
Q: What are you currently reading?
A: Oh I’m reading about 10 books at the moment because I’m a bit overloaded juggling the the chaos of a renovation, work and travel. So to escape into the world of a deliciously eccentric character, I’m reading Strange Sally Diamond by Liz Nugent. To improve my French and consider the horror of always being in the first flush of love, I’m reading Mon Mari by Maud Ventura. And to keep myself doing ‘The Work’ I’m reading Waking the Tiger by Peter Levine.
Ed note: In English, Mon Mari is My Husband by Maud Ventura, translated by Emma Ramadan.
Q: Are you working on anything new?
A: I’m silly busy writing at the moment 😱 I’m trying to finish a fourth book instead of redrafting my third, simply because every time I sit down to start the redraft of the third book, the narrator of the fourth book grabs me by the throat and won’t let go until I’ve exhausted that voice. I’m also working on the adaptation of Big Girl Small Town for screen with BBC production company Lookout Point, and working on the adaptation of Factory Girls for TV with Irish Production company Deadpan Pictures. I feel like I am being jostled on all sides by characters, locations, voices and events – on top of finishing up a house renovation, parenting, and travelling for work in the ‘real’ world. It’s funny how exhausting having your dreams come true is 😂
Q: One of my favorite quotes from the book is “If Aoife fell into a barrel of c*cks she’d come out sucking her own thumb.” Is this an idiom I just may not have heard as an American or a Michelle Gallen original phrase? I love it.
A: Hahahahah no it’s a phrase I first heard in Belfast. I can still remember how hard I laughed. It’s TERRIBLE. It’s brilliant! I’m heading up to Belfast shortly for an event and I can’t wait to catch up with all my friends there – it will be like drinking pure comedy gold.
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